Tony, a senior police officer in Maputo, has apparently been supporting four other families for many years. Rami remains calm in the face of her husband's duplicity and plots to make an honest man out of him. After Tony is forced to marry the four other women--as well as an additional lover--according to polygamist custom, the rival lovers join together to declare their voices and demand their rights. In this brilliantly funny and feverishly scathing critique, a major work from Mozambique's first published female novelist, Paulina Chiziane explores her country's traditional culture, its values and hypocrisy, and the subjection of women the world over.

    Major section on 15-year reign of Olav II Haraldson, patron saint of Norway. Based on earlier histories, oral traditions, plus new material by author, all presented with intelligence, warmth and objectivity. Over 130 illustrations and 5 maps.

    April Witch created a furor upon its original publication in Sweden. Addressing themes of mother-daughter relationships, competition between women, and the failures of Sweden's postwar welfare state, it is a thrillingly written and fascinating story.

    Laura Dahlgren, the bright, young right hand of Sweden’s chief negotiator to Germany, is privy to these tensions, even as she tries to keep her head down in the mounting fray. When Laura’s best friend Britta is found murdered, however, she is determined to find the killer.Prior to her death, Britta sent a report on the racial profiling in Scandinavia to Jens Regnell, private secretary to the Swedish Minister of Foreign Affairs. In the middle of negotiating a delicate alliance with Hitler and the Nazis, Jens does not understand why he has received the report. When the pursuit of Britta’s murderer leads Laura to his door, the two join forces to ascertain the truth.But as Jens and Laura attempt to untangle the mysterious circumstance surrounding Britta’s death, they only become more mired in a web of lies and deceit. This trail will lead to a conspiracy that could topple their nation’s identity—a conspiracy some in Sweden will try to keep hidden at any cost.

    Former long-distance runner Sonja Nordstrøm never shows at the launch of her controversial autobiography, Always Number One. When celebrity blogger Emma Ramm visits Nordstrøm’s home later that day, she finds the door unlocked and signs of a struggle inside. A bib with the number ‘one’ has been pinned to the TV.Police officer Alexander Blix is appointed to head up the missing-persons investigation, but he still bears the emotional scars of a hostage situation nineteen years earlier, when he killed the father of a five-year-old girl. Traces of Nordstrøm soon show up at different locations, but the appearance of the clues appear to be carefully calculated … evidence of a bigger picture that he’s just not seeing…Blix and Ramm soon join forces, determined to find and stop a merciless killer with a flare for the dramatic, and thirst for attention.Trouble is, he’s just got his first taste of it…

    Carefully reassembled with calm, steady hands, these shards tell the story of an ordinary family that somehow managed to survive the myriad persecutions and repressions of the last century. The family’s pursuit of a quiet, civilized, ordinary life—during such atrocious times—is itself a strange odyssey.In dialogue with thinkers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various genres—essay, fiction, memoir, travelogue, and history—Stepanova assembles a vast panorama of ideas and personalities and offers a bold exploration of cultural and personal memory.

    Translated by Joan Tate.

    I want to find out how they behave when they're freeLen Howard was forty years old when she decided to leave her London life and loves behind, retire to the English countryside and devote the rest of her days to her one true passion: birds.Moving to a small cottage in Sussex, she wrote two bestselling books, astonishing the world with her observations on the tits, robins, sparrows and other birds that lived nearby, flew freely in and out of her windows, and would even perch on her shoulder as she typed.This moving novel imagines the story of this remarkable woman's decision to defy society's expectations, and the joy she drew from her extraordinary relationship with the natural world.

    Wilfred Sagen at fourteen is still a perfectly turned out, impeccably behaved "Little Lord Fauntleroy" to his family, but to his teachers he is a disruptive enigma and, to a pack of Oslo street urchins, an instigator of crime. In his often desperate search for emotional integration, Wilfred is hampered by an acute and introspective intelligence which only compounds his normal adolescent anxieties. Painfully aware of the split in his own personality, Wilfred longs for wholeness and harmony (personified by the young Jewish violinist, Miriam), but is torn by guilt and the realization that he cannot control either himself or the world.By the time of his death, Johan Borgen was acclaimed as one of the major figures in twentieth-century Scandinavian literature. He is best known for his Lillelord Trilogy, which deals with the moral and physical degeneration of Wilfred Sagen over three decades. For Borgen, Wilfred’s loss of innocence and fractured existence had their counterparts in the cultural shock experienced by all of Norway through two world wars, the Nazi occupation, and explosive technological change. This English-language edition of Lillelord (1955), the first volume of the Lillelord Trilogy, has been translated by Elizabeth Brown Moen (in Oslo) and Ronald E. Peterson (at Occidental College in Los Angeles). Mr. Peterson has also edited the volume and provided an informative introduction.

    Her savings are depleted, her love life is nonexistent, and she cannot face another winter staring at the four walls of her shabby apartment. Celebrating Christmas and ringing in 1986 in the remote fishing hamlet of Skálar seems like a small price to pay for a chance to earn some teaching credentials and get her life back on track.But Skálar isn't just one of Iceland's most isolated villages, it is home to less than a dozen people. Una's only students are two girls aged seven and nine. Teaching them only occupies so many hours in a day and the few adults she interacts with are civil but distant. She only seems to connect with Thór, a man she shares an attraction with but who is determined to keep her at arm's length.As darkness descends throughout the bleak winter, Una finds herself more often than not in her rented attic space - the site of a local legendary haunting - drinking her loneliness away. She is plagued by nightmares of a little girl in a white dress singing a lullaby. And when a sudden tragedy echoes an event long buried in Skálar's past, the villagers become even more guarded, leaving a suspicious Una seeking to uncover a shocking truth that's been kept secret for generations.

    THE WHITE BOOK becomes a meditation on the color white, as well as a fictional journey inspired by an older sister who died in her mother's arms, a few hours old. The narrator grapples with the tragedy that has haunted her family, an event she colors in stark white--breast milk, swaddling bands, the baby's rice cake-colored skin--and, from here, visits all that glows in her memory: from a white dog to sugar cubes.As the writer reckons with the enormity of her sister's death, Han Kang's trademark frank and chilling prose is softened by retrospection, introspection, and a deep sense of resilience and love. THE WHITE BOOK--ultimately a letter from Kang to her sister--offers powerful philosophy and personal psychology on the tenacity and fragility of the human spirit, and our attempts to graft new life from the ashes of destruction.

    But away from the safe haven of the farm, the puppy soon becomes lost and is left to struggle for survival in the wild. The puppy becomes wild, trusting no human or animal. But one man is intrigued by the now-unruly dog & slowly gains his trust.

    Smart and precocious, endearing but uncompromising, she fights against ingrained chauvinism to find her place in a world run by lesser men.When Olga falls in love with her neighbor, Herbert, the son of a local aristocrat, her life is irremediably changed. While Herbert indulges his thirst for exploration and adventure, Olga is limited by her gender and circumstance. Her love for Herbert goes against all odds and encounters many obstacles, but even when they are separated, it endures.Unfolding across decades—from the late nineteenth to the early twenty-first century—and across continents—from Germany to Africa and the Arctic, from the Baltic Sea to the German south-west—Olga is an epic romance, and a wrenching tale of a woman’s devotion to a restless man in an age of constant change. Though Olga exists in the shadows of others, she pursues life to the fullest and her magnetic presence shines—revealing a woman complex, fascinating, and unforgettable. Told in three distinct parts, brilliantly shifting from different points of view and narrative formats, Bernhard Schlink’s magnificent novel is a rich, full portrait of a singular woman and her world.Translated from the German by Charlotte Collins

    

    For Jhumpa Lahiri, that love was for Italian, which first captivated and capsized her during a trip to Florence after college. And although Lahiri studied Italian for many years afterward, true mastery had always eluded her. So in 2012, seeking full immersion, she decided to move to Rome with her family, for “a trial by fire, a sort of baptism” into a new language and world. In Rome, Lahiri began to read, and to write—initially in her journal—solely in Italian. In Other Words, an autobiographical work written in Italian, investigates the process of learning to express oneself in another language, and describes the journey of a writer seeking a new voice. Presented in a dual-language format, it is a book about exile, linguistic and otherwise, written with an intensity and clarity not seen since Nabokov. A startling act of self-reflection and a provocative exploration of belonging and reinvention.