In his fourth novel, The Unburied, Palliser turns to the late Victorian era to give us an equally authoritative reconstruction of the past and a tightly compressed narrative filled with treachery, drama, and interconnected mysteries.The novel opens with a brief preface in which Philip Barthram, editor of the manuscript we're about to read, travels to Geneva for an enigmatic encounter with an old, dying woman. At the end of this encounter -- which makes numerous references to events and people we know nothing about -- the narrative shifts abruptly, taking us into "The Courtine Account," a memoir written by Cambridge historian Edward Courtine. The memoir recounts Courtine's 1881 visit to the cathedral town of Thurchester, site of the mysteries that will gradually dominate the novel.Ostensibly, Courtine has come to Thurchester to visit his former college roommate, Austin Fickling. Courtine and Austin parted bitterly 20 years before and hope to effect a belated reconciliation. Courtine also hopes to unearth a manuscript -- rumored to reside in the Thurchester library -- that will shed new light on his academic specialty, the reign of King Alfred, medieval ruler of Wessex. As he attempts to follow both his personal and professional agendas, Edward finds himself embroiled in a pair of unresolved mysteries. One concerns the 200-year-old murders of William Burgoyne and Launcelot Freeth, whose violent deaths continue to generate controversy and speculation. The other concerns the brutal killing of a local banker, a killing that takes place -- or appears to take place -- just minutes after Courtine and Austin have visited the banker's home. As the novel progresses, the details of the two crimes echo each other with an eerie frequency. With unobtrusive skill, Palliser leads us through a cumulatively fascinating labyrinth composed of fact, rumor, legend, and supposition. Within this labyrinth, objective "truth" proves to be an illusive, perhaps unattainable goal. But Courtine, a historian who believes in the power of the imagination, continues to pursue that goal. In the course of his pursuit, which is never wholly successful, he finds himself forced to reassess the central elements of his life: his embattled relationship with Austin Fickling, the painful failure of his marriage, two decades before, and the unperceived weaknesses of his own character.Admirers of Charles Dickens, Wilkie Collins, John Fowles, and Umberto Eco should take this novel to their hearts. The Unburied is exciting, audacious, mysterious, moving, and intellectually challenging, all at once. Like The Quincunx, it speaks clearly and directly to the modern sensibility and leaves a lingering aftertaste behind.--Bill SheehanBill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has recently been published by Subterranean Press (www.subterraneanpress.com).

    He was 45: a literary legend, a national treasure, married with ten children. This meeting sparked a love affair that lasted over a decade, destroying Dickens's marriage and ending with Nelly's near-disappearance from the public record. In this remarkable work of biography, Claire Tomalin rescues Nelly from obscurity, not only returning the neglected actress to her rightful place in history, but also giving us a compelling and truthful account of the great Victorian novelist. Through Dickens's diaries, correspondence, address books, and photographs, Tomalin is able to reconstruct the relationship between Charles and Nelly, bringing it to vivid life. The result is a riveting literary detective story—and a portrait of a singular woman.

    Continuous warfare became an accepted way of life in the Victorian era, and in the process the size of the British Empire quadrupled.But engrossing as these small wars are—and they bristle with bizarre, tragic, and often humorous incident—it is the officers and men who fought them that dominate this book. With their courage, foolhardiness, and eccentricities, they are an unforgettable lot.

    Years later—one struggling with his identity in a world hostile to his ancestry, the other creating the world’s most famous detective while in love with a woman who is not his wife–their fates become inextricably connected.In Arthur & George, Julian Barnes explores the grand tapestry of late-Victorian Britain to create his most intriguing and engrossing novel yet.

    “They are mistaken. I have not known you long, but I observe in you a natural dignity that cannot be learnt. To me, ma’am, you are every inch a Queen.”In 1837, less than a month after her eighteenth birthday, Alexandrina Victoria – sheltered, small in stature, and female – became Queen of Great Britain and Ireland. Many thought it was preposterous: Alexandrina — Drina to her family — had always been tightly controlled by her mother and her household, and was surely too unprepossessing to hold the throne. Yet from the moment William IV died, the young Queen startled everyone: abandoning her hated first name in favor of Victoria; insisting, for the first time in her life, on sleeping in a room apart from her mother; resolute about meeting with her ministers alone.One of those ministers, Lord Melbourne, became Victoria’s private secretary. Perhaps he might have become more than that, except everyone argued she was destined to marry her cousin, Prince Albert of Saxe-Coburg and Gotha. But Victoria had met Albert as a child and found him stiff and critical: surely the last man she would want for a husband….Drawing on Victoria’s diaries as well as her own brilliant gifts for history and drama, Daisy Goodwin, author of the bestselling novels The American Heiress and The Fortune Hunter as well as creator and writer of the new PBS/Masterpiece drama Victoria, brings the young queen even more richly to life in this magnificent novel.

    Refreshed, renewed, reloaded! Readers can discover all the foul facts about the VILLAINOUS VICTORIANS , including:Why burglars were scared of bogies,which poet said he ate an apeand how a snick fadger might kiddy-nap your spangle.

    Her father soon started to spend the family fortune, enthusiastically supported by Consuelo's mother, Alva, who was determined to take the family to the top of New York society—forcing a heartbroken Consuelo into a marriage she did not want with the underfunded Duke of Marlborough. But the story of Consuelo and Alva is more than a tale of enterprising social ambition, Gilded Age glamour, and the emptiness of wealth. It is a fascinating account of two extraordinary women who struggled to break free from the world into which they were born—a world of materialistic concerns and shallow elitism in which females were voiceless and powerless—and of their lifelong dedication to noble and dangerous causes and the battle for women's rights.

    Two of these princesses would themselves produce children of immense consequence. All five would curiously come to share many of the social restrictions and familial machinations borne by nineteenth-century women of less-exulted class.Victoria and Albert's precocious firstborn child, Vicky, wed a Prussian prince in a political match her high-minded father hoped would bring about a more liberal Anglo-German order. That vision met with disaster when Vicky's son Wilhelm-- to be known as Kaiser Wilhelm-- turned against both England and his mother, keeping her out of the public eye for the rest of her life. Gentle, quiet Alice had a happier marriage, one that produced Alexandra, later to become Tsarina of Russia, and yet another Victoria, whose union with a Battenberg prince was to found the present Mountbatten clan. However, she suffered from melancholia and died at age thirty-five of what appears to have been a deliberate, grief-fueled exposure to the diphtheria germs that had carried away her youngest daughter. Middle child Helena struggled against obesity and drug addition but was to have lasting effect as Albert's literary executor. By contrast, her glittering and at times scandalous sister Louise, the most beautiful of the five siblings, escaped the claustrophobic stodginess of the European royal courts by marrying a handsome Scottish commoner, who became governor general of Canada, and eventually settled into artistic salon life as a respected sculptor. And as the baby of the royal brood of nine, rebelling only briefly to forge a short-lived marriage, Beatrice lived under the thumb of her mother as a kind of personal secretary until the queen's death.Principally researched at the houses and palaces of its five subjects in London, Scotland, Berlin, Darmstadt, and Ottawa-- and entertainingly written by an experienced biographer whose last book concerned Victoria's final days-- Victoria's Daughters closely examines a generation of royal women who were dominated by their mother, married off as much for political advantage as for love, and finally passed over entirely with the accession of their n0 brother Bertie to the throne. Packard provides valuable insights into their complex, oft-tragic lives as daughters of their time.

    The text is complemented by a wide-ranging selection of contemporary illustrations.

    To everyone's great surprise, this playboy prince sobered up and became an extremely effective leader and the founder of England's modern monarchy. For readers of Sally Bedell Smith's Elizabeth the Queen and Robert K. Massie's Catherine the Great."This is not only the best biography of King Edward VII; it's also one of the best books about royalty ever published." So began the London Independent's review of this wonderfully entertaining biography of Britain's playboy king-a Prince Charles of the Victorian age, only a lot more fun-who waited for nearly six decades to get his chance to rule. A notorious gambler, glutton and womanizer (he was dubbed "Edward the Caresser"), the world was his oyster as this aging Prince of Wales took advantage of his royal entitlements to travel, hunt, socialize, over-indulge-he smoked a dozen cigars a day-and bed a string of mistresses and married women in addition to his own wife. His mother Queen Victoria despaired: "Bertie, I grieve to say, shows more and more how totally, totally unfit he is for ever becoming king." And yet by the time he died in 1910, after only nine years on the throne, he had proven to be a hard working, effective king and an ace diplomat, at home and abroad.A bestseller in the UK, this "exhaustively researched, richly colorful and wittily observed biography" (the London Sunday Times) is a tremendously entertaining read for history buffs and royal watchers.

    Victoria's matchmaking plans were further complicated by the tumultuous international upheavals of the time: revolution and war were in the air, and kings and queens, princes and princesses were vulnerable targets.Queen Victoria's Matchmaking travels through the glittering, decadent palaces of Russia and Europe, weaving in scandals, political machinations and family tensions to enthralling effect. It is at once an intimate portrait of a royal family and an examination of the conflict caused by the marriages the Queen arranged. At the heart of it all is Victoria herself: doting grandmother one moment; determined Queen Empress the next.

    . .We know what life was like for Victoria and Albert, but what was it like for a commoner? How did it feel to cook with coal and wash with tea leaves? Drink beer for breakfast and clean your teeth with cuttlefish? Dress in whalebone and feed opium to the baby? Catch the omnibus to work and wash laundry while wearing a corset? How To Be A Victorian is a new approach to history, a journey back in time more intimate, personal, and physical than anything before. It is one told from the inside out--how our forebears interacted with the practicalities of their world--and it's a history of those things that make up the day-to-day reality of life, matters so small and seemingly mundane that people scarcely mention them in their diaries or letters. Moving through the rhythm of the day, from waking up to the sound of a knocker-upper man poking a stick at your window, to retiring for nocturnal activities, when the door finally closes on twenty-four hours of life, this astonishing guide illuminates the overlapping worlds of health, sex, fashion, food, school, work, and play.If you liked The Time Traveller's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century or 1000 Years of Annoying the French, you will love this book.

     London, 1853. Annie Stride is a beautiful, flame-haired young woman from the East End of London. She is also a whore. On a bleak January night Annie stands on Waterloo Bridge, watching the icy waters of the Thames writhe beneath her as she contemplates throwing herself in. At the last minute she's rescued by a handsome young man. Her saviour, Francis Maybrick Gill, is a talented artist. He takes Annie as his muse, painting her again and again and transforming her from a fallen woman into society's darling, taking her far away from her old life. But there is darkness underpinning Annie's lavish new lifestyle. In London and in Florence, prostitutes are being murdered. There's someone out there who knows who Annie really is - and they won't let her forget where she came from...

    From the newly-created Empire of Mexico, to the largely undiscovered African Congo, their influence crossed continents; and their lives, spanning more than a century, were interwoven with some of the most significant events of the age. They experienced wars, revolutions, personal tragedies and national disasters, and, as in any extended family, their characters were as varied as their experiences. Among them were princes, potentates and dukes; dutiful wives and desperate daughters; an Empress; three Kings; the consorts of Queens; and the spouses of theatre performers and a circus artiste. With several, Queen Victoria maintained a lifelong correspondence, while others were gradually distanced from her. All, however, contributed something to her life’s experience, and many repaid her devotion with love.

    In doing so they took control of their lives -- and those of other people -- and made the world do their will.Extremely accomplished, well-educated, and unusually literate, courtesans exerted an incredible influence as leaders of society. They were not received at court, but inhabited their own parallel world -- the demimonde -- complete with its own hierarchies, etiquette, and protocol. They were queens of fashion, linguists, musicians, accomplished at political intrigue, and, of course, possessors of great erotic gifts. Even to be seen in public with one of the great courtesans was a much-envied achievement.