The seventeen-year-old, new to everything around her—college, the East Coast, bodies of literature, and the sexual flurries of student life—is shocked by her desire to follow this wherever it will take her. When Flannery finds herself enrolled in a class with the remote, brilliant older woman, she is intimidated at first, but gradually becomes Anne Arden's student—Baudelaire, lipstick colors, or how to travel with a lover—Flannery proves an eager pupil, until one day learns more about Anne than she ever wanted to know.

    Whether she’s writing about unanticipated outcomes (“After the Midway Ride Collapsed”), her mother’s passing (“Somewhere, Over”), or absurd situations (“Preoccupation”), Gottlieb’s deeply personal insights into the complex areas where life and contemporary culture collide offer readers a unique, thought-provoking perspective."I Have Always Confused Desire with Apocalypse"We met over a smallearthquake. Now, my kneesshake wheneveryou come aroundand I’ve noticed your handhas a slight tremor.Daphne Gottlieb is the award-winning author of seven books including the critically acclaimed poetry collection Final Girl (Soft Skull Press) and the graphic novel Jokes and the Unconscious (Cleis Press), illustrated by Diane DiMassa. Gottlieb has performed and taught creative writing workshops throughout the United States. She received her MFA from Mills College, and currently resides in San Francisco.

    The city was a place of endless possibility, and he captured the pace and rhythms, the quandaries and exhilarations of city life. This selection of his work is edited by Mark Ford.

    Shy and sensitive, he feels detached from mainstream life and is unable to identify with the values that animate his friends. Kwang Meng takes refuge in dreams of exotic faraway places, and imagines merging himself with the sea, which he loves. Yet amidst this uncertainty, the reader feels that all is not lost, that the young dreamer will eventually find his way. Kwang Meng's experiences reflect the author's fascination with the question of self amidst the dreariness and aimlessness of an increasingly urbanized and materialistic Asian society. This book also provides a fascinating portrait of Singapore as it was in the 1960s, a landscape and society that have undergone many changes but remain faintly visible in modern Singapore.Since its first publication in 1972, If We Dream Too Long has moved and delighted generations of readers. This much-loved novel has been used as a text in university literature courses in Singapore, Malaysia, and the Philippines, and has been translated into Tagalog and Russian.

    But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.

    Eloquence is only a grasping in the space of ineffable air. There are few words or phrases that do justice to the soul singing its own revelations. That place is where Last Psalm at Sea Level lives, where it is as solid as gold burning itself into light. --Afaa Michael Weaver

    Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.

    Now, their border walls begin to crumble, and villages fall to demons swarming out of the forests.Away on the silver steppes, the remaining tribes of nomadic Qorin retreat and protect their own, having bartered a treaty with the empire, exchanging inheritance through the dynasties. It is up to two young warriors, raised together across borders since their prophesied birth, to save the world from the encroaching demons.This is the story of an infamous Qorin warrior, Barsalayaa Shefali, a spoiled divine warrior empress, O-Shizuka, and a power that can reach through time and space to save a land from a truly insidious evil.

    What follows are raw and expertly crafted meditations on death, rituals of passage, translation, desire, diaspora, and personhood. What’s at stake is survival itself and the archiving of a lived and lyric history. Laughlin Award judge Tyehimba Jess says “bury it is lit with imagery and purpose that surprises and jolts at every turn. Exuberant, wild, tightly knotted mesmerisms of discovery inhabit each poem in this seethe of hunger and sacred toll of toil. A vitalizing and necessary book of poems that dig hard and lift luminously.” In this phenomenal second collection of poems, Sam Sax invites the reader to join him in his interrogation of the bridges we cross, the bridges we burn, and bridges we must leap from.

    The nation, seething with religious and political discontent, has erupted into violence and terror. Jacob Cullen and his fellow soldiers dream of rebuilding their lives when the fighting is over. But the shattering events of war will overtake them. A darkly erotic tale of passion and obsession, As Meat Loves Salt is a gripping portrait of England beset by war. It is also a moving portrait of a man on the brink of madness. Hailed as a masterpiece, this is a novel by a most original new voice in fiction.

    Which makes it hard for him to be in love with his straight best friend. For his part, Matt is completely oblivious to the way Tretch feels – and Tretch can’t tell whether that makes it better or worse. The problem with living a lie is that the lie can slowly become your life. For Tretch, the problem isn’t just with Matt. His family has no idea who he really is and what he’s really thinking. The girl at the local bookstore has no clue how off-base her crush on him is. And the guy at school who’s a thorn in Tretch’s side doesn’t realize how close to the truth he’s hitting. Tretch has spent a lot of time dancing alone in his room, but now he’s got to step outside his comfort zone and into the wider world. Because like love, a true self can rarely be contained. ANYTHING COULD HAPPEN is a poignant, hard-hitting exploration of love and friendship, a provocative debut that shows that sometimes we have to let things fall apart before we can make them whole again.

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

    It appears to be suicide, by a cocktail of morphine, alcohol and Valium. But upon investigation by a CID inspector, who might not be what he seems, the family discover there may be far more sinister circumstances behind his death, reaching the uppermost echelons of government. Death of a Perm Sec exposes the dark heart of power politics, from the country’s tumultuous post-independence days to the socio-political landscape of the 1980s.

    Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, a terrorist of sorts, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

    As she searches Swanee's room for mementos of their relationship, she finds Swanee's cell phone, pinging with dozens of texts sent from a mysterious contact, L.T. The most recent text reads: "Please tell me what I did. Please, Swan. Te amo. I love you."Shocked and betrayed, Alix learns that Swanee has been leading a double life--secretly dating a girl named Liana the entire time she's been with Alix. Alix texts Liana from Swanee's phone, pretending to be Swanee in order to gather information before finally meeting face-to-face to break the news.Brought together by Swanee's lies, Alix and Liana become closer than they'd thought possible. But Alix is still hiding the truth from Liana. Alix knows what it feels like to be lied to--but will coming clean to Liana mean losing her, too?