One of 2012’s HWA Lifetime Achievement Award Winners, Rick Hautala has a writing career that spans more than three decades. From Moondeath, his first novel published in 1980, to the republication of his best-selling novel The White Room (DRP, 2012) and his forthcoming “Little Brothers” novella Indian Summer (CD Publications, 2012), his novels and short stories have entertained millions of readers around the world. Now comes Glimpses, a career-spanning “best of” collection that brings together twenty-four stories, including eight from each of Rick’s critically-acclaimed collections Bedbugs and Occasional Demons, and eight previously uncollected stories. And Glimpses delivers what it promises—quick glimpses into the deepest shadows of our lives, around unfamiliar corners of streets we think we know, and down the darkest alleys of strange cities where readers will have to face their worst fears and their most unnerving nightmares. Of course, Glimpses wouldn’t be a Rick Hautala collection if it didn’t included gorgeous original artwork—a wraparound cover and eight new illustrations—from award-winning artist Glenn Chadbourne. So whether it’s in a haunted schoolhouse or an abandoned lighthouse, an iron bridge that spans a fast-moving river or a World War I battlefield, prepare yourself because you never know what you may catch a glimpse of … and by then, it may already be too late.

    Lansdale, Tanith Lee, and Gene Wolfe, and bestsellers such as Holly Black, Neil Gaiman, and Sarah Langan. Includes a 36,000 word novella by George R.R. Martin set in his A Song of Fire and Ice universe.Contents How Bria Died • (2009) • shortstory by Michael AronovitzOaks Park • (2010) • shortfiction by M. K. HobsonHurt Me • (2010) • shortfiction by Daniel Abraham [as by M. L. N. Hanover ]He Said, Laughing • (2010) • shortstory by Simon R. GreenThe Thing About Cassandra • (2010) • shortfiction by Neil GaimanTragic Life Stories • (2010) • shortfiction by Steve DuffyThe Dog King • (2010) • shortstory by Holly BlackThimbleriggery and Fledglings • (2010) • shortfiction by Steve BermanThe Broadsword • (2010) • novella by Laird BarronFrumpy Little Beat Girl • shortfiction by Peter AtkinsCrawlspace • (2010) • shortfiction by Stephen Graham JonesAs Red as Red • (2010) • shortfiction by Caitlín R. KiernanMother Urban's Booke of Dayes • (2010) • shortstory by Jay LakeA Thousand Flowers • (2010) • novelette by Margo LanaganAre You Trying To Tell Me This Is Heaven? • (2010) • shortstory by Sarah LanganThe Stars Are Falling • (2010) • novelette by Joe R. LansdaleSea Warg • (2010) • shortfiction by Tanith LeeThe Mystery Knight: A Tale of the Seven Kingdoms • [Dunk and Egg • 3] • (2010) • novella by George R. R. MartinThe Naturalist • (2010) • shortfiction by Maureen F. McHugh [as by Maureen McHugh ]Raise Your Hand If You're Dead • (2010) • shortstory by John ShirleyLesser Demons • (2010) • novelette by Norman PartridgeParallel Lines • (2010) • shortstory by Tim PowersThe Moon Will Look Strange • (2010) • shortstory by Lynda E. RuckerYou Dream • (2010) • shortstory by Ekaterina SediaRed Blues • (2010) • shortfiction by Michael SkeetBrisneyland by Night • (2010) • shortstory by Angela SlatterMalleus, Incus, Stapes • (2010) • shortfiction by Sarah TottonThe Return • (2010) • shortfiction by S. D. TullisThe Dire Wolf • (2010) • shortfiction by Genevieve ValentineThe Things • (2010) • shortstory by Peter WattsBloodsport • (2010) • shortfiction by Gene Wolfe

    Its name: BIZARRO. For years, readers have been asking for a category of fiction dedicated to the weird, crazy, cult side of storytelling that has become a staple in the film industry (with directors such as David Lynch, Takashi Miike, Tim Burton, and even Lloyd Kaufman) but has been largely ignored in the literary world, until now. The Bizarro Starter Kit features short novels and story collections by ten of the leading authors in the bizarro genre: Russell Edson, Athena Villaverde, David Agranoff, Matthew Revert, Andrew Goldfarb, Jeff Burk, Garrett Cook, Kris Saknussemm, Cody Goodfellow, and Cameron Pierce.

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    Lost worlds where T-Rex and Velociraptors still roam and man is now on the menu. Laboratories at the forefront of cloning technology experiment with dinosaurs they do not understand or are able to contain. The deepest parts of the ocean where Megalodon, the largest and most ferocious predator to have ever existed is stalking new prey. Plus many more thrillers filled with extinct prehistoric monsters written by some of the best creature feature authors this side of the Jurassic period.

    Destroyed oil rigs, mysteriously reborn, clamber from the sea and onto the land, driven by an obscure but violent purpose. An anatomy student cuts open a cadaver to discover impossibly intricate designs carved into a corpse's bones—designs clearly present from birth, bearing mute testimony to . . . what?Of such concepts and unforgettable images are made the twenty-eight stories in this collection—many published here for the first time. By turns speculative, satirical, and heart-wrenching, fresh in form and language, and featuring a cast of damaged yet hopeful seekers who come face-to-face with the deep weirdness of the world—and at times the deeper weirdness of themselves—Three Moments of an Explosion is a fitting showcase for one of our most original voices.

    The stories include:Anything can be Dangerous ~ the simple things in life can kill.Through the Valley of Death ~ a dark vampire story that will make you remember fear. The Finger ~ zombie literature has never been so extraordinary.Feeding Frenzy ~ lunchtime in a place called Hell. Husk ~ this is what people are saying about Husk:“Matt Hults delivers a crackling, creepy tale. A fast-paced read with a generous body count, ‘Husk’ will make your skin crawl.”—Scott Nicholson, Bestselling author of They Hunger“Remember the first time you read Joe Lansdale’s The Drive-In, or Freezer Burn? Remember how exhilarated you felt as you tore through the pages as Lansdale kept knocking your jaw to the floor with his endless inventiveness, unexpected belly-laughs, and those even more unexpected moments of terror and pathos? Miss that feeling of being completely at the mercy of a writer’s imagination and boundless energy for his subject? Fret no more, friends—you now have Matt Hults’s Husk. This sucker is the real thing, an in-your-face, rollicking, scary, funny, and unexpectedly poignant potpourri of a horror story, an unabashed and unapologetic throwback to the early pulps infused with a vindictive modern-day sensibility that will have your head spinning and your mouth hanging open. It doesn’t get any more fun than this.”—Gary A. Braunbeck, winner of the Bram Stoker Award and International Horror Guild Award, author of Coffin County and Destinations Unknown“Suspenseful and gruesome, with just the right leavening of hopefulness and nod-wink humor.”—Dr. Kim Paffenroth, Bram Stoker Award Winner for Dying to Live.“Husk is wild, bloody, scary, action-packed, and entertaining as hell. Matt Hults seems to be having a blast telling his tale, and I had a blast going along for the ride. Great fun!”—Jeff Strand, Bram Stoker Nominated Author of PRESSURE"'Husk' is a chilling and relentless tale that will make you want to check your closets, lock your windows and keep an eye in your review mirror...but don't think that'll save you!"––Fran Friel, Bram Stoker Nominated Author of Mama's Boy“Husk is violent, intense and terrifying. The characters are as real as you and I, and every triumph is rapturous while every death is harrowing. Matt Hults proves himself as a master of the genre with his striking debut novel. It will leave you feeling skinned alive and dying for more.”—Joel A. Sutherland, Bram Stoker Nominated Author of Frozen Blood“I have come across some pretty mind-blowing demons on paper, on the big screen, and especially in my mind. But the ‘Husk’ Matt Hults created in this his first novel breaks all my thresholds for fear, and believe me I have built some pretty sound barriers in my time.”—Giovanna Lagana, author of With Black & White Comes the Grey

    Each tale offers glimpses into familiar, shadowy worlds that push the boundaries of the spirit and leave the mind haunted with the knowledge that black juice runs through us all.Contents:Earthly Uses (2004)House of the Many (2004)My Lord's Man (2004)Perpetual Light (2004)Red Nose Day (2004)Rite of Spring (2004)Singing My Sister Down (2004)Sweet Pippit (2004)Wooden Bride (2004)Yowlinin (2004)

    The anthology contains 45 illustrations by Glenn Chadbourne, over 20 stories by the likes of Stephen King, Jack Ketchum, Ramsey Campbell, Gary A. Braunbeck, Mort Castle, Josh Malerman, Scott Edelman, Richard Thomas, Richard Chizmar and Gene O’Neill, and with 20 intertwined poems by the likes of Elizabeth Massie, Marge Simon, Bruce Boston, Erik T. Johnson, Stephanie M. Wytovich, and also includes an introduction by the extraordinary Chuck Palahniuk.

    P. Lovecraft from authors who do not merely imitate, but reimagine, re-energize, and renew his concepts in ways relevant to today's readers. Fresh new fiction that explores our modern fears and nightmares. From the depths of R'lyeh to the heights of the Mountains of Madness, some of today's best weird fiction writers -- both established award-winning authors and exciting new voices -- THE MAMMOTH BOOK OF CTHULHU collects tales of cosmic horror that traverse terrain created by Lovecraft and create new eldritch geographies to explore . . . With stories by: Laird Barron, Nadia Bulkin, Amanda Downum, Ruthanna Emrys, Richard Gavin, Lois H. Gresh, Lisa L. Hannett, Brian Hodge, CaitlíR. Kiernan, John Langan, Yoon Ha Lee, Usman T. Malik, Helen Marshall, Silvia Moreno, Norman Partridge, W. H. Pugmire, Veronica Schanoes, Michael Shea, John Shirley, Simon Strantzas, Sandra McDonald, Damien Angelica Walters, Don Webb, Michael Wehunt, and A.C. Wise

    Lovecraft, aside from devising his own works in his Cthulhu Mythos cycle, also collaborated in his day with many younger writers of the uncanny and eerie. Available for the first time in paperback, this collection features stories to which the master of horror added his own ingenious touch.

    Whether based in sf or fantasy, Shea's short fiction is not for the squeamish.Contents:Polyphemus (1981)The Angel of Death (1979)Uncle Tuggs (1986)The Pearls of the Vampire Queen (1982)The Horror on the #33 (1982)The Extra (1987)The Autopsy (1980)

    Toybox itself was nominated for an International Horror Guild Award for best collection.Little Selene was bored. And then came the mysterious Toyman, carrying a very special toybox, filled with wonders and terrors beyond imagination. As Selene peered into the toybox, the stories tumbled out: a quiet little girl whose horrible secret bursts forth at a Halloween party ... a doll made of corn that hides a very nasty surprise ... a depraved celebration for the last vampire ... All of these and many more awaited Selend - and now they wait for you - inside the toybox. Go ahead, open it, if you dare.

    They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.