Packed with nearly 70 exclusive interviews with some of his closest friends, colleagues, and fellow musicians—among them Tony Iommi, Joe Elliott, Richie Sambora, Bruce Dickinson, Raul Rodgers, Cliff Richard, and Spike Edney—this is the definitive life of the guitar virtuoso. It charts his life from his childhood through his years studying astrophysics and his initial success with Queen. May’s camaraderie and conflicts within Queen are addressed as are his most difficult years, which include the disintegration of his first marriage, the death of his father, and the profound professional and emotional effects of Freddie Mercury's illness and death. Hard-hitting and completely up to date, this is an engaging look at a life lived in the spotlight.

    Glitter tried to save music's soul, but was too commercial to be cutting edge for long. Then, in 1974, a rescue movement arrived. Three chords, black jeans, a pair of shades, and a whole lot of attitude made music that matched the facts of life on its home ground, mid-70's New York City's East Village. The initiators of punk, Richard Hell, Tom Verlaine, and Patti Smith had one foot in nineteenth-century French symbolist poetry and the other in the raw sound of their predecessors such as the Velvet Underground. This first-hand account of a little-documented era features luminaries such as Lou Reed, Iggy Pop, David Bowie, Debbie Harry, Divine, Devo, and the New York Dolls, and tells of the gigs at CBGB hitting the news as Warhol and his glittering crew descended. What began as a unique blend of fin-de-sièe ennui and razor-sharp rock became anarchic frenzy and safety pins, overrun by gutter decadence and stupid-chic. With Malcolm McLaren hijacking the scene's momentum, the Blank Generation plunged into excess and eventual ruin, its survivors making the leap into mainstream.

    An influence on Rod Stewart, Marriott is adored by Blur, Oasis, and Paul Weller.All Too Beautiful was published in hardcover to universal critical acclaim and was shortlisted for the 2005 US ARSC (Association for Recorded Sound Collections) Awards for excellence in historical recording research.

    In both subject and sound, it was like nothing else on the radio. It defied the cynicism and apathy of Generation X; it challenged the aesthetic expectations for a "pop song" (or even a "protest song"), fusing blues, opera, rock and gospel; and it demanded accountability in an era of corporate greed, globalization and environmental indifference. A massive hit globally (reaching #1 in over fifteen countries), it wasn't even offered as a single in the United States. Yet nearly two decades later, it stands as one of Jackson's greatest artistic achievements. In this groundbreaking monograph, author Joseph Vogel details the song's context and evolution from its inception in Vienna in 1988, to its release and reception in 1995, to Jackson's final live performance in Munich in 1999. Based on original research, including interviews with the song's key participants, Earth Song: Inside Michael Jackson's Magnum Opus offers a fascinating reassessment of this prophetic musical statement.

    The book contains the lyrics, melody, and chord symbols for eight hit songs. The CD contains demos for listening and separate backing tracks so you can sing along. The CD is playable on any CD, but it is also enhanced for PC and Mac computer users so you can adjust the recording to any pitch without changing the tempo Perfect for home rehearsal, parties, auditions, corporate events, and gigs without a backup band. This volume includes 8 Swift hits: Fearless * Fifteen * Love Story * Our Song * Picture to Burn * Teardrops on My Guitar * Tim McGraw * White Horse.

    In this book, John Prine curates a selection of his best loved songs. Included are lyrics, guitar chords, commentary from John and over 100 photographs - may never before published - from his personal collection. John Prine has written songs that have become central to the American musical heritage. This former Maywood, Illinois mailman came to prominence with his debut record, 'John Prine' in 1971, which includes classics like, "Angel from Montgomery," "Sam Stone," "Paradise," and "Hello in There." His lyrics speak to the everyday experience of ordinary people, with a simple honesty and an extraordinary ability to connect with the heart.

    Ohio art-rockers Devo had plainly prepared with their 1979 second LP Duty Now for the Future, and now it was go time. Propelled by the new decade's high-tech, free-market, pre-AIDS promise, 1980's Freedom of Choice would rocket what Devo co-founder Gerald Casale calls his "alternate universe, hermetically sealed, alien band" both into the arms of the Earthlings and back to their home planet in one scenic trip.Before an artistic and commercial decline that resulted in a 20-year gap between Devo's last two studio records, Freedom of Choice made them curious, insurgent superstars, vindicated but ultimately betrayed by the birth of MTV. Their only platinum album represented the best of their unreplicable code: dead-serious tricksters, embracing conformity in order to destroy it with bullet-proof pop sensibility. Through first-hand accounts from the band and musical analysis set against an examination of new wave's emergence, the first-ever authorized book about Devo (with a foreword by Portlandia's Fred Armisen) explores the group's peak of success, when their hermetic seal cracked open to let in mainstream attention, a legion of new Devotees, and plenty of misunderstandings. "Freedom of Choice was the end of Devo innocence–it turned out to be the high point before the s***storm of a total cultural move to the right, the advent of AIDS, and the press starting to figure Devo out and think they had our number," says Casale. "It's where everything changes."

    He has a public meltdown while chaperoning Oasis at an awards ceremony; he’s lost joy in his bathroom full of rock’n’roll memorabilia; and his young son is in trouble at school for emulating rock star behaviour.Reluctantly Michael consults Mrs Henckel, a no-nonsense therapist with zero experience of pop culture. As Michael addresses his feelings about the past, in particular his failed teenage band, Mental Elf, he’s forced to confront the question: is it finally time to grow up and forget rock’n’roll?Michael Odell is a former contributing editor to Q magazine and has written about music for NME, the Guardian, the Independent and Spin, among others. Currently he does interviews and writes on family matters for The Times. He lives in Bristol."Please don't put your life in the hands of a rock 'n' roll band, who'll throw it all away." So advised Noel Gallagher in 1995 and Michael Odell ignored him anyway.One of Britain's most fearless rock interrogators, Odell turns his merciless searchlight on himself in this wry, compelling odyssey into the heart of his own - and rock n roll's - madness. Larks with the legends are all here (Bowie, McCartney, Mick `n' Keef ... Michael Buble) but it's his inner life which illuminates, his psyche traumatically crumbling as he confronts his chaotic past. Hilarious, tragic and timely, this is high farce in high (and low) places, uncovering why rock's lost highway is littered with the bodies of the righteous dreamers. Could it be because "the music people are all mad?" (Clue: yes.)' -- Sylvia Patterson, author of I'm Not with the Band `Hilarious and disarmingly honest; a journey into the neurosis of rock fame, but through doors you don't expect.' -- Rachel Joyce, author of The Unlikely Pilgrimage of Harold Fry `Rock Bottom is one of the best music books ever written, because Michael Odell knows music isn't about the musicians - it's about what it does to the listener, even if what it does ends up being wholly disastrous. It's sad, funny, fascinating and wise. And everyone who ever claimed a record changed their life should read it, and then think again.' -- Michael Hann, former Guardian music editor

    Russell and Linda McCartney. Half a century after the 1970 Let It Be album and film, this milestone book coincides with the global release of Peter Jackson’s documentary feature film, The Beatles: Get Back.The book opens in January 1969, the beginning of The Beatles’ last year as a band. The BEATLES (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day’s work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt.The Beatles: Get Back tells the story of those sessions through transcripts of the band’s candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions―Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jackson’s documentary is also drawn.Legend has it that these sessions were a grim time for a band falling apart. However, as acclaimed novelist Hanif Kureishi writes in his introduction, “In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire." Half a century after their final performance, this book completes the story of the creative genius, timeless music, and inspiring legacy of The Beatles.

    French of Family Affair) "singing" songs by Bob Dylan, and tons more

    He not only wrote extensively and evocatively of the “mood, atmosphere and ephemeral terror” that enveloped the group and their doomed front man, Ian Curtis, but he was present when Curtis suffered his life-changing epileptic seizure following a London concert in April 1980 and was the only journalist permitted to view Curtis’ corpse. Joy Division: Piece By Piece encompasses his complete writings on the group, both contemporary and retrospective. In addition to collecting all of Morley’s classic works about the band, the book includes his eloquent Ian Curtis obituary and hindsight pieces on the group’s significance, framed by an extensive retrospective essay, as well as his reviews of the films 24 Hour Party People and Control. Morley, who emerged from Manchester at the same time as Joy Division, effortlessly evokes that city’s zeitgeist and psycho-geography to tell the story of this uniquely intense group.

    Set in the studio, on the stage, and in great cities and small towns across the country, this book captures life on the road for Marsalis and his musicians, evoking its ritual and renewal, energy and spirituality. Describing the art of improvisation, the book's two voices mirror the interplay at the heart of jazz. "On the road and on the bandstand," Marsalis writes, "something great may happen at any moment, something that might even change your life." Alternately luminous and boisterous, often poignant, and always passionate, Marsalis and Vigeland's extraordinary dialogue is a must for fans, musicians, and anyone curious about America's only indigenous art form.

    In this no-holds-barred memoir, legendary rocker Danny Seraphine shares his dramatic—and often shocking—experiences as the popular supergroup's cofounder and longtime drummer. He reveals behind-the-scenes anecdotes about Chicago’s beginnings as the house band at Los Angeles's legendary Whisky A Go Go, where they were discovered by music icons Janis Joplin and Jimi Hendrix, and personal insights about the group’s many comebacks and reinventions over the years.Offers a lively inside account of the music and history of the perennially popular band Chicago, one of the most successful American bands ever with over 122 million albums sold, by the band’s cofounder and longtime drummer Danny SeraphineIncludes riveting tales and rare photographs from Seraphine's time on the road touring with performers including Dennis and Carl Wilson of the Beach Boys, Janis Joplin, Jimi Hendrix, and Bruce SpringsteenCandidly tackles many rumors about Chicago, including Mafia ties, accounting and payola scandals, and major drug abuseDiscusses the mysterious circumstances surrounding Seraphine's 1990 firing from the band as well as his comeback with his critically acclaimed new band, California Transit AuthorityWhether you're a diehard Chicago fan or just love a well-told rock-and-roll memoir, Street Player will entertain and surprise you.

    MCR achieved global prominence in 2006 with the release of their platinum-selling album Welcome to the Black Parade. Extensive touring has added to their worldwide fan base with incendiary sold-out live shows. In this provocative biography, Reinhardt Haydn presents a comprehensive profile of the band, from its hardscrabble start to its rocky upward climb to its present superstar status.

    This exciting biography also clears a lot of misinformation and bogus theories circulating around the late, great, guitar virtuoso Randy Rhoads' life and death. Written by journeyman rock bassist Rudy Sarzo, this is a first hand account of Rudy s experience on the road with Ozzy and his Blizzard of Ozz band.