Her account of growing up as the hearing daughter of deaf Jewish parents in the Bronx and Brooklyn during the 1930s and1940s reveals the challenges deaf people faced during the Depression and afterward.Inside her family’s apartment, Sidransky knew a warm, secure place. She recalls her earliest memories of seeing words fall from her parents’ hands. She remembers her father entertaining the family endlessly with his stories, and her mother’s story of tying a red ribbon to herself and her infant daughter to know when she needed anything in the night.Outside the apartment, the cacophonous hearing world greeted Sidransky’s family with stark stares of curiosity as though they were “freaks.” Always upbeat, her proud father still found it hard to earn a living. When Sidransky started school, she was placed in a class for special needs children until the principal realized that she could hear and speak.Sidransky portrays her family with deep affection and honesty, and her frank account provides a living narrative of the Deaf experience in pre- and post-World War II America. In Silence has become an invaluable chronicle of a special time and place that will affect all who read it for years to come.

    This veritable all-star team delivers tales of dark deeds that will keep you reading long into the night. Included are these works: "A Jury of Her Peers" by Susan Glaspell The Summer of People" by Shirley Jackson "The Irony of Hate" by Ruth Rendell "Country Lovers" by Nadine Gordimer "Wild Mustard" by Marcia Muller "Murder-Two" by Joyce Carol Oates A Moment on the Edge is a rare treat not only for fans of crime fiction but also for anyone who appreciates a skillfully written, deftly told story.

    Each story is less than 55 words long - ideal for the beach, bus , train, anywhere.

    The essays in this collection, which include her last writings and span the length of her extraordinary career, reveal Jordan as an incisive analyst of the personal and public costs of remaining committed to the ideal and practice of democracy. Willing to venture into the most painful contradictions of American culture and politics, Jordan comes back with lyrical honesty, wit, and wide-ranging intelligence in these accounts of her reckoning with life as a teacher, poet, activist, and citizen.

    In "Blythe," an attorney who has become a stay-at-home mother takes a night class in poetry and meets another full-time mother, one whose charismatic brilliance changes everything. In "The Wife of the Dictator," that eponymous wife ("brought back . . . from [the dictator's] last visit to America") grows more desperately, menacingly isolated every day. In "Delicate Edible Birds," a group of war correspondents--a lone, high-spirited woman among them--falls sudden prey to a brutal farmer while fleeing Nazis in the French countryside. In "Lucky Chow Fun," Groff returns us to Templeton, the setting of her first book, for revelations about the darkness within even that idyllic small town. In some of these stories, enormous changes happen in an instant. In others, transformations occur across a lifetime--or several lifetimes. Throughout the collection, Groff displays particular and vivid preoccupations. Crime is a motif--sex crimes, a possible murder, crimes of the heart. Love troubles recur--they're in every story--love in alcoholism, in adultery, in a flood, even in the great flu epidemic of 1918. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. And mastery is a theme--Groff's women swim and baton twirl, become poets, or try and try again to achieve the inner strength to exercise personal freedom. Overall, these stories announce a notable new literary master. Dazzlingly original and confident, Delicate Edible Birds further solidifies Groff's reputation as one of the foremost talents of her generation.

    is on the verge of a racial explosion. Enter a lawyer who comes to the cop's defense . . . but a desire for justice has nothing to do with it.

    Art, passion, history intersect with burning immediacy in this beautifully crafted book.”–CHITRA BANERJEE DIVAKARUNI Author of The Mistress of SpicesThe world’s most famous choreographer becomes infatuated with a talented young dancer who proves both siren and muse . . . A rising star plunges into an affair with a principal but finds that the ecstasy on the stage cannot be matched in the bedroom . . . A dying legend reflects on the fading beauty of a life in motion, lost to everything but memory. In this beguiling collection, Adrienne Sharp captures the essence and passion of ballet and its fleeting world and translates them into unforgettable stories. White Swan, Black Swan heralds the arrival of a unerringly graceful new voice in American fiction.

    An aspiring poet, her future promises nothing less than brilliance. Then, Vignette Stonemoss walks through the door, and Tourmaline’s world is upended. As she struggles to understand the effect this stranger has on her, Tourmaline and her fellow fae face a looming threat from the human world. War is on the horizon, and their very existence is at stake. And Tourmaline will discover whether love will save her—or destroy her.Carnival Row: Tangle in the Dark is set in the world of the Amazon Original series Carnival Row, created by Travis Beacham and René Echevarria. Carnival Row is available only on Amazon Prime Video.

    Of the twenty-two stories collected here—some written recently, others decades ago—all but two have never before been published. Bradbury has crafted tales that are strange and scary, nostalgic and bittersweet, and humorous and touching, set in the not-so-distant past and an unknowable future: a group of senators drinks too much and gambles away the United States, a newly-wed couple buys an old house and finds their fledgling relationship tested, two mysterious strangers arrive at a rooming house and baffle their fellow occupants with strange crying in the night, and a lonely woman takes a last chance on love. The final piece is a story-poem, a fond salute from Bradbury to his literary heroes Shaw, Chesterton, Dickens, Twain, Poe, Wilde, Melville, and Kipling.A timeless collection from one of America's greatest storytellers, The Cat's Pajamas is a panoramic view of Ray Bradbury's rich and remarkable imagination.(from back cover)

    In “The View from Castle Rock,” the short story master Alice Munro imagines a fictional account of her Scottish ancestors’ emigration to Canada in 1818. Nathan Englander’s cast of young characters in “How We Avenged the Blums” confronts a bully dubbed “The Anti-Semite” to both comic and tragic ends. In “Refresh, Refresh,” Benjamin Percy gives a forceful, heart-wrenching look at a young man’s choices when his father -- along with most of the men in his small town -- is deployed to Iraq. Yiyun Li’s “After a Life” reveals secrets, hidden shame, and cultural change in modern China. And in “Tatooizm,” Kevin Moffett weaves a story full of humor and humanity about a young couple’s relationship that has run its course.Ann Patchett “brought unprecedented enthusiasm and judiciousness [to The Best American Short Stories 2006],” writes Katrina Kenison in her foreword, “and she is, surely, every story writer’s ideal reader, eager to love, slow to fault, exquisitely attentive to the text and all that lies beneath it.”

    Daniel Stone’s “Alternative Muses”; and a cult horror story in the jungles of South America in William Ritchey’s “Las Maquinas”.Vol.2, 3, and 4 now available. Proudly brought to you by Crystal Lake Publishing - Tales from the Darkest Depths Interview with the Authors: So what makes Tales from The Lake so special? Jennifer Loring: Tales from the Lake is one of the few anthology series where you can find a balance of established horror authors alongside new and emerging talent.J. Daniel Stone: Tales from the Lake is special, I think, first and foremost in that it's an open-themed horror collection. Themes tend to—more than I want to admit, and some might disagree—constrict writers. I don't like that about themes. But with Tales from the Lake we are reading stories by writers who are not given any rules. Just write what one loves and submit. That's wonderful. Tell us more about your story, and in which volume it appeared? Jennifer Loring: My story “The Fine Art of Wrecking” was the first place winner of the Tales from the Lake competition. It's based on the traditional legend of wreckers on the East Coast using false lights to run ships ashore to be plundered, but takes a Lovecraftian turn.J. Daniel Stone: My story “Alternative Muses” was the 2nd place winner in the original short story writing contest. The story focuses on a young couple who live on the fringes of society, but who soon are taken back to reality when they get pregnant. Things take a dark turn, and the need to transcend normality and complacency drive this story to a wicked ending.

    Written by a killer lineup of authors, including New York Times best-sellers Rachel Caine, MaryJanice Davidson, Jonathan Maberry and Seanan McGuire, and with introductions read by Charlaine herself, Dead but Not Forgotten puts your favorite characters center stage.The stories included in Dead but Not Forgotten are:"Nobody's Business" by Rachel Caine (featuring Kevin Pryor & Kenya Jones)"Tyger, Tyger" by Christopher Golden (featuring Quinn)"The Real Santa Claus" by Leigh Perry (featuring Diantha)"Taproot" by Jeffrey J. Mariotte (featuring Andy Bellefleur)"Knit a Sweater Out of Sky" by Seanan McGuire (featuring Amelia)"Love Story" by Jeanne C. Stein (featuring Adele Hale Stackhouse)"The Million-Dollar Hunt" by Jonathan Maberry (featuring Mustapha Khan)"Borderline Dead" by Nicole Peeler (featuring Desiree Dumas)"Extreme Makeover Vamp Edition" by Leigh Evans (featuring Bev & Todd)"Don't Be Cruel" by Bill Crider (featuring Bubba)"What a Dream I Had" by Nancy Holder (featuring Alcide Herveaux)"Another Dead Fairy" by Miranda James (featuring Claude & Claudia Crane)"The Bat-Signal" by Suzanne McLeod (featuring Luna)"The Sun, The Moon, and The Stars" by Dana Cameron (featuring Pam Ravenscroft)"Widower's Walk" by MaryJanice Davidson (featuring Eric Northman)Dead but Not Forgotten was edited by Charlaine Harris and Toni L.P. Kelner.©2014 Charlaine Harris, Inc. (P)2014 Audible, Inc.

    Smee is a crackling ghost story about a guest in a haunted house telling other visitors of the death of a young girl, years ago, playing a game of hide-and-seek.

    He didn't want to use the weapon, but feared he might anyhow. This was a justifiable assumption, for Caswell was a homicidal maniac.It was a gentle, misty spring day and the air held the smell of rain and blossoming-dogwood. Caswell gripped the revolver in his sweaty right hand and tried to think of a single valid reason why he should not kill a man named Magnessen, who, the other day, had commented on how well Caswell looked.What business was it of Magnessen's how he looked? Damned busybodies, always spoiling things for everybody....Caswell was a choleric little man with fierce red eyes, bulldog jowlsand ginger-red hair. He was the sort you would expect to find perchedon a detergent box, orating to a crowd of lunching businessmen andamused students, shouting, "Mars for the Martians, Venus for theVenusians!"But in truth, Caswell was uninterested in the deplorable social conditions of extraterrestrials. He was a jetbus conductor for the New York Rapid Transit Corporation. He minded his own business. And he was quite mad.Fortunately, he knew this at least part of the time, with at least half of his mind........

    Along with a small group of dedicated women, she produced the seminal journal series, No More Fun and Games. Her group, Cell 16 occupied the radical fringe of the growing movement, considered too outspoken and too outrageous by mainstream advocates for women's rights.Dunbar-Ortiz was also a dedicated anti-war activist and organizer throughout the 1960s and 1970s. During the war years she was a fiery, indefatigable public speaker on issues of patriarchy, capitalism, imperialism, and racism. She worked in Cuba with the Venceremos Brigade, and formed associations with other revolutionaries across the spectrum of radical and underground politics, including the SDS, the Weather Underground, the Revolutionary Union, and the African National Congress. But unlike the majority of those in the New Left—young white men from solidly middle-class suburban families—Dunbar-Ortiz grew up poor, female, and part-Indian in rural Oklahoma, and she often found herself at odds not only with the ruling class but also with the Left and with the women's movement.Dunbar-Ortiz's odyssey from dust-bowl poverty to the urban radical fringes of the New Left gives a working-class, feminist perspective on a time and a movement which forever changed American society."Roxanne Dunbar gives the lie to the myth that all New Left activists of the 60s and 70s were spoiled children of the suburban middle classes. Read this book to find out what are the roots of radicalism—anti-racist, pro-worker, feminist—for a child of working-class Okie background."—Mark Rudd, SDS, Columbia University strike leaderRoxanne Dunbar-Ortiz is a historian and professor in the Department of Ethnic Studies at California State University, Hayward. She is the author of Red Dirt: Growing up Okie, The Great Sioux Nation, and Roots of Resistance, among other books.