Built from the spoils of a massive timber fortune, the legendary family mansion is constructed of giant, whole trees, and is set on a huge estate overlooking Puget Sound. Trevor’s bankrupt parents have begun a trial separation, and his father, Jones Riddell, has brought Trevor to Riddell House with a goal: to join forces with his sister, Serena, dispatch Grandpa Samuel—who is flickering in and out of dementia—to a graduated living facility, sell off the house and property for development into “tract housing for millionaires,” divide up the profits, and live happily ever after.But Trevor soon discovers there’s someone else living in Riddell House: a ghost with an agenda of his own. For while the land holds tremendous value, it is also burdened by the final wishes of the family patriarch, Elijah, who mandated it be allowed to return to untamed forestland as a penance for the millions of trees harvested over the decades by the Riddell Timber company. The ghost will not rest until Elijah’s wish is fulfilled, and Trevor’s willingness to face the past holds the key to his family’s future.A Sudden Light is a rich, atmospheric work that is at once a multigenerational family saga, a historical novel, a ghost story, and the story of a contemporary family’s struggle to connect with each other. A tribute to the natural beauty of the Pacific Northwest, it reflects Garth Stein’s outsized capacity for empathy and keen understanding of human motivation, and his rare ability to see the unseen: the universal threads that connect us all

    A haunting historical thriller set in Britain's North Yorkshire Moors about isolation, superstition and persecution, The Haunting of Thores-Cross explores 18th century life in a picturesque but isolated village in the North Yorkshire Moors. When a vulnerable young girl is ostracised within her community and accused of witchcraft, the descendants of her neighbours will suffer for centuries to come.*Silver Medal Winner, European fiction - 2015 IPPY Book Awards *#1 Bestseller in 6 Amazon Categories, including Ghost Suspense, British Horror and Gothic Romance*Top 10 Bestseller in 8 more, including Historical Thrillers and Occult Horror*Over 100 5-STAR reviews on Amazon.com Likened by independent reviewers on Amazon to the Brontë sisters, Edgar Allen Poe, Barbara Erskine and Nathaniel Hawthorne, Karen Perkins' novels are filled with unflinching honesty and an acute understanding of human nature. She explores not only the depths of humanity, but the depths of human motivation behind the actions and pain people inflict upon each other, as well as the repercussions of these actions not only in the short term, but also the later generations who live with the implications of the past. Emma Moorcroft is still grieving after a late miscarriage and moves to her dream house at Thruscross Reservoir with her husband, Dave. Both Emma and Dave hope that moving into their new home signifies a fresh start, but life is not that simple. Emma has nightmares about the reservoir and the drowned village that lies beneath the water, and is further disturbed by the sound of church bells - from a church that no longer exists. Jennet is fifteen and lives in the isolated community of Thores-Cross, where life revolves about the sheep on which they depend. Following the sudden loss of both her parents, she is seduced by the local wool merchant, Richard Ramsgill. She becomes pregnant and is shunned not only by Ramsgill, but by the entire village. Lonely and embittered, Jennet's problems escalate, leading to tragic consequences which continue to have an effect through the centuries. Emma becomes fixated on Jennet, neglecting herself, her beloved dogs and her husband to the point where her marriage may not survive. As Jennet and Emma's lives become further entwined, Emma's obsession deepens and she realises that the curse Jennet inflicted on the Ramsgill family over two hundred years ago is still claiming lives. Emma is the only one who can stop Jennet killing again, but will her efforts be enough? The Haunting of Thores-Cross was previously titled Thores-Cross.The Yorkshire Ghost Stories are all stand-alone, complete books, and can be read in any order

    For this superbly disquieting collection, he selected fourteen of his favorite tales by such authors as E.F. Benson, Rosemary Timperley, and Edith WhartonIncludes:"W.S." L.P. Hartley"Harry" Rosemary Timperley"The Corner Shop" Cynthia Asquith"In the Tube" E.F. Benson"Christmas Meeting" Rosemary Timperley"Elias and the Draug" Jonas Lie"Playmates" A.M. Burrage"Ringing the Changes" Robert Aickman"The Telephone" Mary Treadgold"The Ghost of a Hand" J. Sheridan Le Fanu"The Sweeper" A.M. Burrage"Afterward" Edith Wharton"On the Brighton Road" Richard Middleton"The Upper Berth" F. Marion Crawford

    Written in Iceland a century after the close of the Viking Age, it tells ancient stories of the Norse creation epic and recounts the battles that follow as gods, giants, dwarves and elves struggle for survival. It also preserves the oral memory of heroes, warrior kings and queens. In clear prose interspersed with powerful verse, the Edda provides unparalleled insight into the gods' tragic realisation that the future holds one final cataclysmic battle, Ragnarok, when the world will be destroyed. These tales from the pagan era have proved to be among the most influential of all myths and legends, inspiring modern works as diverse as Wagner's Ring Cycle and Tolkien's The Lord of the Rings.This new translation by Jesse Byock captures the strength and subtlety of the original, while his introduction sets the tales fully in the context of Norse mythology. This edition also includes detailed notes and appendices.

    After experiencing footsteps at night, opening doors, strange sounds and activity that centered around the library, they investigate, unearthing the mansion's tragic past and changing their beliefs about the supernatural world.

    G. Lockhart, who worked for a publishing firm. The book proved popular and Scott was paid six hundred pounds, which he desperately needed (despite his success as a novelist, Scott was almost ruined when the Ballantyne publishing firm, where he was a partner, went bankrupt in 1826).Letters was written when educated society believed itself in enlightened times due to advances in modern science. The book, however, revealed that all social classes still held beliefs in ghosts, witches, warlocks, fairies, elves, diabolism, the occult, and even werewolves. Sourcing from prior sixteenth- and seventeenth-century treatises on demonology along with contemporary accounts from England, Europe, and North America (Cotton Mather's Magnalia Christi, for one), Scott's discourses on the psychological, religious, physical, and preternatural explanations for these beliefs are essential reading for acolytes of the dark and macabre; the letters dealing with witch hunts, trials (Letters Eight and Nine), and torture are morbidly compelling.Scott was neither fully pro-rational modernity nor totally anti-superstitious past, as his skepticism of one of the "new" sciences (skullology, as he calls it) is made clear in a private letter to a friend. Thus, Letters is both a personal and intellectual examination of conflicting belief systems, when popular science began to challenge superstition in earnest.

    Upon discovering the rumors to be true, the young widow ends up forming a special companionship with the ghost of handsome former sea captain Daniel Gregg. Through the struggles of supporting her children, seeking out romance from the wrong places, and working to publish the captain's story as a book, Blood and Swash, Lucy finds in her secret relationship with Captain Gregg a comfort and blossoming love she never could have predicted. Originally published in 1945, made into a movie in 1947, and later adapted into a television sitcom in 1968, this romantic tale explores how love can develop without boundaries, both in this life and beyond.

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    Written in diary form as Dracula is, this compulsively readable book has revelations that will shock and delight readers of the original. More erotic than Anne Rice, Kalogridis is a major new voice in vampire fiction. The first chilling tale in an exciting new trilogy is a rich and terrifying historical novel set fifty years before the opening of Bram Stoker's Dracula. At the castle of Prince Vlad Tsepesh, also known as Dracula, Vald's great-nephew Arkady is honored to care for his beloved though strange great-uncle...until he beings to realize what is expected of him in his new role. It seems that either he provides his great-uncle with unsuspecting victims to satisfy his needs, or Vlad will kill those Arkady loves. He is trapped into becoming party to murder and sadistic torture. And it is in his blood. When Arkady learns that his newborn son is being groomed one day to follow in his footsteps, he knows that he must fight Dracula, even if it means death.

    This is where four young friends come of age—in an atmosphere thick with fear and suspicion. Their innocent games soon bring them face-to-face with the village's darkest secrets in this eerily dispassionate, astonishingly assured novel, evocative of Stephen King's classic short story "Children of the Corn" and infused with the spirit of the Brothers Grimm.

    But they soon realize they are not as alone as they thought. Something wants them to leave. Meanwhile, in a nearby town, a young doctor investigating the suicide of an elderly woman discovers that she was obsessed with his vanished son. When the two stories collide, the shocking truth becomes horribly clear.In the vein of Stephen King and John Ajvide Lindqvist, this horrifying thriller, partly based on a true story, is the scariest novel yet from Yrsa Sigurdardóttir, who has captivated the attention of readers around the world with her mystery series featuring attorney Thora Gudmundsdottir. Now, Yrsa will stun readers once again with this out-of-this-world ghost story that will leave you shivering.

    Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories.Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.

    Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social values.Pearl is apparently an elegy on the death of a child, a poem pervaded with a sense of great personal loss: but, like Gawain it is also a sophisticated and moving debate on much less tangible matters.Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien's. The three translations represent the complete rhyme and alliterative schemes of the originals.

    With twelve grisly stories of coming-of-age terror, carnival cruelty and fairground frights, this collection brings together the best and most exciting talents in the horror community. Roll up! with the following stories:"Mirrors" by Robin Grieve"Candy Apple Smiles" by Christopher Robertson"The Cyclone Sisters' Travelling Circus" by Angela Sylvaine"Anna and Abby" by L. Pine"The Prop" by Nikki R. Leigh"The Viperess of Las Cruces" by C.W. Blackwell"The Golden Tickets" by Roxie Voorhees"Dance With Us" by Kelly Brocklehurst"No Strings" by Jamie Stewart"Family Outing" by Briana Morgan"Mirrored" by Dave Musson"Smile at All the Good Times We Had" by Spencer HamiltonWith a foreword from the editors.

    They are best known as the "Four Branches of the Mabinogi," and comprise the tales of Pwyll, Branwen, Manawydan, and Math. The remaining stories also spring from the same tree, and together they form a collection that comprises the core of the ancient Welsh mythological cycle. They are also among the best the medieval Celtic literature has to offer.In the first thoroughly revised edition and translation of this world classic since Lady Charlotte Guest's famous Mabinogion went out of print, Mr. Ford has endeavored to present a scholarly document in readable, modern English. Basing his criteria on the latest scholarship in myth, he includes only those stories that have remained unadulterated by the influence of the French Arthurian romances. These are, in addition to the "Four Branches," the tale of "Kulhwch and Olwen," which is rooted in the mythological origins of Arthur, seen here in his role of divine hunter in pursuit of the swine-god; "Lludd and Lleuelis," which reaches beyond its immediate Celtic sources into ancient Indo-European ideologies; and the long unavailable "Tale of Taliesin," which offers insights into Celtic concepts of the archetypal poet-seer and the acquisition of Divine Wisdom.