His prose, always brisk and vigorous, rises in The People of the Abyss to italicized horror over the human degradations he saw in the slums of East London. It also accommodates the dazzling oratory of the hero of The Iron Heel, an American revolutionary named Ernest Everhard, whose speeches have the accents of some of London’s own political essays, like the piece (reprinted in this volume) entitled “Revolution.” London’s prophetic political vision was recalled by Leon Trotsky, who observed that when The Iron Heel first appeared, in 1907, not one of the revolutionary Marxists had yet fully imagined “the ominous perspective of the alliance between finance capitalism and labor aristocracy.”Whether he is recollecting, in The Road, the exhilarating camaraderie of hobo gangs, or dramatizing, in Martin Eden, a life like his own, even to the foreshadowing of his own death at age forty, or confessing his struggles with alcoholism in the memoir John Barleycorn, London displays a genius for giving marginal life the aura of romance. Violence and brutality flash into life everywhere in his work, both as a condition of modern urban existence and as the inevitable reaction to it.Though he is outraged in The People of the Abyss by the condition of the poor in capitalist societies, London is even more appalled by their submission, and in the novel he wrote immediately afterward, The Call of the Wild (in the companion volume, Novels and Stories), he constructed an animal fable about the necessary reversion to savagery. The Iron Heel, with its panoramic scenes of urban warfare in Chicago, envisions the United States taken over by fascists who perpetuate their regime for three hundred years. It constitutes London’s warning to his fellow socialists that mere persuasion is insufficient to combat a system that ultimately relies on force.

    Henry is one of the most widely published of modern authors. His works-more than six hundred stories-have been translated into nearly every language. Although his first literary success took Latin America for its setting, he is best known for his tales about the people of New York City- "Baghdad-on-the-Subway" -stories that are inventive, ironic, and surprisingly contemporary. This collection of O. Henry's works contain 30 of his best-loved pieces, including the eternal Christmas classic "The Gift of the Magi."

    P. Lovecraft referred to Park Barnitz as “a vivid decadent of the fin de siècle period who modelled his verse on Baudelaire & killed himself soon after graduation from Harvard.” His one and only volume, The Book of Jade (1901), has become a legend in the realm of weird poetry, its technical precision and its relentless obsession with death, horror, madness, and pessimism making it a choice prize for appreciators of poetic witchery.But almost nothing is known about its young author, who died at the age of twenty-three. This comprehensive edition presents a wealth of material about David Park Barnitz—biographical, critical, and bibliographical. It contains the complete text of The Book of Jade along with additional poems and essays by Barnitz, some of which have never been reprinted. In addition, Gavin Callaghan has written an exhaustive biography that presents a fascinating portrait of the poet, delving into his family’s ancestry and collecting widely scattered nuggets of information on Barnitz’s life, work, and thought.The editors have gathered a wide array of criticism on Barnitz, including contemporary reviews and early essays by Floyd Dell, Carey McWilliams, and Joseph Payne Brennan. The book concludes with a brace of original essays on Barnitz’s poetic achievement. This is the definitive edition of The Book of Jade, featuring masses of material not available elsewhere.

    For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The contents include: Benito Cereno by Herman Melville, Notes from Underground by F. M. Dostoyevsky, A Simple Heart by Gustave Flaubert, The Death of Ivan Ilych by L. N. Tolstoy, The Aspern Papers by Henry James, Ward No. 6 by A. P. Chekhov, Death in Venice by Thomas Mann, The Dead by James Joyce (recently made into a musical), The Metamorphosis by Franz Kafka, and The Fox by D. H. Lawrence. In the introduction, Neider discusses the themes that arise in several of the novels, grouping them by more than just their greatness.

    To those who have been asking if they are made-up stories, let me say here that they are not. And I am mighty glad they are not. I would not have missed being in it all for anything.