That's the only way to explain her image-obsessed mother; a kind but distant stepfather; and a brother with a small personality complex. Bronwen knows she must have been switched at birth, and she can't wait to get away from her "family" for good.Then she meets Jared Sondervan. He's sweet, funny, everything she wants — and he has the family Bronwen has always wanted too. She falls head over heels in love, and when he proposes marriage, she joyfully accepts. But is Jared truly what she needs? And if he's not, she has to ask: What would Phoebe Lilywhite do?

    He was tall and muscular, with hair that touched his shoulders and eyes that burned right through you. The kind of beautiful that graced the covers of romance novels, and Fern Taylor would know. She'd been reading them since she was thirteen. But maybe because he was so beautiful he was never someone Fern thought she could have . . . until he wasn't beautiful anymore. Making Faces is the story of a small town where five young men go off to war, and only one comes back. It is the story of loss. Collective loss, individual loss, loss of beauty, loss of life, loss of identity. It is the tale of one girl's love for a broken boy and a wounded warrior's love for an unremarkable girl. This is a story of friendship that overcomes heartache, heroism that defies the common definitions, and a modern tale of Beauty and the Beast, where we discover that there is a little beauty and a little beast in all of us.

    The lack of a name is appropriate, because he and his mother are but poor peasants in 14th century medieval England. But this thirteen-year-old boy who thought he had little to lose soon finds himself with even less - no home, no family, or possessions. Accused of a crime he did not commit, he may be killed on sight, by anyone. If he wishes to remain alive, he must flee his tiny village. All the boy takes with him is a newly revealed name - Crispin - and his mother's cross of lead.

    Only one man has ever dared to approach the top, and that man died in his pursuit. He was Josef Matt, Rudi Matt's father.At sixteen, Rudi is determined to pay tribute to the man he never knew, and complete the quest that claimed his father's life. And so, taking his father's red shirt as a flag, he heads off to face the earth's most challenging peak. But before Rudi can reach the top, he must pass through the forbidden Fortress, the gaping chasm in the high reaches of the Citadel where his father met his end. Rudi has followed Josef's footsteps as far as they will take him. Now he must search deep within himself to find the strength for the final ascent to the summit—to plant his banner in the sky.His father died while trying to climb Switzerland's greatest mountain—the Citadel—and young Rudi knows he must make the assault himself.

    She has, as she's often reminded, issues. Drea's mom and a rotating band of psychiatrists have settled on "a touch of Asperger's."Having just moved to the latest in a string of new towns, Drea meets two other outsiders. And Naomi and Justin seem to actually like Drea. The three of them form a band after an impromptu, Portishead-comparison-worthy jam after school. Justin swiftly challenges not only Drea's preference for Poe over Black Lab but also her perceived inability to connect with another person. Justin, against all odds, may even like like Drea. It's obvious that Drea can't hide behind her sound equipment anymore. But just when she's found not one but two true friends, can she stand to lose one of them?

    His parents bestowed it on him as some kind of sick joke when he was born, and his life has gone downhill from there, one embarrassing incident after another. Entering his senior year of high school, Shakespeare has never had a girlfriend, his younger brother is cooler than he is, and his best friend's favorite topic of conversation is his bowel movements. But Shakespeare will have the last laugh. He is chronicling every mortifying detail in his memoir, the writing project each senior at Shakespeare's high school must complete. And he is doing it brilliantly. And, just maybe, a prize-winning memoir will bring him respect, admiration, and a girlfriend . . . or at least a prom date.

    A lifetime of stories. Their last one begins here.Life is short. No-one knows that better than seventeen year old Lenni living on the terminal ward. But as she is about to learn, it's not only what you make of life that matters, but who you share it with. Dodging doctor's orders, she joins an art class where she bumps into fellow patient Margot, a rebel-hearted eighty three year old from the next ward. Their bond is instant as they realize that together they have lived an astonishing one hundred years. To celebrate their shared century, they decide to paint their life stories: of growing old and staying young, of giving joy, of receiving kindness, of losing love, of finding the person who is everything. As their extraordinary friendship deepens, it becomes vividly clear that life is not done with Lenni and Margot yet.Fiercely alive, disarmingly funny and brimming with tenderness, THE ONE HUNDRED YEARS OF LENNI AND MARGOT unwraps the extraordinary gift of life even when it is about to be taken away, and revels in our infinite capacity for friendship and love when we need them most.

    To his shock, the child—wrapped in a sweater and wearing a tiny knitted hat—is still alive. To his wife’s shock, Nathan wants to adopt the boy…but the child’s grandmother steps in. Nathan makes her promise, however, that one day she’ll bring the boy to meet him so he can reveal that he was the one who rescued him. Fifteen years later, the widowered Nathan discovers the child abandoned once again—this time at his doorstep. Named Nat, the teenager has grown into a sullen delinquent whose grandmother can no longer tolerate him. Nathan agrees to care for Nat, and the two engage in a battle of wills that pans years. Still, the older man repeatedly assures the youngster that, unlike the rest of the world, he will never abandon him—not even when Nat suffers a trauma that changes both of their lives forever.From the bestselling author of Pay It Forward comes When I Found You, an exquisite, emotional tale of the unexpected bonds that nothing in life can break.

    But she never could have imagined that her summer would be so memorable. German prisoners of war have arrived to make their new home in the prison camp in Jenkinsville. To the rest of her town, these prisoners are only Nazis. But to Patty, a young Jewish girl with a turbulent home life, one boy in particular becomes an unlikely friend. Anton relates to Patty in ways that her mother and father never can. But when their forbidden relationship is discovered, will Patty risk her family and town for the understanding and love of one boy?

    Eliot misses the happy times he left behind when his father decided to open a camp for kids looking to lose weight and find Jesus.When Cal and Eliot meet by chance, they feel an immediate connection.Together they must face their isolation, the threat of yet another move, and the deepening of Eliot’s father’s obsession with money and God.This smart novel, featuring unforgettable characters, colorful backdrops, and even a few recipes, is as funny as it is romantic.

    A good Cambodian girl never dates; she waits for her family to arrange her marriage to a Cambodian boy. Yet Sundara and Jonathan, an extraordinary American boy, are powerfully drawn to each other. Haunted by grief for her lost family and for the life left behind, Sundara longs to be with him. At the same time she wonders, Are her hopes for happiness and new life in America disloyal to her past and her people?

    The three girls have been best friends 'forever' even though they don't seem to have much in common. But one thing they all want is a boyfriend!Join the girls as they work out how to deal with all the surprises that being a teenage can bring. Sometimes sad, sometimes scary and often funny, don't miss this unputdownable and hugely popular trilogy for teenage readers by the award-winning Jacqueline Wilson.

    From the author of PERFECT and LUSH, another novel that tells it like it is.The perils of dealing with a new stepfamily are illuminated with the same Blume-like heart and wit that Natasha Friend brought to PERFECT and LUSH.

    . . not marry the next tyrannical prince that comes courting. Naturally, the king wants Aurelia to marry for political power. Aurelia wants to marry for love. And someone in the kingdom wants her . . . dead. Assigned to investigate and protect Aurelia is Robert, the son of the king's former royal spy and one of Aurelia's oldest friends. As Aurelia and Robert slowly uncover clues as to who is threatening her, their friendship turns to romance. With everything possible on the line, her life, her kingdom, her heart, Aurelia is forced to take matters into her own hands, no matter the cost.

    A single mother, she has struggled to do everything right. She sees the pregnancy as an unimaginable tragedy for both Lily and herself. Then comes word of two more pregnancies among high school juniors who happen to be Lily's best friends-and the town turns to talk of a pact. As fingers start pointing, the most ardent criticism is directed at Susan. As principal of the high school, she has always been held up as a role model of hard work and core values. Now her detractors accuse her of being a lax mother, perhaps not worthy of the job of shepherding impressionable students. As Susan struggles with the implications of her daughter's pregnancy, her job, financial independence, and long-fought-for dreams are all at risk. The emotional ties between mothers and daughters are stretched to breaking in this emotionally wrenching story of love and forgiveness. Once again, Barbara Delinsky has given us a powerful novel, one that asks a central question: What does it take to be a good mother?