update of first edition

    It is the smells, the sounds, the fears and the petty triumphs in the world of the street pimp.

    -- Breakthroughs in forensic science: A curious cause of death : Dorothy Dandridge -- The visible and invisible murderer : the case of Sal Mineo -- One last laugh : Freddie Prinze -- Murder in Hollywood : Dorothy Stratten -- An "impossible" drowning : Dennis Wilson -- Prescription for death : Elvis Presley. -- The "Detective of death": The missing baby -- All in the same boat -- The "accidental" lover -- The funhouse corpse. -- Forensic puzzles of the past: Custer's last stand -- The death of Napoleon -- Did Hitler escape? -- Who was Jack the Ripper? -- The return of the Ripper. -- The dangling man : the case of Roberto Calvi, "the Vatican banker."

    By the next day three people were dead, and a small war was joined, pitting the full might of federal law enforcement against one well-armed family. Drawing on extensive interviews with Randy Weaver's family, government insiders, and others, Jess Walter traces the paths that led the Weavers to their confrontation with federal agents and led the government to treat a family like a gang of criminals. This is the story of what happened on Ruby Ridge: the tragic and unlikely series of events that destroyed a family, brought down the number-two man in the FBI, and left in its wake a nation increasingly attuned to the dangers of unchecked federal power.

    Five years after Eric Rudolph escaped into the mountains of North Carolina, the FBI had long since abandoned the largest manhunt ever launched on U.S. soil. The fugitive accused of bombing the Atlanta Olympics, a gay bar, and two abortion clinics, leaving a trail of carnage across the southeast, had become a figure of folk legend. Many of his pursuers thought he had either skipped the country or crawled into a cave to die. In fact, Rudolph had been haunting the mountains and towns he knew best, pilfering food, stealing trucks, stalking the men who hunted him, and keeping his secrets buried in the woods. Then one night Rudolph got careless, and a rookie cop captured him a few miles from where he had first disappeared. But even in custody, Rudolph remained a mystery.In Lone Wolf, Maryanne Vollers brings the reader inside one of the most sensational cases of domestic terrorism in American history. In addition to her unprecedented correspondence with Rudolph, Vollers had access to the FBI, the ATF, federal prosecutors, members of Rudolph's defense team, and his family to re-create the story in all its sweeping breadth and complexity.Lone Wolf asks the inevitable questions: Who is Eric Rudolph, and why did he kill? Is he the hate-filled neo-Nazi described by federal agents, or is he the passionate, curious, and engaging man described by his lawyers and his family? Can both personalities exist in one rare, complicated, and deadly individual?The profilers and psychologists Vollers interviews identify Rudolph as a "lone offender," a self-appointed avenger with no real alliances and no meaningful social ties. It puts Rudolph in the same category as Timothy McVeigh, the Oklahoma City bomber, and Ted Kaczynski, the Unabomber. The "lone wolf" believes history will judge him to be a hero. Society judges him to be a monster. Without losing sight of the hideous violence of his crimes, Lone Wolf seeks to put a human face on this iconic killer as it explores the painful mysteries of the human heart.

    Simpson to Carlo Gambino, Meyer Lansky, and Manuel Noriega. Nothing if not colorful, Roberts surrounded himself with beautiful women, drove his souped-up street car at a top speed of 180 miles per hour, shared his bed with a 200-pound cougar, and employed a 6”6” professional wrestler called “The Thing” as his bodyguard.  Ultimately, Roberts became so powerful that he attracted the attention of the Republican Party’s leadership, was wooed by them, and even was co-opted by the CIA for which he carried out its secret agenda. Scrupulously documented and relentlessly propulsive, this collaboration between a bloodhound journalist and one of the most audacious criminals ever is like no other crime book you’ve ever read.  Jon Roberts may be the only criminal who changed the course of American history.

    She's been labeled a pushy broad, yet her intelligence, tenacity, and ability to always be where the action is have catapulted her to the top of her profession. As one of America's most watched correspondents, Mitchell has regularly shared her observations with millions of television viewers for more than three decades.Time and again, Mitchell has proven herself by taking on the tough assignments— starting with her first posting abroad in Guyana after the previous NBC correspondent had been murdered by Jim Jones’s henchmen. She has had unique access to all the presidents and their staffs from Jimmy Carter to George W. Bush, and here gives us her unvarnished insights into these men and those who surround them. Whether it was revealing that Ronald Reagan’s napping caused the delay of a space shuttle landing, conducting exclusive interviews with Fidel Castro, or accompanying Condoleezza Rice on her first trip abroad as secretary of state, she is known as the one to beat to the story.But what sets this book apart is not only the unique front-row seat Mitchell has in the political world, but also the role she plays in the glamorous social scene in Washington. Her marriage to Alan Greenspan, Chairman of the Board of Governors of the Federal Reserve System, has created professional challenges, but also given her special entrée to the “A” list drawing rooms of Washington and other capitals. Here she gives us glimpses of what it’s like to go from a 7 p.m. newscast to an 8 p.m. black-tie party, to go from being the reporter staking out a state dinner to being one of the invited guests.Smart and candidly written, Mitchell’s memoir will be a must read for anyone interested in politics and current affairs and will also fascinate anyone who wonders what it’s like to be a powerful woman in a man’s world.

    Lost Girls is a portrait of unsolved murders in an idyllic part of America, of the underside of the Internet, and of the secrets we keep without admitting to ourselves that we keep them.

    Now, seven years later, Gloria Vanderbilt is finally able to set down the terrible events of that afternoon— to which she was a witness— in a book of overwhelming intensity, feeling, and beauty.

    There is information in this book that does not appear to be derived from contemporary newspapers or any other publications and the descriptions of Tottenham in the 1870s, the visits to performances of Jekyll and Hyde, the intricate geography of Whitechapel in 1888 are written with pin-point accuracy. There is also a credible motive given for James becoming the murderer Jack and also a reason for the end of the murders. Given the fact that the author also appear to have knowledge about aspects of the case not in the public arena at the time it could be that this actually is the autobiography of Jack the Ripper.Ultimately it is up to the reader to decide if they believe the mystery has been solved at last but even if they end up deciding the account to be a work of fiction it would still be one of the very earliest imaginings of the Ripper case, written in the early years of the twentieth century, a fascinating piece of period writing and a worthy addition to the Ripper canon.Whatever side they come down on there is no question that this book will be a source of much debate.

    With a slow chill that intensifies with each heart-pounding page, Rule describes her dawning awareness that Ted Bundy, her sensitive coworker on a crisis hotline, was one of the most prolific serial killers in America. He would confess to killing at least thirty-six young women from coast to coast, and was eventually executed for three of those cases. Drawing from their correspondence that endured until shortly before Bundy's death, and striking a seamless balance between her deeply personal perspective and her role as a crime reporter on the hunt for a savage serial killer -- the brilliant and charismatic Bundy, the man she thought she knew -- Rule changed the course of true-crime literature with this unforgettable chronicle.

    The show has profiled every major leader, artist, and movement of the past five decades, perfecting the news-making interview and inventing the groundbreaking TV expose. From legendary sit-downs with Richard Nixon in 1968 (in which he promised “to restore respect to the presidency”) and Bill Clinton in 1992 (after the first revelations of infidelity) to landmark investigations into the tobacco industry, Lance Armstrong’s doping, and the torture of prisoners in Abu-Ghraib, the broadcast has not just reported on our world but changed it too.Now, Executive Producer Jeff Fager pulls back the curtain on how this remarkable journalism is done, taking the reader into the editing room with the show’s brilliant producers and beloved correspondents, including hard-charging Mike Wallace, writer’s-writer Morley Safer, soft-but-tough Ed Bradley, relentless Lesley Stahl, ace interviewer Charlie Rose, tireless Anderson Cooper, intrepid Scott Pelley, and illuminating storyteller Steve Kroft. He details the decades of human drama that have made the show’s success possible: the ferocious (and encouraged) competition between correspondents, the door slamming, the risk-taking, and the pranks. Fager takes on the program’s mistakes and describes what it learned from them. Above all, he reveals the essential tenets that have never changed: why founder Don Hewitt believed “hearing” a story is more important than seeing it, why the “small picture” is the best way to illuminate a larger one, and why the most memorable stories are almost always those with a human being at the center.At once a sweeping portrait of fifty years of American cultural history and an intimate look at how the news gets made, Fifty Years of 60 Minutes shares the secret of what’s made the nation’s favorite TV program exceptional for all these years.

    Thirty-five years old, a young assistant copy desk chief at the Chicago Sun-Times, Bob was a bright and shining star in the competitive, hard-living world of newspapers, one that involved booze-soaked nights that bled into dawn. And then suddenly he was gone, leaving behind a young widow, two sons, a fractured family—and questions surrounding the mysterious nature of his death that would obsess Michael throughout adolescence and long into adulthood. Finally, roughly his father’s age when he died, and a seasoned reporter himself, Michael set out to learn what happened that night. Died “after visiting friends,” the obituaries said. But the details beyond that were inconsistent. What friends? Where? At the heart of his quest is Michael’s all-too-silent, opaque mother, a woman of great courage and tenacity—and a steely determination not to look back. Prodding and cajoling his relatives, and working through a network of his father’s buddies who abide by an honor code of silence and secrecy, Michael sees beyond the long-held myths and ultimately reconciles the father he’d imagined with the one he comes to know—and in the journey discovers new truths about his mother.A stirring portrait of a family and its legacy of secrets, After Visiting Friends is the story of a son who goes in search of the truth and finds not only his father, but a rare window into a world of men and newspapers and fierce loyalties that no longer exists.

    Through the eyes of seven principal characters including the bombers, the wounded, a cop, and a doctor, Boston Globe reporters Helman and Russell trace the paths that brought them together.

    Here is Lee Harvey Oswald—his family background, troubled marriage, controversial journey to Russia, and return to an “America [waiting] for him like an angry relative whose eyes glare in the heat.” Based on KGB and FBI transcripts, government reports, letters and diaries, and Mailer’s own international research, this is an epic account of a man whose cunning, duplicity, and self-invention were both at home in and at odds with the country he forever altered.  Praise for Oswald’s Tale  “America’s largest mystery has found its greatest interpreter.”—The Washington Post Book World   “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance. . . . From the American master conjurer of dark and swirling purpose, a moving reflection.”—Robert Stone, The New York Review of Books  “A narrative of tremendous energy and panache; the author at the top of his form.”—Christopher Hitchens, Financial Times  “The performance of an author relishing the force and reach of his own acuity.”—Martin Amis, The Sunday Times (London)   Praise for Norman Mailer  “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times   “A writer of the greatest and most reckless talent.”—The New Yorker   “Mailer is indispensable, an American treasure.”—The Washington Post   “A devastatingly alive and original creative mind.”—Life   “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books   “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune   “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post