From his marriage to Ali McGraw, his cocaine bust, the accusations of murder, the friendships with the likes of Jack Nicholson and Dustin Hoffman, to his legendary court case and bust up with Francis Ford Coppola, this is the tell-all autobiography from Robert Evans, the legendary Hollywood producer (The Godfather, Rosemary's Baby and Chinatown) who's lived the Hollywood dream.

    The then father of four and Sydney Harbour Bridge rigger from Granville did it as a dare, but when the network's switchboard lit up, he was invited back. So popular was he with viewers, Hogan became a regular on Mike Willesee's A Current Affair. The rest, as they say, is history. In collaboration with his business partner and best friend John Cornell (who played his sidekick, Strop), he went on to become Australia's favourite TV comedian. His hugely popular comedy shows and appearances in unforgettable and ground-breaking ads for cigarettes, beer and tourism, came to personify Australia and Australians here and overseas, helping to change the perception of who we are as people and as a nation.Then, in 1986, Crocodile Dundee, the movie he conceived, co-wrote and starred in, became an international smash, grossing more than a billion dollars in today's money and earning its star an Oscar nomination. Despite the fact Hoges claimed to be 'retired', many more movies followed, including Crocodile Dundee II, Lightning Jack, Almost an Angel and Charlie & Boots. But even as his star rose ever higher, he always expected someone to grab him by the arm and say, 'What are you doing here? You're just a bloody rigger!'The Tap Dancing Knife Thrower is a funny and candid account of the astonishing life of 'one lucky bastard', as Hoges describes himself. Full of countless stories never previously shared and told in the comedian's inimitable, funny and self-deprecating style, The Tap Dancing Knife Thrower is Paul Hogan's story told his way - 'without the boring bits'.

    It also explores the real Woody Allen, the critically acclaimed filmmaker from the Upper East Side, and his amusing movie persona of a neurotic and lovable loser.Shrewdly and effectively deconstructing Woody, John Baxter's biography illuminates Allen's preoccupation with sex and mortality, his personal quirks and obsessions, his manipulation of celebrity, and his cinematic achievement as chronicler and court jester of Manhattan's intellectual elite."A splendidly written, exhaustive account and a major achievement" - The Observer"Astute and highly entertaining biography" - Daily Telegraph"A bracing corrective to the usual po-faced, sycophantic studies of the cult of Woody" - Mail on Sunday"Full of interesting information for cinema enthusiasts" - The Spectator"The saga [of Woody and Mia] makes compulsive reading" - The Guardian

    In Home, the number one New York Times international bestseller, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage. With this second memoir, Home Work: A Memoir of My Hollywood Years, Andrews picks up the story with her arrival in Hollywood and her phenomenal rise to fame in her earliest films--Mary Poppins and The Sound of Music. Andrews describes her years in the film industry -- from the incredible highs to the challenging lows. Not only does she discuss her work in now-classic films and her collaborations with giants of cinema and television, she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, being a new mother, the end of her first marriage, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films, including Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations. Cowritten with her daughter, Emma Walton Hamilton, and told with Andrews's trademark charm and candor, Home Work takes us on a rare and intimate journey into an extraordinary life that is funny, heartrending, and inspiring.

    Like a novel but Ava really lived it.In this chatty autobiography, Gardner tells of her upbringing in a poor but proud Southern family, her sudden success in early-'40s Hollywood--mainly because of her beauty--and rails against MGM, which played up her cheesecake potential. She neatly sums up the problems in each of her three short marriages: Mickey Rooney was a blatant womanizer; Artie Shaw was cool and overbearing; Frank Sinatra (the two were the loves of each other's lives) was as jealous as she, leading to drunken marathon fights. Gardner also sketches a creepy portrait of Howard Hughes, who for years stopped at no machination in an unsuccessful attempt to bed and marry her. A shy woman who used drink to feel comfortable socially, Gardner seems very likable, down-home, spontaneous and sadly derogatory toward her intelligence, acting abilities--and even her beauty. Of the seven included "eulogies" from friends and colleagues, Stephen Birmingham's best captures the joy and tragedy of Gardner's life.

    The dramatic life of the incomparably beautiful and swashbuckling Ava Gardner--one of Hollywood's most beautiful actresses and lover of many men, from bullfighters to Frank Sinatra--by The New York Times bestselling author of ROBERT MITCHUM: Baby, I Don't Care

    From his earliest recollections, Page Falkinburg wanted to be like the Saturday afternoon heroes that he watched on TV from the floor of his grandmother's living room. He defied the odds and swayed his critics along the way, climbing the ladder of the largest spectator entertainment sports production in the world today. It was in 1985 that I met a guy who told me his name was Page ... like a book. Like most people who meet him, I knew that there was something very different about Page Falkinburg. He is cocky, and at the same time, he's humble. He is "over the top," but somehow remains "down to earth." One of the toughest "sons of bitches" you'll ever meet, Page can shock you with his sensitivity and compassion. He is an example of good old-fashioned hard work and personal commitment, but at the same time, is able to help create and better the futures of others. Almost fifteen years later, Positively Page serves as a look at that unforgettable guy who possessed the power to rise above adversity and reach his dream.

    Taking Dennis Hopper's words, "That's what it's all about man" to heart, they abandoned their comfortable upper middle class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it."I Blame Dennis Hopper is a testament to the power of art and the tenacity of passion. It is a rollicking, funny, at times tender exploration of the way movies can change our lives. With crackling humor and a full heart, Douglas describes how a good Liza Minnelli impression helped her land her first gig and how Rudy Valley taught her the meaning of being a show biz trouper. From her first experience being on set with her grandfather and mentor-two-time Academy Award-winning actor Melvyn Douglas-to the moment she was discovered by Martin Scorsese for her blood-curdling scream and cast in her first film, to starring in movies alongside Robert DeNiro, Nicole Kidman, and Ethan Hawke, to becoming an award winning writer, director and producer in her own right, I Blame Dennis Hopper is an irresistible love letter to movies and filmmaking. Writing from the perspective of the ultimate show business fan, Douglas packs each page with hilarious anecdotes, bizarre coincidences, and fateful meetings that seem, well, right out of a plot of a movie.I Blame Dennis Hopper is the story of one woman's experience in show business, but it is also a genuine reminder of why we all love the movies: for the glitz, the glamor, the sweat, passion, humor, and escape they offer us all.

    He’s been shot, stabbed, hanged, chopped up, squished by an elevator, and once, was even melted into a bloody goo. Off screen, he’s a hero beloved by recovery communities and obsessed fans alike. But the real Danny Trejo is much more complicated than the legend.Raised in an abusive home, Danny struggled with heroin addiction and stints in some of the country’s most notorious state prisons, including San Quentin and Folsom, from an early age, before starring in such modern classics as Heat, From Dusk till Dawn, and Machete. Now, in this funny, painful, and suspenseful memoir, Danny takes us through the incredible ups and downs of his life, including meeting one of the world’s most notorious serial killers in prison and working with legends like Charles Bronson and Robert De Niro.In honest, unflinching detail, Danny recounts how he managed the horrors of prison, rebuilt himself after finding sobriety and spirituality in solitary confinement, and draws inspiration from the adrenaline-fueled robbing heists of his past for the film roles that made him a household name. He also shares the painful contradictions in his personal life. Although he speaks everywhere from prison yards to NPR about his past to inspire countless others on their own road to recovery and redemption, he struggles to help his children with their personal battles with addiction, and to build relationships that last.Redemptive and painful, poignant and real, Trejo is a portrait of a magnificent life and an unforgettable and exceptional journey through tragedy, pain, and, finally, success that will transfix and inspire.

    Heston began his career as an actor in New York shortly after he returned from service in World War II. Television was a fledgling industry then, and there were many opportunities for young performers in this new medium. Broadway was thriving as well, and Heston found work there too. It was not long, however, before Hollywood took note of his talents and his commanding presence. Soon he was embarked on a series of films that were both memorable and hugely successful. He was Moses in The Ten Commandments; he played the title character in Ben-Hur (for which he won an Academy Award); he was Michelangelo in The Agony and the Ecstasy; he played the title character in El Cid; he has played presidents, generals, and statesmen. In recent years, Heston has continued to appear in films, on stage, and on television, but at the same time, he has devoted a great amount of his energy to causes in which he has strong and outspoken beliefs. An active supporter of Dr. Martin Luther King, Jr., in the early days of the struggle for civil rights in America, he continues to this day to lobby hard for the rights of all men to live family and equally in a country that he loves dearly.

    Smith Goes to Washington, Shane, and other classic films was, as the subtitle aptly puts it, "the actress nobody knew." Jean Arthur (1900-91) kept her personal life private, disdained the Hollywood publicity machine, and was called "difficult" because of her perfectionism and remoteness from costars on the movie set. John Oller, a lawyer, tracked down kinsfolk and friends never before interviewed to capture the elusive personality of a free spirit best embodied in her favorite role, Peter Pan. Arthur herself might have appreciated his warm, respectful portrait."...[An] insightful, painstakingly researched analysis of Arthur's life and career raises the curtain on the complex, conflicted person behind the screen persona...Captures the special shine of a unique star who turned out to be a genuine eccentric." -Chicago Tribune

    This biography charts the dramatic rise of the country boy who became head of the Free State and commander-in-chief of the army, before his death in 1922 aged only 31.

    It also shed light on the guarded world of Hollywood and stripped away the façade of Christina's relentless, alcoholic abuser: her adoptive mother, movie star Joan Crawford. Christina was a young girl shown off to the world as a fortunate little princess. But at home, her lonely, controlling, even ruthless mother made her life a nightmare. A fierce battle of wills, their relationship could be characterized as an ultimately successful, for Christina, struggle for independence. She endured and survived, becoming the voice of so many other victims who suffered in silence, and giving them the courage to forge a productive life out of chaos.

    S provides the deepest understanding yet of one of our greatest entertainersAs the right hand of Frank Sinatra from 1953 to 1968, George Jacobs arguably had one of the coolest jobs in the world at the time when Sinatra was the undisputed master of the entertainment universe. Jacobs rose from his humble beginnings in New Orleans to join Sinatra in the mansions of Beverly Hills, the penthouses of Manhattan, the palaces of Europe, the pinnacles of world power. George Jacobs saw it all, did it all.Sinatra took Jacobs with him on the ride of the century, from blacklist Hollywood to gangland Chicago to an emerging Vegas to Camelot, not to mention dolce vita Rome and swinging London. As a member of Sinatra's inner circle, Jacobs drank with Ava Gardner, danced with Marilyn Monroe, massaged John F. Kennedy, golfed with Sam Giancana, and played jazz with the Prince of Monaco while his boss secretly pursued Princess Grace. He also partied with Mia Farrow, but that one cost him his job of a lifetime.Through the ring-a-ding-ding and the stars, royals, politicians, moguls, and mobsters emerged a warm and intimate relationship that reveals a complex Sinatra: vulnerable and arrogant, charismatic and violent, loving and disdainful, confident and painfully self-conscious. Jacobs is no sycophant, but rather a sharp-eyed observer of the highs and lows of his boss's turbulent life. And Mr. S is perhaps the most complete, honest, and intimate portrait of Sinatra ever written.It is an unforgettable trip, and George Jacobs provides a front-and-center seat at the life of an American icon.

    Based on hundreds of interviews with Barbra’s family and associates, and unprecedented behind-the-scenes information, this is the definitive Streisand biography.