Do Everything in the Dark continues Indiana’s exploration of social anomie and disconnection with the scabrous wit the author is famous for. But it is also a chilling chronicle of madness and failure, disappointments and ruined ambitions, disastrous life choices and the many ways love dies in a world people find increasingly impossible to live in.The novel follows several couples and solitary wanderers through the summer of 2001, as their internationally scattered vacations throw long-festering, glossed-over incompatibilities and resentments into exotic and unbearable relief. Indiana shows his large and terrifyingly credible cast of America’s cultural elite exhibiting their worst behavior, while sympathizing with their underlying fears and frailties and thwarted good intentions.Do Everything in the Dark is Indiana’s darkest and funniest novel, but also his deepest exploration of our least manageable, most uncomfortable emotions.

    . .--from "The Death of the Shah" The poems in Ooga-Booga are about a youthful slave owner and his aging slave, and both are the same man. This is the tenderest, most savage collection yet from "the most frightening American poet ever" (Calvin Bedient, Boston Review).

    Travel—actual and imaginary—remains a passion and inspiration, and in these pages the poet also finds “This sanctified ground / Here, yes, here / The dead solid center of the universe / At the heart of the heart of America.”

    This hilarious, heartfelt novel opens with Francesca newly arrived in San Francisco. She has fled her hometown, where she rented her childhood room from the new family who moved in when her parents moved out.The new tenants happened to be her childhood babysitter and her alcoholic husband. But Francesca's move to San Francisco is no mere coincidence. A lonely virgin searching for her sexual identity and obsessed with her philosophy teacher, Francesca has followed her professor, Irene, to California, where Irene has relocated to live with her young male lover and former student.Once in San Francisco, Francesca is forced to work at the local pancake house. Much to her dismay, she has to wear a ridiculous Heidi of the Alps uniform — which is almost as humiliating as serving the array of speed freaks and other graveyard shift misfits. Suicidal and euphoric, Francesca seeks solace in anything and anyone who might distract her from her unrequited love for Irene.More than a coming of age story, The IHOP Papers is a comic portrait of survival and self-discovery on the IHOP late shift.

    Vincent’s Hospital was sold in 2010 to create multi-million-dollar homes. In its 161 years of existence, the legendary institution treated survivors of the Titanic, tended to victims of both World Trade Center attacks, and served as Ground Zero of the AIDS Crisis.With honesty, humor, and flights of historical fancy, GHOSTS OF ST. VINCENT’S tells the hospital’s story through the eyes of a man who spent a winter on its 7th floor AIDS ward and survived just in time for the drug “cocktail” that saved so many lives.Featuring appearances by indomitable icons, from poet Edna St. Vincent Millay to director Sidney Lumet to photographer Robert Mapplethorpe, with appearances by Ed Koch and The Ramones, among others, GHOSTS OF ST. VINCENT’S explores coming out and coming back from the dead, gender fluidity and gentrification, the price of forgiveness, the cost of survival, and the ephemeral nature of New York City.

    The headmaster, who will stop at nothing to cover up the incident, fights for the reputation of Brierley's, while several of the school's inhabitants are left fighting for their lives.A novel of approximately 73,000 words. Readers should note that the book contains strong language, scenes of a sexual nature and adult themes.www.fagthenovel.com

    In pieces that appeared in The New Yorker and were anthologized in Best American Essays, Antrim explored his intense and complicated relationships with his mother, Louanne, an artist, teacher, and ferociously destabilizing alcoholic; his gentle grandfather, who lived in the mountains of North Carolina and who always hoped to save his daughter from herself; and his father, who married his mother twice. The Afterlife is an elliptical, sometimes tender, sometimes blackly hilarious portrait of a family--faulty, cracked, enraging--and of a man struggling to learn the nature of his origins.

    But when a classmate discovers the truth, a terrified Jamie does all he can to change who he is. At first, it's easy. Everyone notices when he starts hanging out with Celia Gamez, the richest and most beautiful girl in school. And when he steals an experimental new drug that's supposed to "cure" his attraction to guys, Jamie thinks he's finally going to have a "normal" life.But as the drug's side effects worsen and his relationship with Celia heats up, Jamie begins to realize that lying and using could shatter the fragile world of deception that he's created-and hurt the people closest to him.Told with equal doses of humor and suspense, Love Drugged explores the consequences of a life constructed almost entirely of lies . . . especially the lies we tell ourselves.

    But the classy kind. Pills. She really doesn’t get why people are so uptight about that sort of thing. She has a decent operation, a little business to launder money through, and only a few Mommy issues.Laurel Collins is the perfect girl for Cash. She wears vintage ties and is totally chill. She doesn’t mind the dealing or Cash’s cat. It’s almost like she’s Cash’s dream girl. Sometimes she’s a little closed off about, you know, life. But who isn’t?Sadly, the drug game doesn’t always run smoothly. There are dealers who don’t respect boundaries and unreliable customers. And, of course, dealers don’t fly under the cops’ radar forever. Even when they work with dirty cops. Which is a damn shame. It’s not like they’re hurting anybody, right?

    His mother’s second husband is a licensed psychologist who eats like an ape, his stepsister is a stoner slut, and his father is engaged to a Southern belle. Rick’s only solace is his growing collection of original Broadway-cast LPs, bought on the sly at Wax Trax.    After he brings two girls in speech class to tears by reading a story aloud, Rick is coaxed onto the interscholastic forensics team to perform an eight-minute dramatic interpretation of The Boys in the Band, the controversial sixties play about homosexuality. Unexpectedly successful at this oddball event, Rick begins winning tournaments and making friends with his teammates.    Rick also discovers the joys of sex—with a speech coach from a rival school—just as his mother, reacting to a deteriorating home environment, makes an unnerving commitment to Christ. The newly confident Rick assumes this too shall pass—until the combined forces of family, sex, and faith threaten to undo him at the state meet in Peoria.    James Magruder’s Sugarless offers a ruefully entertaining take on the simultaneous struggles of coming-out, coming-of-age, and coming-to-Jesus.  A selection of InsightOut Book Club Finalist, Lambda Book Award for Gay Debut Fiction, Lambda Literary Foundation Finalist, TLA Gaybie Award for Best Gay Fiction Semi-finalist, James Branch Cabell First Novelist Award, Virginia Commonwealth University Semi-finalist, William Saroyan International Prize For Writing, Stanford University

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    In While England Sleeps, available for the first time in two years, he moves beyond precisely controlled domestic drama to create a historical novel, set against the rise of fascism in 1930s Europe, that tells a story of love and the violent chaos of war.

    In Los Angeles, Leticia is quickly immersed in the post-punk, post-Queer hipster scene, and after a short-lived affair with the devastating Edith, Leticia meets K, a tall, dark and handsome Old Spice-wearing lovely from Philadelphia. K and Leticia tumble into "candy heaven" bliss, with, to Leticia's amazement, her nana's blessing. As her confidence in herself and her own sexuality grows, Leticia moves toward an identity that K refers to as "shy bookworm sweater femme boy"-- only to have her newfound happiness brutally shattered by Nana's sudden illness and by the disturbing discovery that K is not as trustworthy as she seems. Vividly wrought, heart-breaking and compelling, Trace Elements of Random Tea Parties is a wonderful debut from Felicia Luna Lemus.

    In modern-day London, Robert searches for fulfillment in a world of sex, drugs, designer clothes, and hip gay clubs, during which he records his experience on his blog. Half a century earlier, Michael kept a secret diary in which he chronicled the dangers of negotiating the closet and the laws that could land himself and his friends and lovers in prison. Past and present collide when Robert moves into a new block of flats and discovers that history is alive and kicking on his doorstep. Funny, sexy, and moving, this tale demonstrates how much the world has changed, and remarkably, how much it can remain the same.

    He had been released from rehab nine months earlier, and his relapse would cost him his home, his money, his career, and very nearly his life.What is it that leads an exceptional young mind want to disappear? Clegg makes stunningly clear the attraction of the drug that had him in its thrall, capturing in scene after scene the drama, tension, and paranoiac nightmare of a secret life--and the exhilarating bliss that came again and again until it was eclipsed almost entirely by doom. He also explores the shape of addiction, how its pattern--not its cause--can be traced to the past.Portrait of an Addict as a Young Man is an utterly compelling narrative--lyrical, irresistible, harsh, honest, and beautifully written--from which you simply cannot look away.