This Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel. Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks ... If you enjoyed Alone in Berlin, you might like John Steinbeck's The Moon is Down, also available in Penguin Modern Classics. 'One of the most extraordinary and compelling novels written about World War II. Ever' Alan Furst 'Terrific ... a fast-moving, important and astutely deadpan thriller' Irish Times 'An unrivalled and vivid portrait of life in wartime Berlin' Philip Kerr 'To read Fallada's testament to the darkest years of the 20th century is to be accompanied by a wise, somber ghost who grips your shoulder and whispers into your ear: "This is how it was. This is what happened"' The New York Times

    On the French liner home, he meets two Chinese beauties, Miss Su and Miss Pao. Qian writes, "With Miss Pao it wasn't a matter of heart or soul. She hadn't any change of heart, since she didn't have a heart." In a sort of painful comedy, Fang obtains a teaching post at a newly established university where the effete pseudo-intellectuals he encounters in academia become the butt of Qian's merciless satire. Soon Fang is trapped into a marriage of Nabokovian proportions of distress and absurdity. Recalling Fielding's Tom Jones in its farcical litany of misadventures and Flaubert's "style indirect libre," Fortress Besieged is its own unique feast of delights.

    22483, who had been shipped from Belgium to Buchenwald. It records what he saw and felt during his calvary from Antwerp to the Malin distribution camp in France and from there to the extermination camp of Buchenwald. He was one of the few people who both entered a Nazi concentration camp and left again. This is his remarkable personal story that records his experiences of one of the most harrowing events in human history. Buchenwald concentration camp was one of the first and largest camps to be built on German soil and during the years that Weinstock spent there he kept company with other Jews, Poles, Slavs, political prisoners and many other men and women that the Nazi’s deemed subhuman. “A mere number, he had the strength to remain a man, an artist of the word, observing his captors, his fellow-prisoners, life in the shadow of death. … . Throughout, the writing is poignant, vibrant with humanity, a cry “de profundis” and a vow that it must never happen again. This book should be long remembered.” — Emil Lengyel Eugene Weinstock was a Hungarian Jew who was living in Belgium at the beginning of the Second World War. Beyond the Last Path records his life during those terrible years up to the point when American troops released the remaining prisoners in Buchenwald. By this time Weinstock weighed a mere eighty pounds and had seen many of his good friends die. His work was first published in the United States in 1947 where he had gone to. He passed away in 1984.

    

    G.M. Gilbert, the prison psychologist, had an unrivaled firsthand opportunity to watch and question the Nazi war criminals. With scientific dispassion he encouraged Göering, Speer, Hess, Ribbentrop, Frank, Jodl, Keitel, Streicher, and the others to reveal their innermost thoughts. In the process Gilbert exposed what motivated them to create the distorted Aryan utopia and the nightmarish worlds of Auschwitz, Dachau, and Buchenwald. Here are their day-to-day reactions to the trial proceedings; their off-the-record opinions of Hitler, the Third Reich, and each other; their views on slave labor, death camps, and the Jews; their testimony, feuds, and desperate maneuverings to dissociate themselves from the Third Reich's defeat and Nazi guilt. Dr. Gilbert's thorough knowledge of German, deliberately informal approach, and complete freedom of access at all times to the defendants give his spellbinding, chilling study an intimacy and insight that remains unequaled.

    Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul - and the ability to love his fellow man.Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and its nihilism. It is also Mann's most profound meditation on the German genius - both national and individual - and the terrible responsibilities of the truly great artist.

    When first published in mid-20th century, Orson Welles was cast as Borgia in the film version. Tyrone Power as Orsini.

    However, this anecdote is told ninety-nine more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

    Heroic resistance is old hat. Everything is in short supply, and tempers are even shorter. Overwhelmed by the terrors and rigors of the Blitz, middle-aged Miss Roach has retreated to the relative safety and stupefying boredom of the suburban town of Thames Lockdon, where she rents a room in a boarding house run by Mrs. Payne. There the savvy, sensible, decent, but all-too-meek Miss Roach endures the dinner-table interrogations of Mr. Thwaites and seeks to relieve her solitude by going out drinking and necking with a wayward American lieutenant. Life is almost bearable until Vicki Kugelmann, a seeming friend, moves into the adjacent room. That’s when Miss Roach’s troubles really start to begin.Recounting an epic battle of wills in the claustrophobic confines of the boarding house, Patrick Hamilton’s The Slaves of Solitude, with a delightfully improbable heroine, is one of the finest and funniest books ever written about the trials of a lonely heart.

    His insider observations are set down with passion, with outrage, and almost unbearable sadness.

     Among these reasons, Shulman firmly places the responsibility for the magnitude of lost lives at the feet of Adolf Hitler. A combination of the Fuhrer’s military ineptness, his refusal to take advice and his unique position of power made victory in WWII much less likely for Germany. Shulman also gives an account of the major military mistakes made by the German Army — beginning a war with Russia on the eastern front, declaring war on the U.S., and the decisive losses in North Africa. Defeat in the West is an important addition to WWII military history and a must-read for those interested in the subject. “An evaluation of the causes of German defeat, analyzed from interrogations of senior German officers, and a pre-D-day study of the German army, by an officer of the Intelligence Staff of the First Canadian Army.” Kirkus Reviews "His account of the strange relations between Hitler and the German General Staff is most revealing." The Canadian Historical Review "The sources that he has utilized are impressive. They consist essentially of Anglo-American intelligence summaries, which often incorporated captured German documents, of the published records of the Nuremberg Trial, and of his own and other interrogations of German officers." Saturday Review Milton Shulman (1 September 1913 – 24 May 2004) was a Canadian author, film and theatre critic. He joined the Canadian Army in 1944 as a major and by the war's end he was an intelligence officer with the First Canadian Army. He interviewed many of the captured German generals in the following months and years including Gerd von Rundstedt and Kurt Meyer. As a result of these interviews he wrote the classic Second World War military history Defeat in the West.

    • Four complete works: A Portrait of the Artist as a Young Man, Dubliners, Collected Poems (including Chamber Music) and Exiles, James Joyce's only drama• A generous sampling from Ulysses • Selections from Finnegans Wake (including the famous "Anna Livia Plurabelle" episode)• “A volume that makes Joyce easily available, in compact form, to peripatetic Joyceans”—Leon Edel

    In Oran, a coastal town in North Africa, the plague begins as a series of portents, unheeded by the people. It gradually becomes an omnipresent reality, obliterating all traces of the past and driving its victims to almost unearthly extremes of suffering, madness, and compassion.

    The story explores themes of death, redemption, and the nature of monstrosity. Its narrative style has been referred to as a "literary puzzle", with the narrator's identity not fully revealed until the end of the story.

    Antelme's story of his experiences in Germany--his only book--indelibly marked an entire generation, "a work written without hatred, a work of boundless compassion such as that is to be found only in the great Russians."

    

    His neighbors, a clan of the Lacodón tribe of Chiapas, however, see something more in him than he does himself (dubbing him Wise Owl): when he falls deathly ill, a shaman named Black Ant saves his life—and, almost by chance, in driving out his fever, she exorcises the demon of alcoholism as well. Slowly recovering, weak in his hammock, our antihero discovers a curious thing about the mosquitoes’ buzzing, “which to human ears seemed so irritating and pointless.” Perhaps, in fact, it constituted a language he might learn—and with the help of a flute and a homemade dictionary—even speak. Slowly, he masters Mosquil, with astonishing consequences… Will he harness the mosquitoes’ global might? And will his new powers enable him to take over the world that’s rejected him? A book far ahead of its time, His Name Was Death looks down the double-barreled shotgun of ecological disaster and colonial exploitation—and cackles a graveyard laugh.

    Crowded with unforgettable characters, it is a relentless expose of the fight racket. A modern Samson in the form of a simple Argentine peasant is ballyhooed by an unscrupulous fight promoter and his press agent and then betrayed and destroyed by connivers. Mr. Schulberg creates a wonderfully authentic atmosphere for this book that many critics hailed as even better than What Makes Sammy Run? "The quintessential novel of boxing and corruption."-USA Today "The book will stand not only as the novel about boxing but also as a book that indirectly tells more about civilization than do most books about civilization itself."-Arthur Miller. "Brilliant, witty, and amusing-the best book on fighting that I have read."-Gene Tunney.

    The English village of Wealding is no longer troubled by distant sirens, yet the rustling coils of barbed wire are a reminder that something, some quality of life, has evaporated. Together again after years of separation, Laura and Stephen Marshall and their daughter Victoria are forced to manage without "those anonymous caps and aprons who lived out of sight and pulled the strings." Their rambling garden refuses to be tamed, the house seems perceptibly to crumble. But alone on a hillside, as evening falls, Laura comes to see what it would have meant if the war had been lost, and looks to the future with a new hope and optimism. First published in 1947, this subtle, finely wrought novel presents a memorable portrait of the aftermath of war, its effect upon a marriage, and the gradual but significant change in the nature of English middle-class life.

    The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter, and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the ’40s and ’50s.

    This revised edition of The Portable Conrad features the best known and most enduring of Conrad's works, including The Secret Agent, Heart of Darkness, and The Nigger of the "Narcissus," as well as shorter tales like "Amy Forster" and "The Secret Sharer," a selection of letters, and his observations on the sinking of the Titanic.

    Stripped of any preciousness or sentimentality, Natalia Ginzburg’s writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don’t more wives kill their husbands?

    The key literary figure in the pubs of post-war Fitzrovia, Maclaren-Ross pulled together his dispersed energies to write two great books: the posthumously published Memoirs of the Forties and this spectacular novel of the Depression, Of Love and Hunger - harsh, vivid, louche, and slangy, it deserves a permanent place alongside 'Coming Up for Air' and 'Hangover Square'.

    Osamu Dazai’s The Setting Sun takes this milieu as its background to tell the story of the decline of a minor aristocratic family.The story is told through the eyes of Kazuko, the unmarried daughter of a widowed aristocrat. Her search for self meaning in a society devoid of use for her forms the crux of Dazai’s novel. It is a sad story, and structurally is a novel very much within the confines of the Japanese take on the novel in a way reminiscent of authors such as Nobel Prize winner Yasunari Kawabata – the social interactions are peripheral and understated, nuances must be drawn, and for readers more used to Western novelistic forms this comes across as being rather wishy-washy.Kazuko’s mother falls ill, and due to their financial circumstances they are forced to take a cottage in the countryside. Her brother, who became addicted to opium during the war is missing. When he returns, Kazuko attempts to form a liaison with the novelist Uehara. This romantic displacement only furthers to deepen her alienation from society.

    When Neil Kingsblood, a typical middle-American banker with a comfortable life, makes the shocking discovery that he has African blood, the odyssey that ensues creates an unforgettable portrayal of two Americas, one black, one white. As timely as when it was first published in 1947, one need only open today's newspaper to see the same issues passionately being discussed between blacks and whites that we find in Kingsblood Royal, says Charles Johnson. Perhaps only now can we fully appreciate Sinclair Lewis's astonishing achievement.

    And in the introduction to this new edition, Swallow Press executive editor and author Kevin Haworth calls attention to the contemporary feeling of the story—despite its having been written more than fifty years ago and set several hundred years in the past. As in Lewis’s best-known novel, The Wife of Martin Guerre, the plot derives from Samuel March Phillips’s nineteenth-century study, Famous Cases of Circumstantial Evidence, in which this British legal historian considered the trial of Pastor Sören Qvist to be the most striking case.

     They knew too much.  As free as unmarried women, they were fully armed; this was an unfair advantage, and when it was combined with beauty, an air of well-being, a gaiety which, in a woman over forty had an unsuitable hit of mischief in it, he felt that . . . all manhood was insulted . . . But he knew how to protect himself." Fastidious Mr. Blackett rules his home in Upper Radstowe with a gloomy and niggardly spirit, and his wife Bertha and their three daughters succumb to his dictates unquestioningly -- until the arrival next door of the Fraser family 'with no apparent male chieftain at the head of it'. The delightful, unconventional Rosamund presides over this unruly household with shocking tolerance and good humour, and Herbert Blackett is both fascinated and repelled by his sensuous and 'unprincipled' neighbour. But whilst he struts in the background, allegiances form between Rosamund and Bertha and their children, bringing changes to Chatterton Square which, in the months leading up to the Second World War, are intensified by the certainty that nothing can be taken for granted.

    A sharply observed record of day-to-day life under Nazi rule in Paris and a bitter commentary on literary life in those years, it has also been called "a remarkable essay on courage and cowardice" (Caroline Moorehead, Wall Street Journal). Here, David Ball provides not only the first English-translation of this important historical document, but also the first ever annotated, corrected edition. Guéhenno was a well-known political and cultural critic, left-wing but not communist, and uncompromisingly anti-fascist. Unlike most French writers during the Occupation, he refused to pen a word for a publishing industry under Nazi control. He expressed his intellectual, moral, and emotional resistance in this diary: his shame at the Vichy government's collaboration with Nazi Germany, his contempt for its falsely patriotic reactionary ideology, his outrage at its anti-Semitism and its vilification of the Republic it had abolished, his horror at its increasingly savage repression and his disgust with his fellow intellectuals who kept on blithely writing about art and culture as if the Occupation did not exist - not to mention those who praised their new masters in prose and poetry. Also a teacher of French literature, he constantly observed the young people he taught, sometimes saddened by their conformism but always passionately trying to inspire them with the values of the French cultural tradition he loved. Guéhenno's diary often includes his own reflections on the great texts he is teaching, instilling them with special meaning in the context of the Occupation. Complete with meticulous notes and a biographical index, Ball's edition of Guéhenno's epic diary offers readers a deeper understanding not only of the diarist's cultural allusions, but also of the dramatic, historic events through which he lived.

    He states that he "has never pretended to be anything but a story teller. It has amused me to tell stories and I have told a great many. It is a misfortune for me that the telling of a story just for the sake of the story is not an activity that is in favor with the intelligentsia. I endeavor to bear my misfortunes with fortitude." The short stories in this extraordinary collection—with the exception of one—were written after the close of World War I. Maugham shrewdly and brilliantly exploited the public taste of his time to put on display the changing morality of the twentieth century. An expert storyteller, he was also a master of fictional technique.His fiction offers a synthesis of pleasures in the form of realism, exoticism, shrewd and ironic observation, careful craftsmanship, and characteriation. Among the stories included in Creatures of Circumstance are "The Colonel’s Lady," "Flotsam and Jetsam," "Sanatorium," "Appearance and Reality," "The Point of Honor," "A Woman of Fifty," "The Man from Glasgow," and "The Kite." W. Somerset Maugham (1874-1965) was an English novelist and playwright. Maugham was famous as a dramatist before he was known for his novels and short stories. His clarity of style, the perfection of his form, the subtlety of his thought, veiled thinly behind a worldly cynicism made him an international figure. Among his novels are Of Human Bondage, The Moon and Sixpence, and The Raor’s Edge.

    Torn between their mother's world of genteel respectability and their grandfather's and uncle's world of cowboy masculinity, neither Molly nor Ralph can find an acceptable adult role to aspire to. As events move to their swift and inevitable conclusion, Stafford uncovers and indicts the social forces that require boys to sacrifice the feminine in order to become men and doom intelligent girls who aren't pretty.

    For the millions of art lovers fascinated by the powerful paintings of Hieronymus Bosch, this book sheds light on the shifting tides of religious and secular thought that shaped the artist's world and work.

    However, Burns's early death at the age of 36 led to the subsequent neglect of this searching book, which captures the shock the war dealt to the preconceptions and ideals of the victorious Americans.Set in occupied Naples in 1944, The Gallery takes its name from the Galleria Umberto, a bombed-out arcade where everybody in town comes together in pursuit of food, drink, sex, money, and oblivion. A daring and enduring novel—one of the first to look directly at gay life in the military—'The Gallery' poignantly conveys the mixed feelings of the men and women who fought the war that made America a superpower."The first book of real magnitude to come out of the last war." —John Dos Passos

    A giant among American writers, he fought throughout his career to capture life in realistic terms. In his stories as well as his celebrated novels, he sought to uncover the problems of common Americans at the turn of the century-their struggles with society and their dreams of power and wealth against a backdrop of threatening poverty. "Dreiser has no peer in the American short story....As fine as his novels are, they do not attain the artistic wholeness of his short tales. Among the moderns, there is almost no one capable of writing tales like these. The best of today is pallid and non-human when compared with Dreiser's compassionate searchings."-from the Introduction by Howard Fast.

    They had been married just a year when he left Lennox, Connecticut, where both their families live and work. In his taxi ride home, Johnnie receives foreboding hints that all has not been well in his absence. Eager to mend his fraying marriage, Johnnie attempts to cajole Glory to recommit to their life together. But something sinister has taken place during the intervening years—an infidelity that has not gone unnoticed in the superficially placid New England town.Accompanied by a new foreword from Farah Jasmine Griffin on the enduring legacy of Petry’s oeuvre, Country Place complicates and builds on the legacy of a literary celebrity and one of the foremost African American writers of her time.

    In a world where genetically engineered animals are run of the mill Jerry and his sponsor, the 'World's Richest Woman,' decide that it is time to stand up for anthropoids' rights. In Jerry is a Man Grand Master Robert A. Heinlein explores what it means to be human and the importance of civil liberties.

    The fractured relationship between Albertine and Marcel continues, with Marcel's fixations of his lover's outside interest driving the affair to a bitter conclusion.

    This work represents, along with Existence and Existents (1947), the first formulation of Emmanuel Levinas's own philosophy, later more fully developed in Totality and Infinity (1961) and Otherwise than Being, or Beyond Essence (1974).Beginning with an analysis of existence without existents, Time and the Other then describes the origination of the subject, and moves through its encounter with another person. It is in this encounter rather than in the world that Levinas discovers time in its full sense. The progression of Levinas's phenomenology moves towards alterity, not toward totality. Levinas connects the alterity of the Other with temporality; the Other who is encountered is not contemporary, not met "at the same time." The time of the Other disrupts or interrupts the self's own temporality.This is essential reading for all those interested in Levinas, and an excellent starting point for understanding the nature of Levinas's philosophical project and thought.

    

    But nevertheless Vian was a great songwriter, playwright, singer, jazz critic and, of course novelist so it should have been Boris instead of Jack. Vian's 1947 novel Autumn in Peking (L'Automne a Pekin) is perhaps Vian's most slapstick work, with an added amount of despair in its exotic recipe for a violent cocktail drink. The story takes place in the imaginary desert called Exopotamie where all the leading characters take part in the building of a train station with tracks that go nowhere. Houses and buildings are destroyed to build this unnecessary structure - and in Vian's world waste not, make not. In Alistair Rolls' pioneering study of Vian's novels, "The Flight of the Angels," he expresses that Exopotamie is a thinly disguised version of Paris, where after the war the city started changing its previous centuries of architecture to something more modern. Yes, something dull to take the place of what was exciting and mysterious. Vian, in a mixture of great humor and unequal amount of disgust, introduces various 'eccentric' characters in this 'desert' adventure, such as Anne and Angel who are best friends; and Rochelle who is in love and sleeps with Anne, while Angel is madly in love with her. Besides the trio there is also Doctor Mangemanche; the archeologist Athanagore Porphyroginite, his aide, Cuivre; and Pipo - all of them in a locality similar to Lewis Carroll's Alice in Wonderland, where there is a tinge of darkness and anything is possible, except for happiness.

    Réginald Garrigou-Lagrange, O.P., explains why Thomism is the solution to the present crisis of Modernism in the Church.The problem:The indications of the current crisis in the Church have “been not of a crisis of faith, but of a very grave malady of the intellect, which conducts itself on the tracks of liberal Protestantism and through relativism to absolute skepticism.”Fr. Garrigou-Lagrange’s solution: Thomism.“Thomism corresponds to the profound needs of the modern world because it restores the love of truth for the sake of truth itself. Now, without this love of truth for itself, it is not possible to obtain true infused charity, the supernatural love of God for the sake of God Himself, nor to arrive at the infused contemplation of God sought for Himself, that is, at the contemplation that proceeds from the living faith enriched by the gifts of the Holy Spirit, first of all, knowledge and wisdom.”

    It is set in the midst of the port town of Brest, where sailors and the sea are associated with murder. Its protagonist, Georges Querelle, is a bisexual thief, prostitute, and serial killer who manipulates and kills his lovers for thrills and profit. The novel formed the basis for Rainer Werner Fassbinder's last film, Querelle (1982)

    In this first book about the Blue Sox, can a player who is a great fielder be more valuable to a team than a classic power hitter?

    

    Their paths cross, happily or disastrously, in a book that seems too real to be fiction. As Wallace Stegner writes, the conflict on this particular frontier "has been reproduced in an endlessly changing pattern all over the United States.""Wallace Stegner's story about a rural community is told with subtle restraint in a style which is often poetic and always sensitive."—Chicago Sun Book Week"Incisive, restrained character delineation reminiscent of Willa Cather. Strongly recommended."—Library Journal"Second Growth . . . is a creation of remarkable penetration and skill. Its small, accurate touches build up to a full and firm whole. Its objectivity, its air of knowledge and judgment, are accompanied by an almost lyrical, delicately restrained tenderness. Its prose is disciplined, sensitive and luminous."—New York Times

    This means that 13-year-old Lorna must also live with Kit and her aunt, Kath Arnold, during term time. The contrast between her the large, careworn Carey family and the close-knit Arnolds, who are more like friends than mother and daughter, couldn't be more marked. Lorna is inclined to rebel at first at the expectation that she will help around the house, and her jaw drops more than once at her Auntie Kath's youth and informality. But this is nothing compared to the shock she gets at school. Used to making it to the top of the class in every subject with room to spare, Lorna finds herself having to work hard for every single mark if she is to keep up in the Upper Third at Wynyards.