"Highly recommended" Sun Herald"The most exciting, interesting and useful book on the teaching of writing" Australian English TeacherThe ultimate "get off your bum and do it" book, Everything I Know About Writing will motivate anyone to write. It's a lively, funny guide to writing, as readable as a novel, but packed front to back with ideas and insights.This new edition has one other great feature: 600 extraordinary topics, guaranteed to have you or your students writing before you know it.Everything I Know About Writing is the most painless way into writing - ever.

    Reflecting on his experiences of the Holocaust and the Soviet occupation of Hungary following World War II, Kertész likens the ideological machinery of National Socialism to the oppressive routines of life under communism. He also discusses the complex publication history of Fateless, his acclaimed novel about the experiences of a Hungarian child deported to Auschwitz, and the lack of interest with which it was initially met in Hungary due to its failure to conform to the communist government’s simplistic history of the relationship between Nazi occupiers and communist liberators. The underlying theme in the dialogue between Kertész and Cooper is the difficulty of mediating the past and creating models for interpreting history, and how this challenges ideas of self.  The title The Holocaust as Culture is taken from that of a talk Kertész gave in Vienna for a symposium on the life and works of Jean Améry. That essay is included here, and it reflects on Améry’s fear that history would all too quickly forget the fates of the victims of the concentration camps. Combined with an introduction by Thomas Cooper, the thoughts gathered here reveal Kertész’s views on the lengthening shadow of the Holocaust as an ever-present part of the world’s cultural memory and his idea of the crucial functions of literature and art as the vessels of this memory.

    Simple text and pictures make this story ideal for sharing with the very young.

    Readers learn how to reduce time constraints and develop programs efficiently by analyzing the feasibility of an algorithm before it is coded. The C++ language is brought up-to-date and simplified, and the Standard Template Library is now fully incorporated throughout the text. This Third Edition also features significantly revised coverage of lists, stacks, queues, and trees and an entire chapter dedicated to amortized analysis and advanced data structures such as the Fibonacci heap. Known for its clear and friendly writing style, Data Structures and Algorithm Analysis in C++ is logically organized to cover advanced data structures topics from binary heaps to sorting to NP-completeness. Figures and examples illustrating successive stages of algorithms contribute to Weiss' careful, rigorous and in-depth analysis of each type of algorithm.

    It was there, among the mountain gorillas that he began to focus on the philosophical and scientific puzzle that has fascinated him ever since: the problem of how a human being or animal can know what it is like to be itself. The Inner Eye describes where these original speculations led: to Humphrey's now celebrated theories of the 'social function of intellect' and of human beings as natural born 'mind-readers'. Easy to read, adorned with Mel Calman's brilliant illustrations, passionately argued, yet never less than scientifically profound, this book remains the best introduction to new thinking about 'theory of mind' and its implication for human social life.

    Voted the "knight most likely to chop his own foot off in a fight," he shivers in his rusty armor when he has to face the brave Sir Lancelot in a joust. Sir Gads travels with his loyal squire Herbert to the wizard Merlin's cottage to get his ear put back in place after the joust, and survives an attack by Merlin's crazed guard turtle. Then, when Queen Guinevere is kidnapped, Sir Gads sets out to save the day! Full of puns and sophisticated humor, the chaotic quest taken by loveable Sir Gadabout, loyal Herbert, and Merlin's sarcastic cat, Sidney Smith, will make every reader—child or adult—laugh out loud. Distinctive line drawings by Tony Ross, illustrator of the Horrid Henry series and the Little Princess series, add to the madcap feel of these adventures,while short accessible chapters make Sir Gads ideal for reluctant readers.

    Beginning with a preview of the relations between Africa and Europe prior to 1500, the work covers chronologically the transatlantic slave trade, domestic slave trading, slave systems, the abolition movements, and the aftermath of emancipation throughout the Americas. Several chapters provide sweeping surveys of broad regions such as British North America, the Caribbean, Mesoamerica, the Andean countries and Latin America. Others deal with specific territories such as the United States, Venezuela, Cuba or Brazil. The book begins with a chapter on African antiquity and early contacts with Europe. It continues with a comparative history of the slave trade and emancipation. Other topics include the role of free blacks throughout the Americas, women and gender relations, and African-American relations with Europeans and Native American populations. Finally, the book concludes with chapters on modern race and economic relations in the Americas and a chapter on the continuing ties between African Americans and Africa. "On the whole Africans in the Americas accomplishes its purpose well, there is a great deal of fascinating information here. A very useful text." The International Journal of African Historical Studies 28, 633-65 (1995) Michael L. Conniff earned degrees at UC-Berkeley and Stanford (Ph.D. 1976) and has published a number of books on modern Latin American history, most recently A History of Modern Latin America (with Lawrence Clayton) and Populism in Latin America. Thomas J. Davis, Ph.D., J.D., teaches history and law at Arizona State University in Tempe, focusing on race and the law, civil rights, and U.S. constitutional and legal history. His most recent publications include "Race, Identity, and the Law: Underlying Questions in Plessy v. Ferguson," in Race on Trial: Law and Justice in American History (2002); "The Community of Africans in the Americas: Colonialism to CARICOM and TransAfrica" Research and Diversity Journal (2002) and "Conspiracy and Credibility," William and Mary Quarterly (2002). CONTRIBUTING AUTHORS Patrick Carroll ▪ David Eltis ▪ Patience Essah ▪ Alfred Frederick ▪ Dale Graden ▪ Linda Heywood ▪ Richard Lobban ▪ Colin Palmer ▪ Joseph Reidy ▪ John Thornton ▪ Ronald Walters ▪ Ashton Welch ▪ Winthrop Wright TABLE OF CONTENTS Preface PART I - Africa, Europe, and the Americas 1. Africa to 1500 2. Africa and Europe before 1700 3. Early African Experiences in the Americas PART II - The Slave Trade and Slavery in the Americas 4. Africans in the Caribbean 5. Africans in Brazil 6. Africans in Mainland Spanish America 7. Africans in the Thirteen British Colonies PART III - Ending the Slave Trade and Slavery 8. Abolition of the Atlantic Slave Trade 9. Emancipation in the Caribbean and Spanish America 10. Emancipation in the United States 11. Emancipation in Brazil PART IV - Africans in the Americas since Abolition 12. African Americans in Postemancipation Economies 13. Race and Politics in the United States 14. Race and Politics in Latin America 15. The Americas' Continuing Ties with Africa AFTERWORD GLOSSARY BIBLIOGRAPHIC ESSAY INDEX ABOUT THE AUTHORS

    Shishkin's stories read like modern versions of the eternal literature written by his greatest inspirations: Boris Pasternak, Ivan Bunin, Leo Tolstoy, and Mikhail Bulgakov.Shishkin's short fiction is the perfect introduction to his breathtaking oeuvre, his stories touch on the same big themes as his novels, spanning discussions of love and loss, death and eternal life, emigration and exile.Calligraphy Lesson spans Shishkin's entire writing career, including his first published story, the 1993 Debut Prize–winning "Calligraphy Lesson," and his most recent story "Nabokov's Inkblot," which was written for a dramatic adaptation performed in Zurich in 2013.Mikhail Shishkin (b. 1961 in Moscow) is one of the most prominent names in contemporary Russian literature. A former interpreter for refugees in Switzerland, Shishkin divides his time between Moscow, Switzerland, and Germany.