Maggie, a kooky, lovable meddler and an irrepressible optimist, wants nothing more than to fix her son’s broken marriage. Ira is infuriatingly practical, a man “who should have married Ann Landers.” What begins as a day trip to a funeral becomes an adventure in the unexpected. As Maggie and Ira navigate the riotous twists and turns, they intersect with an assorted cast of eccentrics–and rediscover the magic of the road called life and the joy of having somebody next to you to share the ride . . . bumps and all.--back cover

    What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, “The play is not about doctors or even about cancer. It’s about kindness, but it shows arrogance. It’s about compassion, but it shows insensitivity.” In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?The immediacy of the presentation, and the clarity and elegance of Edson’s writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

    But those who seek instead a true widening of the horizons of meaning, coupled with a sure-handed mastery of the craft of poetry, will find this latest collection satisfying indeed.Here is a man who matches superb gifts with a truly subtle imagination, into whose depths he is courageously traveling--pioneering--in exploratory penetrations into areas of life that are too often evaded or denied. "The Firebombing," "Slave Quarters," "The Fiend"--these poems, with the others that comprise the present volume, show a mature and original poet at his finest.

     It would continue to rage across the states for a further four years. In this Pulitzer Prize winning history of that period James Ford Rhodes fully explains its causes, events and effects. From the moment of secession by the southern states through to Lee’s surrender, Rhodes encompasses the full narrative of the conflict in this single-volume history. Rhodes provides vivid portraits of the main leaders of the war as well as their actions, both on the battlefield and in the political discussions taking place in Washington and Richmond. Rich in scholarship and written in engrossing style History of the Civil War, 1861-1865 is essential reading for anyone with an interest nineteenth century American history. "Well worthy of the welcome." — American Historical Review James Ford Rhodes was an American industrialist and historian born in Cleveland, Ohio. After earning a fortune in the iron, coal, and steel industries by 1885, he retired from business and spent the rest of his life writing on the history of America. His most famous work was History of the Civil War, 1861-1865, which won a Pulitzer Prize, and was published in 1917. He died in 1927.

    At a ceremonial dance, the young, earnest silversmith Laughing Boy falls in love with Slim Girl, a beautiful but elusive "American"-educated Navajo. As they experience all of the joys and uncertainties of first love, the couple must face a changing way of life and its tragic consequences.

    Starting with its energized, work-obsessed royal families, the Dukes and the Reynoldses, and their embattled successors like the eccentric autocrat George Washington Hill and the feisty Joseph F. Cullman, the book vividly portrays the cigarrettemakers generations of entrepreneurial geniuses. Their problematic achievement was based on cunning business strategies and marketing dazzle, deft political power plays, and a relentless, often devious attack on antismoking forces in science, public health, and government. Enabling the whole process to unfold was the weirdly symbiotic relationship of an industry geared at any cost to sell, sell, sell cigarettes, and an American public habituated to ignore all health warnings and buy, buy, buy.At the center of this epic is the continuing drama of the Philip Morris Company and the crafty men at its helm. The youngest, once smallest entry in the business, it remained an underdog until the marketing brainstorm that transformed the Marlboro brand from little more than a woman’s fashion accessory to the ultimate emblem of hairy-chested machismo (and made it America’s – and the world’s – #1 smoke). Remarkably, the company’s global prosperity mounted steadily even as the news about cigarettes and health grew more dire by the year.Caught up in the Philip Morris story is the whole sweep of America’s cigarette history, from the glory days of rampant hucksterism – when smokers would “walk a mile for a Camel,” Winston tasted “good like a cigarette should,” and most of the nation could decipher “L.S. / M.F.T” – to the bombshell 1964 Surgeon General’s Report that definitively indicted smoking as a killer, to the age of the massive mergers that spawned RJR Nabisco and Philip Morris-Kraft General Foods.Here we learn how the leaf that was the New World’s most passionately devoured gift to the Old grew into humankind’s most dangerous consumer product, employing a vast rural corps of laborers, fattening tax revenues, and propagating a ring of fiercely competitive corporate superpowers; how tobacco’s peerless public-relations spinners applied their techniques to becloud the overwhelming evidence of the cigarette’s lethal and addictive nature; and finally, how the besieged industry and the aroused public-health forces nationwide collided over whether to outlaw the butt habit altogether or bring it into ever more withering social disdain and under ever tighter government control.

    This volume brings together the collections Flowering Judas; Pale Horse, Pale Rider; and The Leaning Tower as well as four stories not available elsewhere in book form.Go little book... --Flowering Judas and other stories: María Concepción ; Virgin Violeta ; The martyr ; Magic ; Rope ; He ; Theft ; That tree ; The jilting of Granny Weatherall ; Flowering Judas ; The cracked looking-glass ; Hacienda --Pale horse, pale rider: Old mortality ; Noon wine ; Pale horse, pale rider --The leaning tower and other stories: The old order : The source ; The journey ; The Witness ; The circus ; The last leaf ; The fig tree ; The grave. The downward path to wisdom ; A day's work ; Holiday ; The leaning tower

    Fought over a period of three decades, the conflict drew in all the world’s powers and saw two of them—first France, then the United States—attempt to subdue the revolutionary Vietnamese forces. For France, the defeat marked the effective end of her colonial empire, while for America the war left a gaping wound in the body politic that remains open to this day.   How did it happen? Tapping into newly accessible diplomatic archives in several nations and making full use of the published literature, distinguished scholar Fredrik Logevall traces the path that led two Western nations to lose their way in Vietnam. Embers of War opens in 1919 at the Versailles Peace Conference, where a young Ho Chi Minh delivers a petition for Vietnamese independence to President Woodrow Wilson. It concludes in 1959, with a Viet Cong ambush on a U.S. outpost outside Saigon and the deaths of two American officers whose names would be the first to be carved into the black granite of the Vietnam Veterans Memorial. In between come years of political, military, and diplomatic maneuvering and miscalculation, as leaders on all sides embark on a series of stumbles that makes an eminently avoidable struggle a bloody and interminable reality.   Logevall takes us inside the councils of war—and gives us a seat at the conference tables where peace talks founder. He brings to life the bloodiest battles of France’s final years in Indochina—and shows how from an early point, a succession of American leaders made disastrous policy choices that put America on its own collision course with history: Harry Truman’s fateful decision to reverse Franklin Delano Roosevelt’s policy and acknowledge France’s right to return to Indochina after World War II; Dwight Eisenhower’s strenuous efforts to keep Paris in the fight and his escalation of U.S. involvement in the aftermath of the humiliating French defeat at Dien Bien Phu; and the curious turnaround in Senator John F. Kennedy’s thinking that would lead him as president to expand that commitment, despite his publicly stated misgivings about Western intervention in Southeast Asia.   An epic story of wasted opportunities and tragic miscalculations, featuring an extraordinary cast of larger-than-life characters, Embers of War delves deep into the historical record to provide hard answers to the unanswered questions surrounding the demise of one Western power in Vietnam and the arrival of another. This book will become the definitive chronicle of the struggle’s origins for years to come.Advance praise for Embers of War   “Fredrik Logevall has gleaned from American, French, and Vietnamese sources a splendid account of France’s nine-year war in Indochina and the story of how the American statesmen of the period allowed this country to be drawn into the quagmire.”—Neil Sheehan, author of A Bright Shining Lie, winner of the Pulitzer Prize and the National Book Award   “Fredrik Logevall is a wonderful writer and historian. In his new book on the origins of the American war in Vietnam, he gives a fascinating and dramatic account of the French war and its aftermath, from the perspectives of the French, the Vietnamese, and the Americans. Using previously untapped sources and a deep knowledge of diplomatic history, Logevall shows to devastating effect how America found itself on the road to Vietnam.”—Frances FitzGerald, author of Fire in the Lake, winner of the Pulitzer Prize and the National Book Award

    But his research reveals even more about his own life than he's willing to admit. What emerges is an enthralling portrait of four generations in the life of an American family.Wallace Stegner's Pultizer Prize-winning novel is a story of discovery—personal, historical, and geographical.

    Eight years later, a schoolteacher who lived four miles away gave birth to a boy whose cherubic smile belied the fast growing tumors that soon riddled his face and chest. The doctors predicted he would not reach his first birthday. They were wrong, but that was only one of many surprises that would eventually come to light in Toms River, culminating in 2001 with a record legal settlement believed to top $35 million and an unprecedented government study confirming the existence of a long-suspected cluster of childhood cancer linked to polluted water and air. A detective story rooted in a scientific quest thousands of years old, Toms River is a tale of dumpers at midnight and deceptions in broad daylight, of corporate avarice and government neglect, and of a few brave individuals who would not keep silent.

     By the May 1918 there were over one million American troops stationed in France and making their way to the frontlines under the leadership of General John J. Pershing. World War One had been a stalemate for the previous three years as both sides had become bogged down in trench warfare. The impact that the American Expeditionary Force made to the outcome of the First World War can never be underestimated. By the summer of 1918 American troops were providing the knockout blow in a series of fierce battles, such as at Château-Thierry, Belleau Wood, Saint-Mihiel and Argonne Forest. Although the American Expeditionary Forces had been inexperienced at 1917, by the end of the war Pershing had shaped it into a modern, efficient, and combat-tested army. Indeed, in the last of offensive of the war, known as the Meuse-Argonne Offensive, Pershing commanded his men to break-out of the confines of trench warfare and succeeded in recovering over 200 square miles of French territory from the German army. Pershing’s brilliant account of this period My Experiences in the World War was a Pulitzer Prize Winner for History in 1932 and should be essential reading for anyone interested in the American involvement of the First World War. The first volume of the memoir covers the period from Pershing’s selection as commander of the A. E. F. through to the 1918 German Spring Offensive. The second volume follows on from this and covers all of the A. E. F.’s major engagements through until their victory parade in Paris in November 1918. These two volumes have been combined and sold as one book to commemorate the centenary of the end of World War One. John J. Pershing served as the commander of the American Expeditionary Force on the Western Front in World War One. He asserted that the American forces should not be incorporated into other Allied armies but would operate as a separate unit. He was the only American to be promoted in his own lifetime to General of the Armies rank, the highest possible rank in the United States Army. His book My Experiences in the World War was first publishing in New York in 1931. He passed away in 1948.

    0-935906-00-2$5.00 / Javan Press

    What I witness, what I feel, what I think, what I fear, what I treasure. I write about life, which is our greatest gift." —Mattie Stepanek, 1990-2004Mattie J. T. Stepanek lived and died a child, but he had the spirit of a giant. Affected by a rare and fatal neuromuscular disease, Mattie lived almost fourteen years but in that time became a poet, best-selling author, peace activist, and a prominent voice for the Muscular Dystrophy Association. Before his death in June 2004, his five volumes of Heartsongs poetry sold more than a million copies.Reflections of a Peacemaker: A Portrait Through Heartsongs is the final collection of Heartsongs that Mattie was working on when he died. It includes the last poem Mattie penned along with a special collection of unpublished poetry, photographs, and artwork spanning the decade from when he began writing Heartsongs at age three.Culled from the thousands of poems, essays, and journal entries Mattie left behind, the entries in Reflections of a Peacemaker create a portrait of Mattie in his own words. In these poems he explores disability, despair, and death but also the gifts he finds in nature, prayer, peace, and his belief in something "bigger and better than the here and now." The poems are grouped by theme such as playful, stormy, sacred, and final Heartsongs, with each section introduced by a personal tribute from the likes of Maya Angelou, Oprah Winfrey, Larry King, and former President Jimmy Carter.In the words of Mattie's mother, Jeni Stepanek, who has published Reflections of a Peacemaker at her son's request, "In reading these poems we enter Mattie's world and gain insight through a child who somehow balanced pain and fear with optimism and faith."

    James's --The worm in the apple --The trouble of Marcie Flint --The bella lingua --The Wrysons --The country husband --The duchess --The scarlet moving van --Just tell me who it was --Brimmer --The golden age --The lowboy --The music teacher --A woman without a country --The death of Justina --Clementina --Boy in Rome --A miscellany of characters that will not appear --The chimera --The seaside houses --The angel of the bridge --The brigadier and the golf widow --A vision of the world --Reunion --An educated American woman --Metamorphoses --Mene, mene, tekel, upharsin --Montraldo --The ocean --Marito in città --The geometry of love --The swimmer --The world of apples --Another story --Percy --The fourth alarm --Artemis, the honest well digger --Three stories --The jewels of the Cabots.

    Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment.". . . And I was grown up, with your face on,heating spice after spice to smoke out the smell of books, to burnthe taste buds off this bitten tongue, avoid ever speaking of you."- Emily Berry, 'Her Inheritance'"If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you."- Anne Carson, 'Candor'"I had a moment thereamong the balustradesand once that moment had expiredit graduatedfrom a moment to a life"- Sophie Collins, 'Dear No. 24601'