Now, for the first time, editors Jason Sizemore and Lesley Conner are collecting the award winning and nominated stories, those chosen by readers as Story of the Year, and their own personal favorites into one anthology. A Veil that wipes the experiences of war from soldiers’ memories. A witch who faces down both God and the devil to save a soul. A swaying dance that crosses the galaxy to transmit a message. A vampire caught in a web of politics and law by his responsibility to his family. Within this collection, you will find 21 stories that explore what it means to love, to regret, to be human. With stories by Ursula Vernon, Ken Liu, Rachel Swirsky, Sarah Pinsker, Rich Larson, and more, Best of Apex Magazine: Volume 1 brings readers some of the best stories Apex Magazine has published so far.Cover art by Adrian Borda.TABLE OF CONTENTSJackalope Wives by Ursula VernonGoing Endo by Rich LarsonCandy Girl by Chikodili EmelumaduIf You Were a Dinosaur, My Love by Rachel SwirskyAdvertising at the End of the World Keffy R.M. KehrliThe Performance Artist by Lettie PrellA Matter of Shapespace by Brian TrentFalling Leaves by Liz ArgallBlood from Stone by Alethea KontisSexagesimal by Katharine E.K. DuckettKeep Talking by Marie VibbertRemembery Day by Sarah PinskerBlood on Beacon Hill by Russell NicholsThe Green Book by Amal El-MohtarL’esprit de L’escalier by Peter M. BallStill Life (A Sexagesimal Fairy Tale) by Ian TregillisBuild a Dolly by Ken LiuMulto by Samuel MarzioliArmless Maidens of the American West by Genevieve ValentinePocosin by Ursula VernonShe Gave Her Heart, He Took Her Marrow by Sam Fleming

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    In a near future, a surveillance drone serving an authoritarian state is captured—and offered a new lease on sentience.

    Dead Ringer appeared in the November 1956 issue of Galaxy Science Fiction.There was nothing, especially on Earth, which could set him free--the truth least of all!

    We love the magical realism of the story, with rich imagery that elicits all senses, and a weight that we think many people can relate to.-- Karissa Chen, Fiction & Poetry Editor

    Clark, Bonnie Jo Stufflebeam Sharon Hsu, and Alex Bledsoe; reprint fiction by E. Lily Yu; essays by Meg Elison, Marissa Lingen, Malka Older, and Katharine Duckett; poems by Ada Hoffmann, Brandon O’Brien, Leah Bobet, and Betsy Aoki; interviews with Eugenia Triantafyllou and Bonnie Jo Stufflebeam by Caroline M. Yoachim; and Nilah Magruder’s Fallen Embers on the cover.

    It was the Professor's Wife, always a perceptive hostess, came to her husband's rescue by saying, "Top of the stairs, end of the hall, last door."Oddly enough, it was the start of a puzzling and all but unspeakable misadventure. As it were.

    Stronger. Better. Faster. We will rebuild you.CONTENTSIntroduction by Neil ClarkeCome From Away by Madeline AshbyNo Place to Dream, but a Place to Die by Elizabeth BearMarried by Helena BellA Cold Heart by Tobias S. BuckellHoneycomb Girls by Erin CashierWhat I’ve Seen With Your Eyes by Jason K. ChapmanWizard, Cabalist, Ascendant by Seth DickinsonSeventh Sight by Greg EganNegative Space by Amanda ForrestMercury in Retrograde by Erin HoffmanTongtong’s Summer by Xia JiaGod Decay by Rich LarsonAlways the Harvest by Yoon Ha LeeThe Regular by Ken LiuCoastlines of the Stars by Alex Dally MacFarlaneFusion by Greg MellorMemories and Wire by Mari NessOil of Angles by Chen QiufanThe Sarcophagus by Robert ReedSynecdoche Oracles by Benjanun SriduangkaewTender by Rachel SwirskyThe Cumulative Effects of Light Over Time by E. Catherine ToblerSmall Medicine by Genevieve ValentineCollateral by Peter WattsTaking the Ghost by A.C. WiseMusée de l’Âme Seule by E. Lily YuAbout the AuthorsAbout the EditorCover art by Julie Dillon

    Any bounty hunter worth the title knows three rules:Collect half the money up front.Never get emotionally attached.Don’t ask nosy questions.But with a heart of gold and her companion Kubu by her side, Esper sets out to make the galaxy a better place, preferably making enough money to pay for the fuel to get from one job to the next. But just because she’s not cut out to be ruthless doesn’t mean the galaxy is going to eat her alive.After all, Esper is also a wizard.Mission 1: Wayward SaintA runaway teen needs protection and Esper takes the job. But a simple rescue and recovery turns ugly when Esper finds herself in the middle of a custody battle with a vicious pirate who’s hired a bounty hunter of his own.Mission 2: Behind Blue SkiesOn the run from troubles of her own, Esper tries to lie low on a suspiciously Utopian colony planet. Unable to keep out of other people’s troubles, Esper gets a terrifying look into justice on a world where truth is a matter of who you know.Mission 3: House of the Orion SunEsper’s mission to protect the galaxy’s most vulnerable takes a turn for the seedy when she tracks a trafficking victim. How long can she hold out when her morals are tested at every turn?Mission 4: Break the ChainEsper’s own dark past catches up with her when bounty-hunting wizards corner her. Esper has faced down the galaxy’s worst criminals. Now, she’s going to be forced to stand up to one of the galaxy’s most esteemed institutions—Convocation of Arcane Practitioners.

    The readings are recorded live at Peter Norton Symphony Space in New York City. The Selected Shorts radio series is a co-production of Symphony Space and WNYC, New York Public Radio, and is heard on public radio stations nationwide."

    Buckell.“You shall not suffer a librarian to live.”Growing up in Ninetha, Lilith has known this law all her life. The city’s every need is provided for by a god-machine called the cornucopia, which can produce food, clothing, anything in response to a thought. The gods provided this bounty on one condition: that humanity give up reading and writing. Then, a librarian, an actual seeker of forbidden written knowledge, walks through the gates of the citadel, his very presence unraveling the life Lilith has known. She learns her father, the Lord Musketeer himself, has been harboring a secret - one that turns Ninetha against Lilith’s family. Forced to flee, forced to throw in her lot with the librarian, Lilith uncovers even greater secrets - about the lie her life has been, and about the very nature of their world.

    This anthology celebrates twelve such moments of discovery, and is the first volume of an annual collection--launched alongside PEN's new Robert J. Dau Short Story Prize for Emerging Writers--that recognizes outstanding fiction debuts published in North America. The dozen winning stories included here--selected this year by judges Kelly Link, Marie-Helene Bertino, and Nina McConigley--take place in South Carolina and in South Korea, on a farm in the eighteenth century and among the cubicles of a computer-engineering firm in the present day. They narrate ancient themes with current urgency: migration, memory, technology, language, love, ecology, identity, family. Together they act as a compass for contemporary literature; they tell us where we're going. Each work comes with an introduction by the editor who originally published it, explaining why he or she chose it. The commentaries provide insight into a process that often remains opaque to readers and aspiring writers, and offer a chance to showcase the vital work literary magazines do to nurture our boldest and most exciting new voices.

    Aboard their heavily-armed ship Medusa, they embark on secretive missions throughout the crumbling Confederacy as it wages a terrible and bloody civil war. The lives of Syala and her twin sister Arana change forever on the day the slavers hit their new home on the Skylla Research Facility. It is a day that started like any other, before turning into a terrifying massacre as soldiers and hideous creatures swarm through the facility killing or enslaving anyone that stands in their way. The sisters struggle to survive as a desperate few try and fight back, but nothing can hold back the horde. Until they find a single mercenary dressed in black armour who refuses to back down. Her name is Zhang Wei, and she is a Black Widow. Black Widows is serialised over six short-read episodes per season, in the same fashion as a TV series. More adventures will be released over coming weeks before being combined into a 6 volume compilation. See my website for news on the next thrilling release at www.starcrusader.com

    in this e-book collaboration between Stephen King and Joe Hill.In the Tall Grass begins with a sister and brother who pull off to the side of the road after hearing a young boy crying for help from beyond the tall grass. Within minutes they are disoriented, in deeper than seems possible, and they’ve lost one another. The boy’s cries are more and more desperate. What follows is a terrifying, entertaining, and masterfully told tale, as only Stephen King and Joe Hill can deliver.In the Tall Grass was originally published in two parts in the June/July and August 2012 issues of Esquire magazine. This is their second collaboration since the novella Throttle, published in 2009.

    Jemisin, originally published in the August 2008 issue of Jim Baen’s Universe.In “Playing Nice with God’s Bowling Ball,” a police detective tries to understand how a children’s dispute over a playing card could have led to a mysterious disappearance.