This book offers a very generous selection from authors who have traditionally held a large place in our consciousness of English Romanticism, but it also includes other figures, especially women, who have been less emphasized in the past. The intellectual discourses of the age concerning governance, politics, and the impact of the French Revolution, gender and the status of women, the nature of nature and of human psychology, and the theory of literature and art are represented in the prose and poetry of writers like Wordsworth, Coleridge, the Shelleys, and Keats. There is also an usually large selection of ancillary materials -- letters, journals, reviews, and reminiscences of the writers.

    

    Written by the author of Cubism and Twentieth Century Art, the essays take a "Cubist view" of these crucial decades of transition, a view "that constantly shifts its vantage point and moves freely from one nation and one medium to another." Such diverse matters as the emotional and stylistic flexibility of Neoclassicism, the emergence of Historicism, the rapport between politics and the new moralizing art, and the search for a radical formal purity are considered. Many works of art previously unpublished, and sometimes even unphotographed, make their first appearance here.