It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

    The early tycoons packed their epics with ravishing dancing girls and frequently used the casting couch method of employment. Hollywood has always used sex to sell, but in the early days went to great lengths to cover up the erring ways of their top stars.

    

    The pair's innovative and authentic adaptation of Dante's epic, coupled with Birk's striking play on Gustave Dor's classic illustrations, make this a "Divine Comedy" for the 21st century. Acclaimed by both the literary and art worlds; rife with contemporary turns of phrase and slang (just as the original poem was written in the vernacular of its day) and pointed visions of the afterlife as contemporary cities; and rich with bold allusion, cultural critique, and witthis is the must-have collection of modern classics.

    A terrorist planted a bomb somewhere under Los Angeles--just before he was frozen alive!To locate the bomb and stop the blast, supercop Sean Archer must literally trade faces with his archenemy, using sophisticated laser surgery to fool his fellow cops, his own wife, even the terrorist's brother.The trick works--too well. For when the ice breaks, the hunter becomes the hunted, and Archer finds himself fleeing a nationwide manhunt, spearheaded by the master criminal who has taken over Archer's face, Archer's family--and Archer's police powers!The clock is ticking down as legendary action filmmaker John Woo (Broken Arrow) presents superstars John Travolta and Nicolas Cage in the action thriller of the summer of '97.

    Published in 1954 in Tabriz, it is about Shahriyar's childhood and his memories of his village Khoshgenab near Tabriz. Heydar Baba is the name of a mountain overlooking the village.In Heydar Babaya Salam Shahriar narrates a nostalgia from his childhood in a village in Iranian Azerbaijan.

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    The plot mixes The Hunt for Red October and Fail Safe to tell the story of a mutiny aboard the U.S.S. Alabama, a nuclear submarine, which has been ordered to fire its missiles and destroy Moscow. Includes drawings of the U.S.S. Alabama.

    The United States and Iran have long eyed each other with suspicion, all too eager to jump to conclusions and slam the door. What gets lost along the way is a sense of what is actually happening inside Iran and why it matters. With a new hard-line Iranian president making incendiary pronouncements and pressing for nuclear developments, the consequences of not understanding Iran have never been higher.Ray Takeyh, a leading expert on Iran's politics and history, has written a groundbreaking book that demystifies the Iranian regime and shows how the fault lines of Iran's domestic politics serve to explain its behavior. In "Hidden Iran," he explains why this country has so often confounded American expectations and why its outward hostility does not necessarily preclude the normalization of relations. Through a clearer understanding of the competing claims of Muslim theology, republican pragmatism, and factional competition, he offers a new paradigm for managing our relations with this rising power.

    With a new epilogue. Working his way out of a life of street crime and numbers running - and jail time for manslaughter - King rose to become a powerhouse in the fight game, outnegotiated corporate giants, fleeced the treasuries of entire countries, and amassed a vast personal fortune while ruining the lives and careers of some of boxing's greatest champions. The dying words of the man King stomped to death on the streets of Cleveland in 1966 - Don, I'll pay you the money! - became the motif for Don King's ascendancy.

    He’s climbed all the way to head of production at newly merged Metro-Goldwyn-Mayer and is determined to transform Leo the Lion into an icon of the most successful studio in town.The harder he works, the higher he soars. But at what cost? The more he achieves, the closer he risks flying into oblivion. A frail and faulty heart shudders inside this chest that blazes with ambition. Thalberg knows that his charmed life at the top of the Hollywood heap is a dangerous tightrope walk: each day—each breath, even—could be his last. Shooting for success means risking his health, friendships, everything. Yet, against all odds, the man no one thought would survive into adulthood almost single-handedly ushers in a new era of filmmaking.This is Hollywood at its most daring and opulent—the Sunset Strip, premieres at Grauman’s Chinese Theatre, stars like Clark Gable, Greta Garbo, Jean Harlow, Joan Crawford—and Irving is at the center of it all.From the author of the Hollywood’s Garden of Allah novels comes a mesmerizing true-life story of the man behind Golden Age mythmaking: Irving Thalberg, the prince of Tinseltown.Martin Turnbull's Hollywood’s Garden of Allah novels have been optioned for the screen by film & television producer, Tabrez Noorani.

    With detailed biographies outlining Liam, Jennifer, and Josh’s early lives, their first forays into acting and how they landed the most sought-after roles in Hollywood, this book gives you the chance to really get to know your new favourite screen idols.Beautifully illustrated with glossy photographs of each hot young sensation, Beyond District 12: The Stars of the Hunger Games also profiles the characters that they will be playing in the film franchise already being dubbed ‘the new Twilight’. The Hunger Games film is sure to be one of the cinematic highlights of next year and Beyond District 12: The Stars of the Hunger Games gives you exclusive first access to the on- and off-screen lives of the soon-to-be household names at the heart of the movie phenomenon.

    Will Patton played Yoast's role and Denzel Washington played the role of Head Coach Herman Boone. Uniting in a common effort, Yoast and Boone led T.C. Williams High School to an undefeated season, and in the process brought the school and polarized community together. The real-life Yoast is even more compelling than his film version. At one time, the former World War II veteran considered going into the ministry. Fortunately, for the hundreds of young men and women whose lives he helped mold, he found his calling in coaching.

    I've acted for Belasco and I've laid 'em out in the rows at the Palace. I've doubled as an alligator; I've worked for the Shuberts; and I've been joined to Billy Rose in the holy bonds. I've painted the house boards and I've sold tickets and I've been fired by George M. Cohan. I've played in London before the king and in Oil City before miners with lanterns in their caps. Fanny Brice was indeed show business personified, and in this luminous volume, Herbert G. Goldman, acclaimed biographer of Al Jolson, illuminates the life of the woman who inspired the spectacularly successful Broadway show and movie Funny Girl, the vehicle that catapulted Barbra Streisand to super stardom. In a work that is both glorious biography and captivating theatre history, Goldman illuminates both Fanny's remarkable career on stage and radio--ranging from her first triumph as Sadie Salome to her long run as radio's Baby Snooks--and her less-than-triumphant personal life. He reveals a woman who was a curious mix of elegance and earthiness, of high and low class, a lady who lived like a duchess but cursed like a sailor. She was probably the greatest comedienne the American stage has ever known as well as our first truly great torch singer, the star of some of the most memorable Ziegfeld Follies in the 1910s and 1920s, and Goldman covers her theatrical career and theatre world in vivid detail. But her personal life, as Goldman shows, was less successful. The great love of her life, the gangster Nick Arnstein, was dashing, handsome, sophisticated, but at bottom, a loser who failed at everything from running a shirt hospital to manufacturing fire extinguishers, and who spent a good part of their marriage either hiding out, awaiting trial, or in prison. Her first marriage was over almost as soon as it was consummated, and her third and last marriage, to Billy Rose, the Bantam Barnum, ended acrimoniously when Rose left her for swimmer Eleanor Holm. As she herself remarked, I never liked the men I loved, and I never loved the men I liked. Through it all, she remained unaffected, intelligent, independent, and, above all, honest. Goldman's biography of Al Jolson has been hailed by critics, fellow biographers, and entertainers alike. Steve Allen called it an amazing job of research and added Goldman's book brings Jolson back to life indeed. The Philadelphia Inquirer said it was the most comprehensive biography to date, and Ronald J. Fields wrote that Goldman has captured not only the wonderful feel of Al Jolson but the heartbeat of his time. Now, with Fanny Brice, Goldman provides an equally accomplished portrait of the greatest woman entertainer of that illustrious era, a volume that will delight every lover of the stage.

    In the book, Betty claimed that she and Mahtob, her five-year-old daughter, had been kidnapped from the USA in 1984 and imprisoned in Tehran by her Iranian husband, Dr Sayed Mahmoody - aka 'Moody' - a man she vilified as a violent, sadistic monster. Betty's story culminated with a dramatic escape, as she takes her daughter from Iran over the Zagros Mountains and into Turkey. The book sold 12 million copies and inspired the 1991 Hollywood film of the same name, starring Oscar-winner Sally Field. For twenty years Betty's husband has kept silent. Now, in Lost Without My Daughter, Sayed Mahmoody finally reveals the astonishing truth. As well as being a moving, frank story of a once happy family's collapse, and a father's subsequent search for meaning in his life, Lost Without My Daughter is also a cultural and political history of Iran, from the revolution to the present day. Perhaps more than anything, it is an exercise in truth, the last-ditch attempt of a father desperate to reach his daughter, to let her know that he is not the monster he has been portrayed to be.