He would not have lived in vain. Born with only one arm, a twisted back, and badly deformed legs, and orphaned while still a boy, Charlie also carried with him the legacy of his resolute mother: "You can do anything you want to if you want it badly enough".Charlie's will to live -- and to live largely -- will eventually win him the respect of his peers, the gratitude of his town, and the love of a very special woman who is able to look past his deformities and see into his heart. This inspiring tale, already embraced by more than 300,000 readers, will lift your spirits and reconfirm your faith in the basic human qualities of courage and compassion.

    Sassafrass, Cypress and Indigo is the story of three "colored girls," three sisters and their mama from Charleston, South Carolina: Sassafrass, the oldest, a poet and a weaver like her mother, gone north to college, living with other artists in Los Angeles and trying to weave a life out of her work, her man, her memories and dreams; Cypress, the dancer, who leaves home to find new ways of moving and easing the contractions of her soul; Indigo, the youngest, still a child of Charleston—"too much of the south in her"—who lives in poetry, can talk to her dolls, and has a great gift of seeing the obvious magic of the world.

    Somehow, Kirsten survived her terrible childhood – only to be sold, at the age of fourteen, to a traveling tinker – a vicious man who raped her and held her captive until the fateful day they were separated during a storm. Rescued from the flood by the Flynn family, she gave birth to a child as the waters raged about her. At the same time, Florence, mistress of the great house nearby, was told that her newborn son was dead. The two women entered into a secret bargain, an arrangement that was to change Kirsten’s fortune and place her in the middle of a bitter feud between two families. The Slow Awakening is a powerful novel, originally published under the pseudonym of Catherine Marchant, and reflects vividly the violence and cruelty that a poverty-stricken girl might endure in that period.

    Poignant story of a girl who loves two WWII flyers, written by the daughter of suspense writer Jack Higgins when she was just 17.

    “The Youngest Doll,” based on a family anecdote, is a stunning literary expression of Rosario Ferré’s feminist and social concerns. It is the premier story in a collection that was originally published in Spanish in 1976 as Papeles de Pandora and is now translated into English by the author. The daughter of a former governor of Puerto Rico, Ferré portrays women loosening the constraints that have bound them to a patriarchal culture. Anger takes creative rather than polemical form in ten stories that started Ferré on her way to becoming a leading woman writer in Latin America. The upper-middle-class women in The Youngest Doll, mostly married to macho men, rebel against their doll-like existence or retreat into fantasy, those without money or the right skin color are even more oppressed. In terms of power and influence, these women stand in the same relation to men as Puerto Rico itself does to the United States, and Ferré stretches artistic boundaries in writing about their situation. The stories, moving from the realistic to the nightmarish, are deeply, felt, full of irony and black humor, often experimental in form. The imagery is striking: an architect dreams about a beautiful bridge that “would open and close its arches like alligators making love”; a Mercedes Benz “shines in the dark like a chromium rhinoceros.” One story, “The Sleeping Beauty,” is a collage of letters, announcements, and photo captions that allows chilling conclusions to be drawn from what is not written. The collection includes Ferré’s discussion of “When Women Love Men,” a story about a prostitute and a society lady who unite in order to survive, and one that illustrates the woman writer’s “art of dissembling anger through irony.” In closing, she considers how her experience as a Latin American woman with ties to the United States has brought to her writing a dual cultural perspective.

    

    Calvin is a determined, successful provider and Beth an organized, efficient wife. They had two sons, Conrad and Buck, but now they have one. In this memorable, moving novel, Judith Guest takes the reader into their lives to share their misunderstandings, pain...and ultimate healing. (back cover)

    Imprisoned for the bizarre murder of her lover, Eva Median Canada weaves together memory and fantasy to reveal a life tormented by the brutality of sexual abuse and emotional silence. Brilliantly experimenting with language, Jones infuses her graphic and powerful narrative of the triple yoke of race, class, and gender with a rich musical and oral idiom.

    It won the Geoffrey Faber Memorial Prize the following year.[1] Published as Relations in the United States, it has been praised for its 'sensitive treatment of fraternal incest in Victorian England and for its subtle poetic prose'.The frame story is set in 1900 Cirencester as 30-year-old Catherine Roach is writing the story of her childhood in 1880s Wandsworth, when at the age of ten she and her brother Christopher, two years her senior, discover their late father's collection of pornography. Prompted by the discovery the siblings then start a sexual relationship which lasts for three years;coming to an end on a holiday in Cornwall after which Christopher leaves home; eventually emigrating to South Africa. Catherine writes the story in order to come to terms with the damage the relationship caused herself and her brother.

    

    

    Fictional account based on contemporary writing of Woman Chief, chief of the Crow Indians who struggled for recognition as a hunter, warrior, and leader.