Using the oral story-telling tradition, Rao has brought to the fore not just the social and cultural life of generations of Dalits, but their art forms. Through the stories of successive generations, we are taken on a journey to their heart from those who were exploited to those who discover their humanity through defiance. The reminiscences of Ruth take us to her husband Reuben's family in Yennela Dinni, to the boy Yellanna, his being chased away by his caste superiors , his music, his son Sivaiah's escape from the drought along with his wife, the latter's conversion to Christianity, the brutality against him and other Dalit Christians, the birth of Reuben when things seem to fall apart and he is later left in an orphanage, and then to Reuben's search for his roots. This faithful translation from the Telugu, arousing pity for all that is pitiable and rage at what man has done to man, points to the growing awareness of people's rights and how they are driven to armed struggle.

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.

    Fourteen well-crafted stories give us a sense of the daily life of a wide cast of characters. Hasan's protagonists are, as always, inward-looking, and whimsical and vulnerable outliers. Where is their place in the new order, where have they come from and where are they going?Quietly devastating, subtly subversive and wonderfully wry, Hasan is a home-grown talent whose stories are increasingly the good address for authentic Indian fiction.

    The stories recounts the life of times of the hero Domrudhar in colonial India. The protagonist Domrudhar is portrayed as a dishonest man who rises from a lowly shop-assistant to a land owner.

    This selection features twenty-one of the very best stories from the region.Here, the reader will find one of Rabindranath Tagore’s most revered stories ‘The Kabuliwallah’ in a glinting new translation, memorable studies of ordinary people from Tarashankar and Bibhutibhushan Bandyopadhyay, the iconic Sarat Chandra Chattopadhyay’s wrenching study of Bengali society, ‘Mahesh’, as well as over a dozen other astounding stories by some of the greatest practitioners of the form—Buddhadeva Bose, Ashapurna Debi, Premendra Mitra, Satyajit Ray, Ritwik Ghatak, Mahasweta Devi, Sunil Gangopadhyay and Nabarun Bhattacharya, among others. These are stories of anger, loss, grief, disillusionment, magic, politics, trickery, humour and the darkness of mind and heart. They reimagine life in ways that make them unforgettable.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

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    It was followed in 1932 by a sequel Aparajito, which was later also adapted into a film of the same name by Satyajit Ray.

    At its head lies Red Fort, once the home of the gem-encrusted Peacock Throne, symbol of the Mughal Empire's dazzling might, and of its downfall.

    This book is an integration of 21 stories by Munshi Premchand, some of them are Ansuon ki holi, Namak ka Daroga, Shatranj ke Khiladi and many more.

    *Translated and introduced by Gayatry Chakravorty Spivak*As Gayatri Chakravorty Spivak points out in her introduction, the breast is far more than a symbol in these stories - it is the means of harshly indicting an explotative social system.In "Draupadi", the protagonist, Dopdi Mejhen, is a tribal revolutionary, who, arrested and gang-raped in custody, turns the terrible wounds of her breast into a counter-offensive,In "Breast-giver", a woman who becomes a professional wet nurse to support her family, dies of painful breast cancer, betrayed alike by the breasts that had for years been her chief identity and the dozens of 'sons' she had suckled.In "Behind the Bodice", migrant labourer Gangor's 'statuesque' breasts excite the attention of ace photographer Upin Puri, triggering off a train of violence that ends in tragedy.Spivak introduces this cycle of 'breast stories' with thought-provoking essays which probe the texts of the stories, opening them up to a complex of interpretation and meaning.

    0 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of The Guide. This detailed literature summary also contains Topics for Discussion and a Free Quiz on The Guide by R. K. Narayan.

    Celebrated as one of the most popular and path-breaking novels of its time, it has received continual critical acclaim: the Rabindra Puraskar (the Tagore Prize) in 1966 and the Bharitiya Jnanpith, India’s highest literary award, in 1977. Spanning the late eighteenth and early twentieth centuries, Ashapurna tells the story of the struggles and efforts of women in nineteenth-century, colonial Bengal in a deceptively easy and conversational style. The charming eight-year old heroine, Satyabati is a child bride who leaves her husband’s village for Calcutta, the capital of British India where she is caught in the social dynamics of women’s education, social reform agendas, modern medicine and urban entertainment. As she makes her way through this complex maze, making sense of the rapidly changing world around her, Satyabati nurtures hopes and aspirations for her daughter. But the promises held out by modernity turn out to be empty, instigating Satyabati to break away from her inherited world and initiate a quest that takes her to the very heart of tradition.Indira Chowdhury’s confident translation, with its conscious choice of Indian English equivalents over British and American colloquialisms, carries across the language divide the flavour of Ashapurna’s unique idiomatic style. This edition also includes the translator’s reflections on the process of translation itself.

    In "A Temporary Matter," published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth while their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant.

    In this utopian world, women rule and men are content with their places in the kitchen. The queen of this kingdom explains how women won and kept their peace against men and their war-like ways.This edition of a feminist utopian classic is a conversation across time; Durga Bai, a contemporary tribal woman artist from Central India, brings her own vision to bear on a Muslim gentlewoman’s radical tale.