Whether Williams is writing of derelict roomers in a New Orleans boarding house (The Lady of Larkspur Lotion) or the memories of a venerable traveling salesman (The Last of My Solid Gold Watches) or of delinquent children (This Property is Condemned), his insight into human nature is that of the poet. He can compress the basic meaning of life—its pathos or its tragedy, its bravery or the quality of its love—into one small scene or a few moments of dialogue.Mr. Williams's views on the role of the little theater in American culture are contained in a stimulating essay, "Something wild...," which serves as an introduction to this collection.

    Cox weaves the exciting, authentic tale of Harry Nelson-Heron, a young midshipman in the British Navy in the early 1800s. Born in 1789 during the Irish Rebellion, Harry must overcome the prejudice against the Irish and the usual hazards of an active and inquisitive youth to realise his dream of becoming an officer in Britain’s Royal Navy. When he and his childhood friend Ferghal make the treacherous journey to London to be commissioned to a ship, fate smiles on them. Harry is appointed a midshipman on the HMS Bellerophon, and Ferghal joins him as a seaman. Corsairs, diplomacy, and exploration challenge their skills as the seafaring life takes Harry and Ferghal across the seas to worlds they never imagined and engages their ship in sea fights with the French during the Napoleonic Wars.

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    Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.

    Her theme is one welling from the heart-springs of American life - the story of the Interstate, a railroad founded in the latter days of Jackson's presidency, which grew through one hundred stormy, changeful years of our history into a vast enterprise; and the story of the extraordinary family with whom its fortunes were intertwined, the deWitts. It is 1866. In the small Pennsylvania city of Portersville, headquarters of the Interstate, old Aaron deWitt watches enigmatically as his two sons struggle for control of the railroad he founded.

    If you don’t, here’s a quick refresher: When viewers last saw Chloe King (Skyler Samuels), a descendant of the ancient Mai race, she had lost one of her nine lives courtesy of the assassin Simone. Brian (Grey Damon) appeared to have succumbed to Chloe’s fatal kiss, while Jasmine (Alyssa Diaz) and her mom, Valentina, the leader of the local Mai pride, were attacked by the unpredictably violent Zane (Daniel Sharman) and left to die.When the show ended, TNLOCK viewers were left clamoring for answers to all their burning questions. What was The Order’s mission? What were Whitley Rezza’s true motivations? What happened in Alek’s (Benjamin Stone) past? Was Meredith (Amy Pietz) ever going to learn about her daughter’s secret identity? And was Chloe going to choose Brian or Alek? Well, thanks to ABC Family and Alloy Entertainment, fans of the cult sensation are finally receiving a sense of closure by making the script to the two-hour movie available online. **********************************************************Read the script here online:http://alloyentertainment.com/news/th...

    Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic who is devastated by the unfeeling rejection of his brutal father, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where "little things" sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they, like their more fortunate brothers, are allotted on this earth.

    

    "foot soldiers" would hunt him down. He's antagonized almost everyone at the top in Tinseltown. And now, Joe Eszterhas tells everything he knows -- in brief, quotable bursts -- about the business, the history of Hollywood, and how to write screenplays that make millions. Idiosyncratic, gruff and as shaggy as Eszterhas himself, The Devil's Guide to Hollywood makes a character/leitmotif of Eszterhas' fellow Hungarian Zsa Zsa Gabor ("Money is like a sixth sense that makes it possible for you to fully enjoy the other five."), and makes the case that Marilyn Monroe was the sharpest tack in Hollywood ("Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul. I know, because I turned down the first offer often enough and held out for the fifty cents."). Refreshing, dirty, tough, there's no book like it.

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.

    His work has helped to shape a generation of writers, theatergoers, and thinkers. His plays are studied worldwide as texts that changed the face of theater. The Caucasian Chalk Circle is a parable inspired by the Chinese play Chalk Circle. Written at the close of World War II, the story is set in the Caucasus Mountains of Georgia. It retells the tale of King Solomon and a child claimed by and fought over by two mothers. But this chalk circle is metaphorically drawn around a society misdirected in its priorities. Brecht's statements about class are cloaked in the innocence of a fable that whispers insistently to the audience.No translations of Brecht's work are as reliable and compelling as Eric Bentley's. These versions are widely viewed as the standard renderings of Brecht's work, ensuring that future generations of readers will come in close contact with the work of a playwright who introduced a new way of thinking about the theater.

    Set in gossipy late 18th-century England, with a fresh female voice, the play is full of humor, emotional depth, and bold theatricality. SENSE AND SENSIBILITY examines our reactions, both reasonable and ridiculous, to societal pressures. When reputation is everything, how do you follow your heart?

    This book will appeal to people of all ages—nine to ninety-nine—who want to share a classic, heart-warming literary adventure at Christmastime. Next Christmas in Girouette is the story of a brother and sister—Autry and Oxana Quinn—who find themselves stranded in a Girouette, a virtual ghost town, from Thanksgiving through Christmas when their father is taken seriously ill. Their grandfather, a Marine Captain long retired, plus an eccentric old café proprietress, a Blackfeet Indian horse trader who once served as the town’s mayor, a couple who published the local newspaper and an ancient deaf-mute trapper are the only remaining inhabitants of Girouette. These self-styled, “diehards” all seem to have one thing in common. Thanks to a mysterious event 60 years earlier, they still believe in Santa Claus. Girouette features something for everyone: carefree cowboys who race their horses over snow covered country road, a team of wolves trained to pull a dogsled, a stroll that nearly turns tragic on a buffalo jump, a serialized newspaper story titled “The Adventures of Rocky Mountain Santa,” a desperate attempt to escape from an abandoned copper mine, a night-time journey through the mountains on a frozen river and the miracle that delivers wayfaring strangers to Girouette during a storm on Christmas Eve. The book revels in the solitary beauty of winter in Big Sky Country, the enduring wisdom of the elderly citizens of Girouette, the excitement of frontier history coming to life, the inspiration of a family healing itself and the magic of an old-fashioned western Christmas. Read Next Christmas in Girouette with your family this year, and you’ll want to revisit it for years to come at holiday time.

    Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards? The 1981 Tony Award winner for Best Play. An L.A. Theatre Works full cast performance featuring: Steven Brand as Baron van Swieten James Callis as Mozart Michael Emerson as Salieri Darren Richardson as Venticello 2 Alan Shearman as Count Orsini-Rosenberg Mark Jude Sullivan as Venticello 1 Simon Templeman as Joseph II Brian Tichnell as Count Johann Kilian Von Strack Jocelyn Towne as Constanze Directed by Rosalind Ayres. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in September of 2016.

    For Toby Percival, the son of the owner of factory where she and her mother work, is in love with her. Her mother fears they'll both lose their jobs when Toby's father finds out, but Sarah's prepared to risk everything for Toby's love. Maurice Percival is furious when he discovers his son is involved with a factory girl. Determined to defy his father, Toby joins the army. Sarah is left facing what seem to be insurmountable obstacles, but with the help of her friends, family and a strength she never knew she possessed, she discovers there is a light at the end of the tunnel, though it shines from a different direction to the one she expected.