But a random encounter with a couple on the street leaves her believing that she may have done something horrible. Something unforgivable.Killer-for-hire Daxton and his girlfriend Maggie know the truth. Instead of easing Allison’s anguish, they come up with a cruel plan to take advantage of it. But with Allison’s abilities exposed, there may be a bloodbath very soon…

    Spidery creatures straight out of a nightmare have infested the city, skittering after their human prey, spinning sticky traps to catch their food…A few desperate survivors have banded together, realizing their only hope for survival is to flee the dying city. Their route will take them through wrecked streets, into an underground train station. Only too late will they discover their deadly mistake: their chosen tunnel is home to the hungry creatures' food cache, filled with cocooned but still living victims. Instead of escape, the group has run straight into the heart of a… Feeding Ground.

    Hell. Two great tastes that taste great together. Long before Elvis gyrated on the Sullivan Show or the Beatles toiled the smoky red-light bars of Hamburg, music has been sowing the seeds of liberation. Or damnation. With each new generation the edge of rebellion pushed farther. Rhythms quickened. Volume increased. Lyrics coarsened. The rules continued to be broken, until it seemed that there were no rules at all. And as waves of teens cranked it up and poured it on, parents built walls of accusation to explain their offspring's seeming corruption. Sex and drugs, demon worship and violence are the effects. Music is the cause. Or so the self-styled guardians of morality would have us believe. Meet The Scream. Just your average everyday mega-cult band. Their music is otherworldly. Their words are disturbing. Their message is unholy. Their fans are legion. And they're not kidding. They're killing. Themselves. Each other. Everyone. Their gospel screams from the lips of babes. Their backbeat has a body count. And their encore is just the warm-up act to madness beyond belief. It emerged from a war-torn jungle, where insanity was just another word for survival. It arrived in America with an insatiable lust for power and the means to fulfill it. In the amplified roar of arena applause there beats the heart of absolute darkness.

    666 takes the reader into the world of evil that lies unsuspected behind the door of an ordinary-looking house: a house that reappears from time to time near any city, waiting invitingly, innocently, for someone to rent it, a house in which a dreadful, bloody, orgiastic crime recurs again and again, bringing its victims screaming to the very brink of hell—and into the hands of the devil himself.

    Until they hear the story of a little girl who slipped down an abandoned mine. Americans respond with prayers. And cash. Now the Wileys hatch their own desperate plan. But something goes terribly wrong, as their precious daughter Andromeda--scared of shadows, monsters, and most of all, the dark--falls into the darkest place of all.Years later, she returns home, all grown up and recovered from the incident that made her famous. Beautiful, alluring, Andromeda is coming back to the town where it began. To share with everyone the secrets of a small, dark place--and to show them the evil they have made. . . .From the Paperback edition.

    And when an elite SS extermination squad is dispatched to solve the problem, the men find a something that's both powerful and terrifying. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims.Panicked, the Nazis bring in a local expert on folklore―who just happens to be Jewish―to shed some light on the mysterious happenings. And unbeknownst to anyone, there is another visitor on his way―a man who awoke from a nightmare and immediately set out to meet his destiny.The battle has begun: On one side, the ultimate evil created by man, and on the other...the unthinkable, unstoppable, unknowing terror that man has inevitably awakened.

    Wild ravings from an insane man turn to prophecy when the Truth is revealed.Cover illustration: Michael WhelanContents:"Introduction" (Lin Carter) "The Other Gods" (1921) "The Tree" (1920) "The Doom That Came to Sarnath" (1919) "The Tomb" (1917) "Polaris" (1918) "Beyond the Wall of Sleep" (1919) "Memory" (1919) "What the Moon Brings" (1923) "Nyarlathotep" (1920) "Ex Oblivione" (1921) "The Cats of Ulthar" (1920) "Hypnos" (1922) "Nathicana" (1927) "From Beyond" (1920) "The Festival" (1923) "The Nameless City" (1921) "The Quest of Iranon" (1921) "The Crawling Chaos" (1920) "In the Walls of Eryx" (1935) "Imprisoned with the Pharaohs" (1924)

    The old brownstone apartment she simply had to have. The grotesque blind priest who watched down on her day and night from an upper-story window. The pair of perverted creatures who wanted her to join their circle. The mad little old man who gave her tea and sympathy. The cool, calculating, supremely rational lover who first mocked her fears.And the secret you will never be able to forget, even if you try...

    Prepare to never look at your phone the same way again . . .Kate Collins has been ghosted.She was supposed to be moving in with her new boyfriend Scott, but all she finds after relocating to Brighton is an empty apartment. Scott has vanished. His possessions have all disappeared.Except for his mobile phone.Kate knows she shouldn't hack into Scott's phone. She shouldn't look at his Tinder, his calls, his social media. But she can't quite help herself.That's when the trouble starts. Strange, whispering phone calls from numbers she doesn't recognise. Scratch marks on the walls that she can't explain. And the growing feeling that she's being watched.Kate refuses to leave the apartment - she's not going anywhere until she's discovered what happened to Scott. But the deeper she dives into Scott's digital history the more Kate realises just how little she really knows about the man she loves.

    But nothing in his life on the knife-edge of London's Underworld could prepare him for the horror of Demogorgon. It is centuries old: Satan is its lord and master. It walks the earth in the guise of a man, but it is not a man: it is the very essence of evil. Across many years.and nations, Demogorgon has sown the seeds of hell...now, it is calling its children home. Demogorgon's power grows with every soul it devours--and if Charlie Trace can't stop it, he will be its next victim!

    Perhaps your best friend is dating her, getting himself into debt by taking her out to fancy restaurants and buying her expensive gifts. Yet you see her for what she is... Or maybe he's the guy who has perfectly good excuses for not finding a job, so he lets his live-in girlfriend support them. She works hard to keep a roof over their head and food on the table...and in the meantime, she's running herself ragged emotionally and financially. Of course you know people like this. Everybody knows at least one. They're not who you think they are. They are charismatic, sexually attractive, and they'll completely drain you emotionally, financially, and physically. And then they'll move on to the next person. Don't let that next person be you. They're not human. They're something else...something too terrifying to imagine...

    Max Goff means to change all that. Goff has made millions in the record business, but his heart is in New Age philosophy. He has learned that Crybbe was once a spiritual center of sorts, surrounded by ancient standing stones that were emblems of power. He means to replace the stones that have fallen - or been destroyed, as many of them were - and establish a thriving New Age community that will draw tourists and students from all over the world. What Max Goff doesn't know is that the standing stones of Crybbe were destroyed in the sixteenth century for a very good reason. Some of the endearing customs of the town - such as tolling the church bell for curfew each night - are actually deadly serious rituals. The people of Crybbe know that evil has been kept at bay here by the old ways, and that there's nothing quaint about them. And the power about to be unleashed by Max Goff is nothing like the soothing music and herbal remedies he associates with the New Age. This is the power of the old age, pent up for centuries and about to be released with deadly fury!