NO EXIT is an unforgettable portrayal of hell. THE FLIES is a modern reworking of the Electra-Orestes story. DIRTY HANDS is about a young intellectual torn between theory and praxis. THE RESPECTFUL PROSTITUTE is an attack on American racism.

    Unfortunately, her imaginary friend Mr. Marmalade doesn't have much time for her. Not to mention he beats up his personal assistant, has a cocaine addic-tion, and a penchant for pornography and very long dildos. Larry, her only real friend, is the youngest suicide attempt in the history of New Jersey. MR. MARMALADE is a savage black comedy about what it takes to grow up in these difficult times.

    I'm not obsessed with sex. I just can't stop thinking about it.’ The Fleabag bites back. A rip-roaring account of some sort of female living her sort of life.Phoebe Waller-Bridge’s debut play is an outrageously funny monologue for a female performer. It premiered at the 2013 Edinburgh Festival Fringe, performed by Phoebe herself, before transferring to Soho Theatre, London, for several successful runs, followed by a UK tour. It won a Fringe First Award in Edinburgh, the Most Promising New Playwright and Best Female Performance at the Off West End Theatre Awards, The Stage Award for Best Solo Performer and the Critics’ Circle Award for Most Promising Playwright. It received a Special Commendation in the Susan Smith Blackburn Prize and was nominated for the Olivier Award for Outstanding Achievement in an Affiliate Theatre. In 2016 it was turned into a wildly successful and ‘utterly riveting’ (Guardian) BBC television series.This edition also features an introduction by the author.‘Believe the hype, Waller-Bridge’s raw writing… really is as good as everyone says’ - The Stage'Sucker-punch funny... I've never seen a play quite like it' - Scotsman'frank and sometimes brutally funny... devastatingly good' - The Times'blessed with a rare and compelling life force... deliciously dirty and scabrously funny' - Evening Standard

    Through deeply drawn characters—both real and in the form of artificial intelligence companions, or “Primes”—Harrison burrows into troubling questions of the digital age: What would we remember, and what would we forget, given the power of authorship? Will we be any less human, once computers know us better than ourselves?

    . . this passionate play about a family struggling to outrun social prophecy is potent and intensely acted." --The New York Times"Pipeline showcases an American play wright in full blaze." --Huffington Post"This is a writer who has a flawless ear for the way kids see the world and their ability to navigate it with surgical eloquence." --DeadlineNya, an inner-city teacher, is desperate to give her only son, Omari, opportunities he'd otherwise never have in the flawed public education system. When an incident at his private school threatens to get him expelled, Nya must con- front the full weight of the impact her parenting decisions have made on her son. Inspired by the "school-to-prison" pipeline that ensnares people of color, Morisseau brings us a powerful play that delves into issues of class, race, parenting, and education in America and questions the systematic structures that ultimately trap underserved communities.Dominique Morisseau's plays include Detroit '67, Paradise Blue, Skeleton Crew, Sunset Baby, Follow Me to Nellie's, Third Grade, Black at Michigan, Socks, Roses Are Played Out, and Love and Nappiness. Morisseau is a recipient of the Edward M. Kennedy Prize for Drama, two NAACP Image Awards, a commendation from the Primus Prize by the American Theatre Critics Association, and the winner of the 2012 Barrie and Bernice Stavis Play wright Award by National Theatre Conference.

    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death of his father, Felix returns to his middle England home and his difficult and demanding mother, where he soon realises that his search for unity must include his own chaotic home life.Humble Boy premiered at the Royal National Theatre, London, in August 2001, and transferred to the Gielgud Theatre, London, in 2002. The play was the winner of the Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002.

    Son's story is deceptively simple: two young women in New York meet, talk about their boyfriends, feel a growing, unspoken attraction for each other, and finally kiss. And that one innocent kiss sets off a savage gay-bashing. But even as Stop Kiss confronts the reality of physical violence, Son's imaginative, moving, and surprising comedy brings audiences -- and her principal characters -- to unexpected places.Callie is holding down a job as a radio traffic reporter when she meets Sara, a midwesterner who, against her parents' wishes, has moved to the city to teach third-grade students in the Bronx. Both have boyfriends, but as they get to know each other, their shared experiences and sense of humor create a strong bond. The tragic consequences of their kiss -- the center of this powerful drama -- serve as both an indictment of hatred and a moving study of the perils inherent in living life fully.

    The author carries us through a number of varied scenes and shows us not only a somewhat unflattering picture of womanhood, but digging under the surface, reveals a human understanding for and sympathy with some of its outstanding figures. The plot involves the efforts of a group of women to play their respective roles in an artificial society that consists of vain show, comedy, tragedy, hope and disappointment.

    Book by Wendy MacLeod, MacLeod, Wendy

    By one of America's most talented playwrights, this play won the Dramatists Guild's prestigious Hull-Warriner Award, four Tony nominations, the Susan Smith Blackburn Prize, and the Pulitzer Prize in 1983. 'night, Mother had its world premiere at the American Repertory Theater in Cambridge, Massachusetts, in December 1982. It opened on Broadway in March 1983, directed by Tom Moore and starring Anne Pitoniak and Kathy Bates; a film, starring Anne Bancroft and Sissy Spacek, was released in 1986.

    A play by the creator of the "West Wing" about the invention of television, "The Farnsworth Invention" focuses on the battle between Philo Farnsworth, the Mormon from who came up with the concept as a teenager, and David Sarnoff, the escapee from Russian pogrom who had become the ruthless head of the Radio Corporation of America (RCA) and its subsidiary, the National Broadcasting Company (NBC).

    Their forbidden love soon draws everyone, including Queen Elizabeth, into the drama, and inspires Will to write the greatest love story of all time: Romeo and Juliet. Based on the Oscar-winning screenplay by Marc Norman and Tom Stoppard, Shakespeare in Love has been deftly adapted for the stage by Lee Hall and has been playing to rave reviews and a sold-out theatre at the Noël Coward in London. The London production is directed by Declan Donnellan and designed by Nick Ormerod, the driving force behind the world-renowned theatre company, Cheek by Jowl. A Broadway transfer is planned for Spring 2015.

    The authors of the essays on recent criticism and productions are Heather DuBrow, University of Wisconsin at Madison, and William Liston, Ball State University, respectively.

    This foul-mouthed, R&B-singing carnivore promises unending fame and fortune to the down and out Krelborn as long as he keeps feeding it, BLOOD. Over time, though, Seymour discovers Audrey II's out of this world origins and intent towards global domination!