But a year after the senseless murder of his brother-in-law, his wife remains in mourning and his in-laws won't talk about anything but their dead son. The murderer, Henry Joseph Raven, is in prison, but to Owen, that isn't punishment enough. Owen embarks on a quest to "balance the scales of justice," writing letters to Henry Raven under the pseudonym Lily Hazelton. His plan: seduce the murderer, then break his heart.As Owen pursues his self-appointed mission, Lily Hazelton develops into a curious amalgam of details from his imagination, snatches of his difficult childhood, and memories of his cousin Eileen, a suicide who was his first true love. Bringing together an epistolary game of cat and mouse and the harrowing record of one man's psychological collapse, "The Interloper" is a compelling and original debut from a bold new writer.

    The sisters never quite recovered from their parents’ bitter divorce and the early death of their mother, with Vanessa particularly affected, and plagued by bouts of depression since her teenage years. When she suffers a new crisis, Alan and Helen travel to Saratoga Springs. Over the course of six wintry days in upstate New York, the Querry family begins to struggle with the questions that animate this profound and searching novel: Why do some people find living so much harder than others? Is happiness a skill that can be learned, or a lucky accident of birth? Is reflection helpful to happiness or an obstacle to it? If, as a favourite philosopher of Vanessa’s puts it, ‘the only serious enterprise is living’, how should we live? Rich in subtle human insight, full of poignant and often funny portraits, and vivid with a sense of place, Upstate is a perceptive, intensely moving novel.

    In this sordid and hilarious tale of whopping academic grants, sleeping on the job, sexual confusion and consenting adults, terrifying departmental secretaries, surprise impregnations and alcoholic lecturers we might conclude that most people are just not cut out for university life.

    We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

    This inexpensive volume comprises "The Diamond as Big as the Ritz," "The Ice Palace," "Bernice Bobs Her Hair," "May Day," "The Jelly-Bean," and "The Offshore Pirate." Publisher's Note.

    Leo’s bad behaviour, culminating in a car crash while under the influence—a nineteen-year-old waitress beside him—has endangered the Plumbs’ joint trust fund, or “the Nest,” as they’ve taken to calling it. The four siblings are at very different places in their lives, but all believe that this money will solve a host of self-inflicted problems and their consequences. And until Leo’s accident, they’d been mere months away from receiving it.Can Leo get the Plumbs out of this mess, as he’s always been able to do for himself before? Or will the Plumb siblings have to do without the money and the future lives they’ve envisioned? As the siblings grapple with family tensions, old histories and the significant emotional and financial cost of the accident, Sweeney introduces an unforgettable cast of supporting characters: Leo’s stalwart ex-girlfriend who now thinks that maybe, just maybe, he is capable of change; the waitress whose life was shattered in the accident and the Iraqi war veteran who falls in love with her; and a retired, grieving firefighter with a very big secret.Tender, funny and deftly written, The Nest explores what money does to relationships, what happens to our ambitions over the course of our lives, and the fraught but unbreakable ties we have with our families.

    When he discovers a rare giant squid, he instantly becomes a local phenomenon shadowed by people curious as to whether this speed-reading, Rachel Carson obsessed teenager is just an observant boy or an unlikely prophet. But Miles is really just a kid on the verge of growing up, infatuated with the girl next door, worried that his bickering parents will divorce, and fearful that everything, even the bay he loves, is shifting away from him. As the sea continues to offer up discoveries from its mysterious depths, Miles struggles to deal with the difficulties that attend the equally mysterious process of growing up.

    In AM/PM, impish humor and cutting insight are on full display. Readers tour the lives of 23 characters across 120 stories full of lizard tails, Schrödinger boxes, and volcano love. June wakes up one morning covered in seeds; Leonard falls in love with a chaise lounge; Betty insists everything except flowers are a symbol of her love for her husband; Andrew talks to his house in times of crisis. Written every morning and night for two months, these brief vignettes (50 to 100 words) recall Donald Barthelme in their whimsy and subtle yet powerful emotions. An intermittent love story as seen through a darkly comic lens, AM/PM mixes poetry and prose, humor and hubris to create a truly original work of fiction.

    Despite her pride, independence, and honesty, Charity Royall feels shadowed by her past--especially in her ardent relationship with the educated and refined Lucius Harney. Can passion overcome the effects of heredity and environment?With its frank treatment of a woman's sexual awakening, Summer created a sensation upon its 1917 publication. Edith Wharton — the author of Ethan Frome and a peerless observer and chronicler of society — completely shattered the standards of conventional love stories with this novel's candor and realism. The Pulitzer Prize-winning author declared Summer a personal favorite among her works, and liked to refer to it as "the Hot Ethan." Over a century later, it remains fresh and relevant.

    The newly single mother in The Break interferes with her son's love life over his Christmas vacation from college. The anxious young man in Balloon Night persists in hosting his and his wife's annual watch-the-Macy's-Thanksgiving-Day-Parade-floats-be-inflated party, while trying to keep the myth of his marriage equally afloat. Somebody's Son, tells the story of a young man guiltily conning an elderly couple out of their home in the Adirondacks, and the young narrator in The Women watches his widowed father become the toast of Manhattan's mid-life dating scene, as he struggles to find his own footing.The characters in Stay Up with Me find new truths when the old ones have given out or shifted course. In the tradition of classic story writer like John Cheever and Tobias Wolff, Barbash laces his narratives with sharp humor, psychological acuity, and pathos, creating deeply resonant and engaging stories that pierce the heart and linger in the imagination.

    He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity.

    Now, years later, his life suddenly is altered by two events: he becomes a juror in a murder trial for the brutal killing of a Buddhist monk, and he takes on as a pupil a Korean boy whose brilliant musicianship reminds him of his own past.

    Torn between his loyalty to his family, his faith in God, and his terror of this vicious disease, Jacob Hansen struggles to preserve his sanity amid the chaos and violence around him.

    Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fugue like and field like densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languages rich, ludicrous, exact, and also American in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

    In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.