This edition includes the complete screenplay - with stills and frame enlargements - with Pauline Kael's classic essay on how the picture came to be made.

    In his earlier novels, he has written about conspiracy theory, the Cold War and global terrorism. Now, in Point Omega, he looks into the mind and heart of a "defense intellectual", one of the men involved in the management of the country's war machine. Richard Elster was a scholar—an outsider—when he was called to a meeting with government war planners, asked to apply "ideas and principles to such matters as troop deployment and counterinsurgency". We see Elster at the end of his service. He has retreated to the desert, "somewhere south of nowhere", in search of space and geologic time. There he is joined by a filmmaker, Jim Finley, intent on documenting his experience. Finley wants to persuade Elster to make a one-take film, Elster its single character—"Just a man and a wall."Weeks later, Elster's daughter Jessica visits—an "otherworldly" woman from New York, who dramatically alters the dynamic of the story. The three of them talk, train their binoculars on the landscape, and build an odd, tender intimacy, something like a family. Then a devastating event throws everything into question. In this compact and powerful novel, it is finally a lingering human mystery that haunts the landscape of desert and mind.

    Describing Sam Fuller as a cult legend and a celluloid genius would be like describing Muhammad Ali as a boxer or Jimi Hendrix as a guitar player. He was a singular American visionary, a giant of independent filmmaking, and a king of bruised-knuckle cinematic poetry. The Big Red One is his masterpiece. Twenty years in the making, both the novel and the film are based on Fuller's own experiences with the Army's First Infantry Division ("the Big Red One") in World War II. The story centers on the friendship of five soldiers and follows them from the arid landscapes of Vichy French Africa to Europe to the beaches of Normandy on D-Day and onward into Germany. Excruciating scenes of suffering and brutality are juxtaposed against heartbreaking scenes of compassion and selflessness. In Fuller's vision the lines between heroism and villainy are blurred--"the only glory in war is surviving"--but The Big Red One also provides an epic adventure steeped in the true history of World War II.

    But as she becomes part of his world and his work, their growing intimacy spreads tension and deception in the ordered household and, as the scandal seeps out, into the town beyond.Falling AngelsJanuary 1901, the day after Queen Victoria's death. Two families become inextricably linked when their daughters become friends. The Waterhouses revere the late Queen and cling to Victorian traditions; the Colemans look forward to a more modern society. As the girls grow up and a new role for women emerges, as cars replace horses and electricity outshines gas lighting, the nation emerges from the shadows of oppressive Victorian values to a golden Edwardian summer.

    For more than thirty years, Simon's wry and astute observations on life, love, and the human condition have been making audiences laugh uproariously even as his beautifully realized characters touch their hearts. These five plays, including the Pulitzer- and Tony-award-winning Lost in Yonkers, show Simon at the pinnacle of his extraordinary career. Rumors Lost in Yonkers Jake's Women Laughter on the 23rd Floor London Suite Including the author's introduction: "How to Stop Writing and Other Impossibilities"

    This book collects TV and movie critic Matt Zoller Seitz’s celebrated Mad Men recaps—as featured on New York magazine's Vulture blog—for the first time, including never-before-published essays on the show’s first three seasons. Seitz’s writing digs deep into the show’s themes, performances, and filmmaking, examining complex and sometimes confounding aspects of the series. The complete series—all seven seasons and ninety-two episodes—is covered.   Each episode review also includes brief explanations of locations, events, consumer products, and scientific advancements that are important to the characters, such as P.J. Clarke’s restaurant and the old Penn Station; the inventions of the birth control pill, the Xerox machine, and the Apollo Lunar Module; the release of the Beatles’ Revolver and the Beach Boys’ Pet Sounds; and all the wars, protests, assassinations, and murders that cast a bloody pall over a chaotic decade.  Mad Men Carousel is named after an iconic moment from the show’s first-season finale, “The Wheel,” wherein Don delivers an unforgettable pitch for a new slide projector that’s centered on the idea of nostalgia: “the pain from an old wound.” This book will soothe the most ardent Mad Men fan’s nostalgia for the show. New viewers, who will want to binge-watch their way through one of the most popular TV shows in recent memory, will discover a spoiler-friendly companion to one of the most multilayered and mercurial TV shows of all time. It's the perfect gift for Mad Men fans and obsessives. Also available from Matt Zoller Seitz: The Oliver Stone Experience, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.

    

    Dick's screenplay adaptation of one of his signature novels available for the first time in more than twenty years. Copies of the first edition of Ubik: the Screenplay now fetch more than $100 on the collector's market, when you can find them. In addition, the screenplay features an ending that differs markedly from that of the novel."Dick included far more parenthetical description and interpretation than can be standard for screenplays, and so we have here his considered, after-the-fact portraits of Glen Runciter, Ella Runciter, Joe Chip, Pat Conley, and Ubik itself. And too, with a facility that's scarce among novelists, he smoothly adapts his story to the wider, deeper ranges of the film medium. The Ubik 'ads' are much more effective as actual intrusions than as chapter headings, the soundtrack becomes a central element (and makes us wonder what music Dick would have chosen to complement some of his other novels), and he presents the dysfunctions in time and perception even more effectively when he imagines them enacted on a movie screen. In some ways, in fact, it almost seems as though we're getting a purer version of UBIK—something closer to the original conception than the text of the novel." -- Tim Powers, from his foreword

    The book is complete with historical annotation, with 340 research notes and 97 reactions and commentaries by Norman Mailer, Tom Wicker, Gerald R. Ford, and many others.

    Into this peaceful scene put the prosperous, despotic Hubbard family - Ben, possessive and scheming; Oscar, cruel and arrogant; Ben's dupe, Leo, weak and unprincipled; Regina wickedly clever - each trying to outwit the other. In this melodrama, only Regina wins.

    This text shows how The Big Sleep signalled a change in the nature of Hollywood cinema, as the director Howard Hawks shot extra scenes, "fun" scenes, to replace the ones in which the murders are explained, and in so doing left the plot unresolved.

    The marathon dance craze flourished during the 1930s, but the underside was a competition and violence unknown to most ballrooms—a dark side that Horace McCoy's classic American novel powerfully captures."Were it not in its physical details so carefully documented, it would be lurid beyond itself." —Nation

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    Here is the story of the inimitable twelve-year-old Frankie, who is utterly, hopelessly bored with life until she hears about her older brother's wedding. Bolstered by lively conversations with her house servant, Berenice, and her six-year-old male cousin—not to mention her own unbridled imagination—Frankie takes on an overly active role in the wedding, hoping even to go, uninvited, on the honeymoon, so deep is her desire to be the member of something larger, more accepting than herself. "A marvelous study of the agony of adolescence" (Detroit Free Press), The Member of the Wedding showcases Carson McCullers at her most sensitive, astute, and lasting best.