But the ensuing romance proves short-lived as Jimmy dies of an AIDS-related illness. The grieving Seamus is obliged to keep a promise to Jimmy: “Take me back the way I came.”    And so Seamus sets out by bicycle on a picaresque journey with the ashes, hoping to bring them back to Buffalo. He meets truck drivers, waitresses, college kids, farmers, ranchers, Marines, and other travelers—each one giving him a new perspective on his own life and on Jimmy’s death. When he meets and becomes involved with a young Native American man whose mother has recently died, Seamus’s grief and his story become universal and redemptive.

    The story is told by one of them, Jonas, an 18-year old boy. Throughout his teenage years he has been trying to get an image of Paul, the brother he never met, a brother who died at the age of 16, the year before Jonas himself was born. The story is told like a crime story, with loose ends, clues and cliff hangers. In his search for his brother, Jonas soon finds out that Paul had an intense love affair with another boy during the last year of his life."My Brother and His Brother" received very good reviews when it was published in Sweden, and soon new editions followed as well as several translations. The novel has been published in Denmark, Norway, Belgium, Hungary, Iceland, France, Germany and Italy.

    Amid the clotted oil fields and pungent orange groves of rural 1940s California, the young woman explores her family’s citrus ranch, worries about boys, attempts to negotiate the high school social ladder, and suffers embarrassments, big and small, in a tenacious search for her own identity.

    

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    Tess Copeland is a country girl trying to save a family tradition.Sparks fly when their worlds collide, but can they overcome their doubts to discover what really matters?

    The lawyer is married to a beautiful, well-to-do girl in the midwest whose family sets the pace in local society and intends to run his marriage and his career as well. He has rebelled, come to New York, and taken up residence with this intriguing young woman. He is lonely and in need of consolation; she is one of those rare women whose only purpose seems to be making others happy. Their briefly fulfilling relationship is unhappily destined to failure: he is a cultured gentile with a wife and painful memories while she is a plain Jewish girl with little education and a horrible Bronx accent. They share happy and humorous moments together, but they both see with sadness the utter hopelessness of the affair."It's a whale of a hit, a bittersweet joy ride." - The New York Mirror ."An absorbing, affectionate, and funny delight." - The New York Daily News

    Today, Aurora Dawn's themes have grown still more relevant and, in the manner of all great fiction, its characters and ironies have only been sharpened by the passage of time. Wouk's raucous satire of Manhattan's high-power elite recounts the adventures of one Andrew Reale as he struggles toward fame and fortune in the early days of radio. On the quest for wealth and prestige, ambitious young Andrew finds himself face-to-face with his own devil's bargain: forced to choose between soul and salary, true love and a strategic romance, Wouk's riotous, endearing hero learns a timeless lesson about the high cost of success in America's most extravagant metropolis.

    Not only must survive the apocalypse but she's tasked with a job that will potentially save thousands of lives. Follow Alexandra's as she fights the living and dead wile carrying data for the cure. Can she survive the Death Fields and will she get to her family in time?

    For all readers of Ian McEwan's Atonement or L P Hartley's The Go-Between.1970s Weston-Super-Mare and ten-year-old oddball Eustace, an only child, has life transformed by his mother's quixotic decision to sign him up for cello lessons. Music-making brings release for a boy who is discovering he is an emotional volcano. He laps up lessons from his young teacher, not noticing how her brand of glamour is casting a damaging spell over his frustrated and controlling mother.When he is enrolled in holiday courses in the Scottish borders, lessons in love, rejection, and humility are added to daily practice.Drawing in part on his own boyhood, Patrick Gale's new novel explores a collision between childish hero worship and extremely messy adult love lives.

    Guys punch him, girls slag him and by high school he's developed an intense fear of being touched. Art remains his only escape from an otherwise emotionally empty life. Eulalie Mason is the lonely, tough-talking dyke from school who befriends Ash. The only one to see and accept all of his sides as a loner, a fellow artist and a best friend, she's starting to wonder if ash is ever going to see all of her.... a + e 4EVER is a graphic novel set in that ambiguous crossroads where love and friendship, boy and girl, straight and gay meet. It goes where few books have ventured, into genderqueer life, where affections aren't black and white. A Stonewall Youth Book Award Honoree for its frank portrayal of queer, contemporary youth.

    Classic in style, Vincent Virga creates a world as authentic as anything penned by DuMaurier, retaining the creaking ancestral mansion and mysterious and brooding master of the manor, while replacing the traditional damsel in distress with the young and handsome Robert Whyte. Vincent Virga has been called "America's foremost picture editor." He has researched, edited, and designed picture sections for more than 150 books, including "Eyes of the Nation: A Visual History of the United States" and the full-length photo essay "The Eighties: Images of America." He is also the author of "A Comfortable Corner." He is working on a third novel, "Theatricals.

    All versions of the book (ebook, paperback, hardcover) include 44 interior black and white illustrations by the author and artist.In a culture of cravats and corsets, a troubled sixteen-year-old stands out in her t-shirt and torn jeans. She takes the name “Memory” because hers are stolen, and she’ll do anything to get them back. Lost in a world not her own, where magic and monstrous fairies are real, Memory has enough to handle just trying to stay alive.Chased by wizard hunters, hunted by a dragon, stalked by a strange, handsome savage, despised by the fae and wanted by the king himself – everyone is after Memory, and she suspects it’s not just for her eye-catching outfit. Her forgotten past holds dangerous secrets that will change everything.Memory will fight to get back to a family and home she can’t remember but desperately desires, even at the cost of new friendships and romances. On the run with no name and no memories, she thinks she has nothing left to lose. She couldn’t be more mistaken.

    They represent the epitome of black magic, strong, dark, and wicked, and though Mason tries to live up to his respected lineage, most of the spells he casts go awry. To make matters worse, his active power has yet to kick in. While his brothers wield lightning and harness the cold, Mason sits on the sidelines, waiting for the moment when he can finally enter the magical game. When a dead body is discovered on the football field of his high school, Mason meets Drake Carpenter, the new kid in town. Drake’s confident demeanor and quick wit rub Mason the wrong way. Drake is far too self-assured for someone without an ounce of magical blood in his body, and Mason aims to teach him a lesson—like turn him into a roach. And if he’s lucky, maybe this time Mason won’t be the one turned into an insect. Not surprisingly, the dislike is mutual, and Drake does nothing to dispel Mason’s suspicion that the sexy boy with a southern drawl is somehow connected to the murder. If only Mason didn’t find himself inexplicably spellbound whenever they are together, they might actually find out what danger hides in the shadows.

    Somewhere between routine discipline with horsewhips, gun-waving gambling debt collectors, and LSD-laced breakfast cereal adventures, tragedy strikes a blow from which Jules may never recover. Jules's story alternates with that of her grandfather, Szaja, an Orthodox Jew who survives the murderous Ukranian pogroms of the 1920s, the Majdanek death camp, and the torpedoing of the Mefkura, a ship carrying refugees to Palestine. Unable to deal with the horrors he endures at the camp, Szaja develops a dissociative disorder and takes on the persona of a dead soldier from a burial ditch, using that man's thoughts to devise a plan to escape to America. While Szaja's and Jules's sorrows are different on the surface, adversity requires them both to find the will to live despite the suffering in their lives--and both encounter, in their darkest moments, what could be explained as serendipity or divine intervention. For Jules and Szaja, these experiences offer the hope they need to come to the rescue of their own fractured lives.