Because it was extremely difficult to verbalize the events to her own children years later, her adult family knew very little of the details until 30 years after her passing in 1967. That is when her granddaughter discovered her writings and promised to tell the story of what she endured.

    The crowning moment of Hogan’s comeback was his dramatic victory in the1950 U.S. Open at Merion Golf Club near Philadelphia, where his battered legs could barely carry him on the 36-hole final day.Miracle at Merion tells the stirring story of Hogan’s triumph over adversity—the rarely-performed surgery that saved his life, the months of rehabilitation when he couldn’t even hit a golf ball, his stunning return to competition at the Los Angeles Open, and,finally, the U.S. Open triumph that returned him to the pinnacle of the game.While Hogan was severely injured in the accident, fracturing his pelvis, collarbone, rib, and ankle, his life wasn’t in danger until two weeks later when blood clots developed in his leg, necessitating emergency surgery. Hogan didn’t leave the hospital until April and didn’t even touch a golf club until August. It wasn’t until November,more than nine months after the accident, that he was able to go to the range to hit balls. Hogan’s performance at the Los Angeles Open in early January convinced Hollywood to make a movie out of his life and comeback (Follow the Sun, starring Glenn Ford).Five months later, Hogan completed his miraculous comeback by winning the U.S. Open in a riveting 36-hole playoff against Lloyd Mangrum and George Fazio, permanently cementing his legacy as one of the sport’s true legends.

    For the first time, Tony Barrell shines a long-overdue spotlight on these musicians, offering an exciting look into their world, their art, and their personalities. In Born to Drum, he interviews some of the most famous, revered, and influential drummers of our time—including Chad Smith, Ginger Baker, Clem Burke, Sheila E., Phil Collins, Nick Mason, Patty Schemel, Butch Vig, and Omar Hakim—who share astonishing truths about their work and lives. He investigates the stories of late, great drummers such as Keith Moon and John Bonham, analyzes many of the greatest drum tracks ever recorded, and introduces us to the world’s fastest and loudest drummers, as well as the first musician to pilot a “flying drum kit” onstage.Filled with fascinating insights into the trade and little-known details about the greats, Born to Drum elevates drummers and their achievements to their rightful place in music lore and pop culture.“As Born to Drum proves, there’s a lot more to be told about drums and drumming than the Rolls-Royce in the swimming pool and the pyro beneath the bass drum.”—NICK MASON, Pink Floyd“Everyone should read this book—especially if you’re not a drummer. A great insight into a great sport.”—Joey Kramer, Aerosmith

    Kennedy announced that the United States would try to land a man on the Moon within ten years. During the two thousand, nine hundred and seventy-nine days that followed his speech, eighteen astronauts climbed into spaceships; three of them died before even leaving the ground. Eight rockets soared into space. And four hundred thousand people--engineers, technicians, scientists, mathematicians, and machinists--joined Project Apollo in hopes of making the dream a reality.

    It is an itty-bitty seed. It isn't anything very special--yet."Discover the surprising potential of one small seed in The Marvelous Mustard Seed. Based on Jesus' parable of the Mustard Seed, this inspiring children's book shows young readers that one tiny seed--just like one small child--carries a world of potential. The Marvelous Mustard Seed features ethnically diverse characters, and it is ideal for children ages 4-8. A special note for parents and teachers is included.

    captures the spirit of this cherished pastime, honoring its legendary past, and eagerly anticipating the future of the sport that is "stitched into our history."

    All she wanted to do was to make art. But becoming an artist wasn't an easy. Her parents worked hard to provide her paper and paints, and Mary worked hard to enter contests and earn a spot at a school for the arts. She even had to work hard to find her place at the Walt Disney Studios. But Walt was easily impressed by Mary Blair. When she joined his trip to South America, Mary had never seen such color. She collected that color and used it in her concept art for Cinderella, Alice in Wonderland, and Peter Pan, and even the It's a Small World attraction at Disneyland. This beautifully illustrated picture book shares Mary's story, in all its inspiring flair.

    In this illuminating, in-depth Q & A, “America’s storyteller” lets readers in on his philosophical approach to understanding our nation’s past, as well as a little family secret for overcoming your fears.Tom Roston is a veteran journalist who began his career at The Nation and Vanity Fair magazines, before working at Premiere magazine as a senior editor. He writes a regular blog about nonfiction filmmaking on PBS.org and he is a frequent contributor to The New York Times. He lives with his wife and their two daughters in New York City. Cover design by Adil Dara.

    "Don't do a headstand on a chair. Or ride on the back of a grizzly bear."

    Coming of age during the Great Depression, Pete saw poverty and adversity that would forever shape his worldview, but it wasn't until he received his first banjo that he found his way to change the world. It was plucking banjo strings and singing folk songs that showed Pete how music had the incredible power to bring people together.Using this gift throughout his life, Pete encouraged others to rally behind causes that mattered--fighting for Civil Rights, ending the Vietnam War, or cleaning up the Hudson River. For Pete, no challenge was too great, and what started out as a love for music turned into a lifetime of activism and change. His greatest talent--and greatest passion--would become an unforgettable part of American history.

    Jazz musician Sun Ra (1914–1993) always said that he came from Saturn. Being from another planet, he was naturally intrigued by everything earthly — especially music, because music is the one thing on Earth most like the stars. Earthlings themselves confused Sun Ra, the way they sorted themselves by color and fought wars against one another. So he made music. And he traveled with other musicians and singers, calling themselves the Sun Ra Arkestra, playing, singing, and dancing for people all over the planet. Because music, he said, is what holds us all together. Join acclaimed author-illustrator Chris Raschka in celebrating a legend of the jazz world who was truly one of a kind.

    This companion book to the award-winning We Are Grateful: Otsaliheliga offers readers everything they never learned in school about Native American people's past, present, and future. Precise, lyrical writing presents topics including: forced assimilation (such as boarding schools), land allotment and Native tribal reorganization, termination (the US government not recognizing tribes as nations), Native urban relocation (from reservations), self-determination (tribal self-empowerment), Native civil rights, the Indian Child Welfare Act (ICWA), religious freedom, economic development (including casino development), Native language revival efforts, cultural persistence, and nationhood.

    Most people didn't understand his pieces; critics called his music surreal. But Erik Satie didn't care. He wanted to make music that followed no rules but its own. Satie's life was strange and wonderful, frenetic and lonely all at the same time. He was friends with Picasso, and with wizards and puppeteers; he scraped himself with a stone instead of bathing, and he once threw his acrobat girlfriend out a window. Now award-winning author M. T. Anderson tells the story of the irreverent French composer in a biography that is witty, accessible, and endlessly surprising, while Petra Mathers' fanciful illustrations capture all the vibrancy that was Erik Satie's topsy-turvy world. Illustrations by Petra Mathers.

    She sang before she talked and learned to play piano at a very young age. With the support of her family and community, she received music lessons that introduced her to classical composers like Bach who remained with her and influenced her music throughout her life. She loved the way his music began softly and then tumbled to thunder, like her mother's preaching, and in much the same way as her career. During her first performances under the name of Nina Simone her voice was rich and sweet but as the Civil Rights Movement gained steam, Nina's voice soon became a thunderous roar as she raised her voice in powerful protest in the fight against racial inequality and discrimination.

      As a child, Amalia Hernández saw a pair of dancers in the town square. The way they stomped and swayed to the rhythm of the beat inspired her. She knew one day she would become a dancer.   Amalia studied ballet and modern dance under the direction of skilled teachers who had performed in world-renowned dance companies. But she never forgot the folk dance she had seen years earlier. She began traveling through the Mexican countryside, witnessing the dances of many regions, and she used her knowledge of ballet and modern dance to adapt the traditional dances to the stage. She founded her own dance company, a group that became known as el Ballet Folklórico de México.   Using his signature illustration style, inspired by the ancient art of the Mixtecs, award-winning author and illustrator Duncan Tonatiuh tells the story of Amalia Hernández and the formation of the Folkloric Ballet, one of the most famous and successful dance companies in the world.