Nairn’s London, however, has deservedly stayed: ever since its original publication in 1966, Ian Nairn’s 450–entry “personal list of the best things in London” has had the reputation as the finest, most stimulating London vade mecum of them all. Brilliantly and bitingly written, impassioned in its vision of the city and its history, this is a splendidly unique volume to be treasured by every connoisseur of the ever–changing city.

    Now expanded and updated, with 118 new photographs, the book reveals a fresh, true picture of New York as it has lived and grown, with startling reminders of how much that has vanished remains part of us. From the grandeur of the old Metropolitan Opera and Pennsylvania Station to the fabulous lost night clubs of 52nd Street and Harlem, from the opulence of the old Vanderbilt mansions to the Madison Square Garden rooftop where architect Stanford White was shot, this is both a unique testament to New York's past and a story of the vitality that makes the city continue to connect with us.Illustrated with rare and stunning photographs and marked by engaging, lively text, this new edition of LOST NEW YORK provides a unique and unforgettable look at the places in New York that are no more. Beyond that, it evokes the significant moments in time and memory that make us reflect on our passions about change and the reasons we remain concerned about the future of cities.

    More than two hundred photographs and text trace the development of cathedral design from its Norman beginnings through the flowering of Gothic to the new Roman Catholic cathedral in Liverpool.

    . . Splendidly presented, filled with thoughtful and brilliant intuitive insights." —The New Republic In a brilliant synthesis of words and pictures, Edmund N. Bacon relates historical examples to modern principles of urban planning. He vividly demonstrates how the work of great architects and planners of the past can influence subsequent development and be continued by later generations. By illuminating the historical background of urban design, Bacon also shows us the fundamental forces and considerations that determine the form of a great city. Perhaps the most significant of these are simultaneous movement systems—the paths of pedestrian and vehicular traffic, public and private transportation—that serve as the dominant organizing force, and Bacon looks at movement systems in cities such as London, Rome, and New York. He also stresses the importance of designing open space as well as architectural mass and discusses the impact of space, color, and perspective on the city-dweller. That the centers of cities should and can be pleasant places in which to live, work, and relax is illustrated by such examples as Rotterdam and Stockholm.

    It provides technical detail, up-to-date standards, real-world examples and clearly explained theory and techniques.

    With 250 illustrations to accompany his text, Bainbridge Bunting focuses on a significant architectural form - the town house - and chronicles its development throughout the period of Back Bay's greatest growth.

    The early Syrian churches, the Roman basilicas, the Byzantine, Gothic, and Romanesque styles of the Western churches are symbols of the adaptation of architecture to liturgy--of style to content.Father Bouyer replaces myths and misconceptions about Church liturgy with facts based on archeological findings and, in doing so, gives an entirely new concept of the importance of Church architecture as an implementation of liturgical worship.Builders of modern churches, says Father Bouyer, seem to lack that inspired touch.... We try to furnish our churches with features picked at random from old routine styles.To make Church architecture a contemporary witness to the liturgy, it is the author's belief that past practices must be examined to see if they are irrevocably welded to the past or flexible enough to reapply to the present. To discover--or rediscover--the meaning of the liturgy demands an over-all perspective necessary to remodel and structure our churches of today.

    Intricate, detailed designs and text, with previously unpublished drawings for the Farmers' and Merchants' Union Bank, and a Note by Ada Louise Huxtable. Bound in brick red bolton linen.