government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.

    Now, orphaned and penniless at nineteen, she accepts a train ticket from her aunt and uncle and travels back to the rough-hewn community. Treated like a servant by her relatives, Emma works for free in the company store. There, miners and their impoverished families must pay inflated prices for food, clothing, and tools, while those who owe money are turned away to starve. Most heartrending of all are the breaker boys Emma sees around the village--young children who toil all day sorting coal amid treacherous machinery. Their soot-stained faces remind Emma of the little brother she lost long ago, and she begins leaving stolen food on families' doorsteps, and marking the miners' bills as paid. Though Emma's actions draw ire from the mine owner and police captain, they lead to an alliance with a charismatic miner who offers to help her expose the truth. And as the lines blur between what is legal and what is just, Emma must risk everything to follow her conscience. An emotional, compelling novel that rings with authenticity--Coal River is a deft and honest portrait of resilience in the face of hardship, and of the simple acts of courage that can change everything.

    While vividly conveying the passions and struggles that shaped particularly the character of Dublin, Rutherfurd portrays the major events in Irish history: the tribal culture of pagan Ireland; the mission of Saint Patrick; the coming of the Vikings; the making of treasures like the Book of Kells; and the tricks of Henry II, which gave England its first foothold in medieval Ireland. Through the interlocking stories of a memorable cast of characters–druids and chieftains, monks and smugglers, noblewomen and farmwives, laborers and orphans, rebels and cowards–Rutherfurd captures the essence of a place and its people in a thrilling story steeped in the tragedy and glory that are Ireland.

    Married to a war veteran who has returned from Afghanistan brutally injured, Stella leaves the house each night as her husband Vincent, locks himself away, unable to sleep due to Post Traumatic Stress Disorder.During her nights at the hospice, Stella writes letters for her patients containing their final wishes, thoughts and feelings – from how to use a washing machine, to advice on how to be a good parent – and usually she delivers each letter to the recipient after he or she has died.That is until Stella writes one letter that she feels compelled to deliver in time to give her patient one final chance of redemption…

    . . Even when, brutally overriding her refined sensibility, he imprisoned her in a mansion of overwhelming opulence, an accursed house that brought all who lived there grief. . . Even when, before her eyes, she saw him destroying their children with his misguided indulgence. . . For here was a man more powerful, more truly gigantic than any she had ever known, a man she knew she would love until death. . .

    Content in her comfortable marriage of twenty-two years, Jane Lindsay had never expected to watch her husband, Brad, pack his belongings and walk out the door of their Manhattan home. But when it happens, she feels powerless to stop him and the course of events that follow Brad's departure. Jane finds an old ring in a box of relics from a British jumble sale and discovers a Latin inscription in the band along with just one recognizable word: Jane. Feeling an instant connection to the mysterious ring bearing her namesake, Jane begins a journey to learn more about the ring and perhaps about herself.

    . . We're taking a break.''A city-with-fancy-food sort of break?'If only.Amy's husband Hugh says he isn't leaving her.He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together. Six months to lose himself in south-east Asia. And there is nothing Amy can say or do about it.Yes, it's a mid-life crisis, but let's be clear: a break isn't a break up - yet . . .However, for Amy it's enough to send her - along with her extended family of gossips, misfits and troublemakers - teetering over the edge.For a lot can happen in six-months. When Hugh returns if he returns, will he be the same man she married? And will Amy be the same woman?Because if Hugh is on a break from their marriage, then isn't she?The Break isn't a story about falling in love but about staying in love. It is Marian Keyes at her funniest, wisest and brilliant best.