This is the story of seven friends. We met in college, completely free for the first time in our lives and determined to enjoy every minute of it. For four years, we gossiped and flirted, partied and road-tripped. We were inseparable. Each of us has our own story of falling in or out of love. Of finding out who we are. Of growing up. We thought we knew everything. We knew nothing. We Were Here is where the Modern Love Stories begins, in a standalone that perfectly captures the humor, angst, and sheer chaos of college.

    The story captures the struggles of a family as it was pulled apart by poverty and alcohol, yet bound by witty—and sometimes ribald—humor.The cast of characters reads like fiction, but it is actually truth. There’s the father, the sarcastic, anti-government, alcoholic, and general ne’er-do-well. He moved his family from state to state, only to leave them again for years at a time in search of construction work. He’d return with empty pockets and bizarre interests such as ESP, pyramid power, and telekinesis. The mother, an Irish Catholic, stayed devoted to him.Her lack of education and access to transportation in a small town led to a dependence upon welfare.Two older sisters complete the picture, acting as sources of tension and strength throughout the book. And then there’s the narrator, the youngest—the snoop, the clown, and the observer.In the spirit of memoirs such as Blackbird and Angela’s Ashes, the narrative addresses serious issues while avoiding self-pity. Don’t Spend it All on Candy continuously comes back to the humor that sustained them while celebrating the tenacity that led all three daughters to break the cycle of poverty.

    I aim to capture him and his impact on my life and career.’  - Christopher Eccleston Drawing on his memories, Chris will describe a vivid life of growing up in a Salford, working-class household in the 1970s with his siblings, a loving mother, and the totemic figure of his hardworking, serious-minded and socialist father – Ronnie. How his life changed from a potential future as ‘factory fodder’ in his native Northwest, to a deep-rooted desire to perform on stage, and what developed into a burgeoning acting career – from his stunning film debut Let Him Have It; to the BBC’s landmark drama miniseries Our Friends in the North; his remarkable relaunch of the iconic Doctor Who franchise; and many more BAFTA-nominated roles over the past three decades such as starring in the current production of Macbeth for the Royal Shakespeare Company at Stratford; and, playing the role of the grandfather in the BBC1 hit drama series The A Word. Along this path of fame and fortune also lay a man still bonded to his home city of Salford, his politics, his family, and especially his beloved parents. Chris will discuss openly the loss of his father and his family’s struggle to cope with his condition over the past decade of his life as they watched his health deteriorate. A journey thousands of British families travel on each year. A heart-rending, honest and often touching memoir of a man embedded in his roots and mourning the loss of the father who nurtured those roots.

    He was fit and strong. He had a good guidebook and all the right equipment. His pilgrim passport would grant him access to the shelter of hostels along the way. But all that, however helpful, did not begin to encompass the grandeur of his external or internal adventure. A Million Steps climbs over the high meadows of the Pyrenees, quests through the unceasing wind of the Meseta, and dances in the rains of Galicia. While following the yellow arrows that mark the route, Koontz also navigates through his personal history of addiction, recovery, and love. With outgoing humor and friendliness, he embraces the beauty of the countryside and joyful connections to other pilgrims from around the world. Part diary, part travelogue, A Million Steps is a journey within a journey all the way to the Cathedral de Santiago de Compostela and beyond.

    Of course it wasn’t. But if she’d just grasped harder, run faster, lunged quicker, she might have saved him. And Edward doesn’t really blame her, though his bitter words at the time still haunt her, and he can no more take them back than she can halt the car that killed their son.Two years on, every day is a tragedy. Edward knows they should take healing steps together, but he’s tired of being shut out. For Zoe, it just seems easier to let grief lead the way.A weekend in Paris might be their last hope for reconciliation, but mischance sees them separated before they’ve even left Gare du Nord. Lost and alone, Edward and Zoe must try to find their way back to each other—and find their way back to the people they were before. But is that even possible?

    And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it's even there when you thought you were searching for something else, like an escape route, or your lover's face.How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan's The Lover's Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.

    At every turn she is haunted by her close relationship with her younger sister, Gwen, a fellow company dancer whose career quickly surpassed Kate’s, but who has recently suffered a breakdown and returned home.Alone for the first time in her life, Kate is anxious and full of guilt about the role she may have played in her sister’s collapse.  As we follow her on an insider tour of rehearsals, performances, and partners onstage and off, she confronts the tangle of love, jealousy, pride, and obsession that are beginning to fracture her own sanity. Funny, dark, intimate, and unflinchingly honest, The Cranes Dance is a book that pulls back the curtains to reveal the private lives of dancers and explores the complicated bond between sisters.

    Cute guys are players and not to be trusted, a fact she learned the hard way when her first boyfriend ran her heart through a paper shredder. Two years later, her promise is still intact, and she’s determined to make it through college without falling victim to another creep. She has her job, school and The Guys Are Props Club to keep her mind and hormones in check.The club was founded by Jessica, Maddie’s best friend. It is a sisterhood of girls who have fallen prey to heartless jerks and who have vowed to turn the tables. Once a semester, Jessica requires members to “do onto others as they’ve done unto you.” Setting the example, Jessica’s next play is Sebastian Capello, a theater major with heartthrob looks and a flair for Latin dance, whose heart she plans to break the way hers was once broken.What the friends don’t know is that Sebastian is different. Despite his perfect looks and popularity, he’s not a jerk. He doesn’t play games to get his way. Instead, he keeps it real and goes after what he wants with honest intentions. And what he wants is not a bombshell like Jessica, but a down-to-earth girl like Maddie – even if it causes a riff in the girl’s friendship. Even if it means getting Maddie to break her personal vow.*** Due to language and sexual situations this book is recommended for ages 17 and older.

    Sometimes the only thing it deserves is forgiveness.The Voss family is anything but normal. They live in a repurposed church, newly baptized Dollar Voss. The once cancer-stricken mother lives in the basement, the father is married to the mother’s former nurse, the little half-brother isn’t allowed to do or eat anything fun, and the eldest siblings are irritatingly perfect. Then, there’s Merit.Merit Voss collects trophies she hasn’t earned and secrets her family forces her to keep. While browsing the local antiques shop for her next trophy, she finds Sagan. His wit and unapologetic idealism disarm and spark renewed life into her—until she discovers that he’s completely unavailable. Merit retreats deeper into herself, watching her family from the sidelines when she learns a secret that no trophy in the world can fix.Fed up with the lies, Merit decides to shatter the happy family illusion that she’s never been a part of before leaving them behind for good. When her escape plan fails, Merit is forced to deal with the staggering consequences of telling the truth and losing the one boy she loves.

    one painful, hateful word at a time.” Like millions of other women, CNN’s HLN and truTV’s In Session anchor Christi Paul blamed herself for the emotional abuse heaped on her by her first husband, whose violent, profanity-laced tirades left her feeling as though she had no value, no self-worth, and nowhere to turn for help. Then one day, when Christi was taking refuge in a church parking lot, the verse “Trust in the Lord with all your heart and lean not on your own understanding” popped into her head. In that moment she realized she did have someplace to turn after all. Holding fast to her faith, Christi began the arduous process of rebuilding her self-image and regaining control of her life. Now happily remarried and the mother of three girls, Christi feels called to share her story in the hope that other victims of abuse will find the courage to seek the help they desperately need and deserve. Spoken with both candor and poignancy, Love Isn’t Supposed to Hurt chronicles Christi’s personal experience with emotional abuse and shows how—with God’s help, some unconventional therapy, and the support of family and friends—she was able to break the cycle of abuse, regain her sense of self-worth, and discover what true love is all about.

    Problems almost crushed him. Love motivated him to mend the damage, once he found all the pieces. After only a few months of marriage, Lorraine left Dylan on a wintry night after he'd spent one too many nights out with the guys. Unable to cope with the loss, Dylan escapes the painful feelings by drinking them away. This decision costs him a year-and-a-half of his life after he stops in a little mountain town and ends up in the local jail. When he's released, he returns home in search of a job to get his life—and his wife back. THE MISSING PIECE is not only a love story about a man who loves a woman, but is also a love story about a merciful God who loves mankind, even when he falls. The novel is an emotionally-charged journey of hope and redemption with a touch of spunk, a hint of humor, and a few twists along the way.Engaging and inspiring!

    — ALL IT TAKES IS ONE LITTLE KISS... — In order to keep custody of her teenage sister, Tessa Scuderi told a small (okay, big) lie to the people of Lucy's Lake, Vermont, about what really happened ten years ago when Dermot Finnegan took off with her virginity, her car, and the town bell. It had been working, too, until she found her old car parked in front of her house, keys in the ignition, and a telltale red hair stuck to the headrest.TO TOTALLY SCREW EVERYTHING UP.All Finn wanted to do was return the stupid car and get going. But he stopped to save a burning pet shop (big mistake), ended up kissing Tessa behind the drugstore (big mistake, but worth it), and discovered that Tessa's been building him up as some kind of town hero all these years (gonna have to puzzle that out). Now Finn has to find out who's behind a string of mysterious fires and deal with the heat between him and Tessa. Hey, one more kiss can't hurt -- or can it?

    If you are looking for a narrative without emotion, without regrets, and without mistakes, this is definitely the wrong story. This is by no means an uncomplicated tale about uncomplicated people. It is by no means sweet or light. This story is ugly. This story is complicated. This story is emotional. This story is tragic. In short, this story is about being awkward. Peregrine Storke is an artist with an odd sketchbook full of pictures she’s drawn since she was a child. It is a book full of strange sketches and awkward characters, for there is no better way to hide from bullying and life than to create a world of your own. With a stroke of her pencil, she has given life to a spectacled princess, a freckle-nosed king, a candy loving troll, a two-horned unicorn, and a graceless fairy. At nineteen, Peregrine leaves her home, her sketchbook, and awkwardness behind. But what happens when something goes wrong in the world of Awkward? Trapped inside of her complex realm with the bully she thought to leave behind, Peregrine discovers there is nothing worse than falling for your own villain.

    But this particular tour with its cast of unintentionally hilarous characters leaves seasoned tour guide Conor speechless for the first time in his life. Among this eclectic group are Corlene, a gold digging multiple divorcee on the prowl; Patrick, a love-starved Boston cop; Dylan, a goth uilleann piper; Dorothy, a poisonous college professor who wouldn't spend Christmas; Elliot, a wall street shark who finally shows his true colours, and then there's Ellen, back on Irish soil after so many years to discover a truth no-one could have guessed, least of all herself. And thats just a few of the colourful cast.The locals they meet on their journey, eccentric West Brits, passionate musicians, Ukranian waitresses and Garda high flyers all help to make this a tour that nobody will ever forget. And of course, there's Conor, stuck in the thick of it all, solving problems and mending hearts, but what about his own?

    The sparks between Chloe and Josh fly, but Richard provides safety, financial security. Should she follow her heart or her head? The answer comes in a surprise twist. While cleaning her attic, she stumbles upon love letters written to her estranged mother forty years ago from a man she loved. When Chloe secretly brings them together again and sees how much time they’ve lost, she is challenged not to make the same mistake her mother made. Will Chloe opt for security or will she risk her heart and marry her true love?