For thousands of years humans have fashioned stories about divine beings to explain their most mysterious, terrifying, and exalted experiences. Today the names of many of these deities have fallen into obscurity. The Dictionary of Ancient Deities brings these gods and goddesses back to light. Here, in one superbly written volume, is every known divine being throughout recorded history, from Athena and Brahma to the evil demon king Ngworekara of the African Fan people and the Babylonian dream messenger Zaqar. With over 10,000 entries, The Dictionary of Ancient Deities is the most comprehensive reference of its kind, covering not only gods and goddesses, but also spirits, places, festivals, sacred texts and objects, heroes, monsters, demigods, and the plethora of fantastic mythical beasts that have populated the human imagination from time immemorial. The encyclopedia also includes many deities often missing from standard collections, notably from Inuit, Native American, and African cultures. Alphabetically arranged entries provide the name of each deity (with alternate spellings), followed by the tribe or culture that worshipped the deity. Most importantly, the entries--whether brief descriptions or longer essays--offer lucid and engaging explanations of the origins and functions of the god or goddess. With a comprehensive index and an extensive bibliography, The Dictionary of Ancient Deities is the best choice for anyone intrigued by the rich pantheon of divine beings that have mirrored the human psyche and shaped our earliest civilizations.

    It draws on extensive interviews with Kissinger, as well as 150 other sources, including Richard Nixon and Gerald Ford. In addition, it makes use of many of Kissinger's private papers. The result is an intimate narrative, filled with surprising revelations, that takes this century's most colorful statesman from his childhood as a persecuted Jew in Nazi Germany, through his tortured relationship with Richard Nixon, to his twilight years as a globe-trotting business consultant.

    It may have been the most momentous spiritual retreat since Jesus spent those forty days in the wilderness.  With these words, Philip Goldberg begins his monumental work, American Veda, a fascinating look at India’s remarkable impact on Western culture. This eye-opening popular history shows how the ancient philosophy of Vedanta and the mind-body methods of Yoga have profoundly affected the worldview of millions of Americans and radically altered the religious landscape.   What exploded in the 1960s actually began more than two hundred years earlier, when the United States started importing knowledge as well as tangy spices and colorful fabrics from Asia. The first translations of Hindu texts found their way into the libraries of John Adams and Ralph Waldo Emerson. From there the ideas spread to Henry David Thoreau, Walt Whitman, and succeeding generations of receptive Americans, who absorbed India’s “science of consciousness” and wove it into the fabric of their lives. Charismatic teachers like Swami Vivekananda and Paramahansa Yogananda came west in waves, prompting leading intellectuals, artists, and scientists such as Aldous Huxley, Joseph Campbell, Allen Ginsberg, J. D. Salinger, John Coltrane, Dean Ornish, and Richard Alpert, aka Ram Dass, to adapt and disseminate what they learned from them. The impact has been enormous, enlarging our current understanding of the mind and body and dramatically changing how we view ourselves and our place in the cosmos.  Goldberg paints a compelling picture of this remarkable East-to-West transmission, showing how it accelerated through the decades and eventually moved from the counterculture into our laboratories, libraries, and living rooms.  Now physicians and therapists routinely recommend meditation, words like karma and mantra are part of our everyday vocabulary, and Yoga studios are as ubiquitous as Starbuckses. The insights of India’s sages permeate so much of what we think, believe, and do that they have redefined the meaning of life for millions of Americans—and continue to do so every day.   Rich in detail and expansive in scope, American Veda shows how we have come to accept and live by the central teaching of Vedic wisdom: “Truth is one, the wise call it by many names.”

    The tales of King Arthur are rooted in history, but over the years the facts have become shrouded in myth and mystery. In this beautifully illustrated book Arthurian expert John Matthews explores the legends that have grown around the king and uncovers the mysteries of Arthur's Britain. The numerous characters surrounding King Arthur are introduced and the facts behind the epic saga are revealed. •Contains 120 color and black-and-white images•Covers Merlin, Guenevere, Lancelot, the Holy Grail, and all the mythic search for characters

    A work of intricate beauty, it provides a unique insight into early Indian mythology, religion and culture. This selection of 18 of the hymns, chosen for their eloquence and wisdom, focuses on the enduring themes of creation, sacrifice, death, women, the sacred plant soma and the gods. Inspirational and profound, it provides a fascinating introduction to one of the founding texts of Hindu scripture, an awesome and venerable ancient work of Vedic ritual, prayer, philosophy, legend and faith.

    And when he finds this God he tells his brothers, saying: “If I had not come and spoken to you, you would have no sin, but now you have no excuse for your sins.” God reveals himself to man as his eternal contemporary, saying: “Unless you believe that I am he, you will die in your sins,” but man finds it almost impossible to keep the tense. He thinks of God in the third person, addresses him in the second person, but can only know God in a first person, present tense experience. Just imagine - no one can sin until God reveals himself to the individual in a first person, present tense experience. Only then can man have no excuse for his sin. And when one who finds God tells his brothers, he receives no greater reception than the first one did, because they see him as a man of flesh and blood, and cannot see this invisible being who says: “I came down from heaven.” Man is looking for Christ to come from without, but his revelation is whispered from within.

    This book shows that the first step in adopting a positive attitude toward health lies in dismissing harmful myths. "I must forgive before I can heal." "I am sick because God is punishing me." "If it doesn't feel good, it must be an effective medicine." These are outdated concepts that can slow healing -- or make an illness worse.Donald Epstein divides these myths into four categories: social, biomedical, religious/spiritual, and New Age. He discusses each myth individually -- from "healing is expensive" to "every condition can be traced to a demonstrable physical cause" -- and offers replacement myths, or "Healing Magic, " to be both meditated upon and declared out loud by the reader in order to create an opportunity for healing.

    These collected interviews, like a visit with Percy at his home on the Bogue Falaya River, provide refreshing close-up encounters with one of America's most celebrated writers.These twenty-seven interviews cover a period of twenty-two years, from the time of the publication of Percy's first novel, The Moviegoer, in 1961, until 1983, when he was interviewed about his friendship with Thomas Merton.These unabridged interviews, collected from a variety of sources, will give reading pleasure to general readers who wish to know Percy and his works more closely, and they will be of great use to Percy scholars.

    All contributors have been recent faculty members of the prestigious Warren Wilson Low Residency Program, including such literary favorites as Margot Livesey, Charles Baxter, Robert Boswell, Jim Shepard, Antonya Nelson, David Shields, and the editors themselves.Each writer was asked to submit an original story, accompanied by an essay describing the challenges of the story and how they were met. Since writers resist herding, the editors were happily surprised by the wide range of essays—"fiction writers, when given the space, think about their work very differently." We learn about the genesis of a story, how story evolves, what was eventually relinquished and why, and how a story—surprisingly—might "insist" on changing.Arranged alphabetically by author, and beginning with Richard Russo's cogent introduction, this volume is a treasure throughout.

    

    Rudhyar explains their meaning as "fields of experience". 20th anniversary publication.

    It was more an open-handed smack from him that stung her like an electric shock. On her sensitive red cheeks was now a deep cut where his finger rings made of gold touched her. She could sense a warm stream of sweat running down her forehead and into her bare toes. She felt dizziness and ache in her head; it was not just physical but an intense sorrow crushing her from inside. Her body had become an object of desire for hundreds of lecherous men. She wished she could hide all her beauty somewhere so that she would never have to face any more such humiliations in her life.She had been fighting battles since she was born; it was just the battlefields that kept changing periodically. But that moment, she strongly believed in avenging those lecherous men for the humiliation she was meted out. Did she ultimately emerge victorius? Read her inspiring journey.

    Strikingly familiar themes emerged, forcing the Victorian world to review its belief in the Bible as the sole source of literal truth. Imagine the impact of the Epic of Gilgamesh -- the saga of a man in search of the secret of eternal life -- which includes scenes of a flood predating the story of Noah and the Ark. In contrast, an alternative version of human origins is described in the Mesopotamian Epic of Creation, while the tale of Etana foreshadows the Greek myth of Ganymede. These and other stories are here retold, based on the latest translations, and illustrated with the works of both contemporary and later artists inspired by the rediscovery of these ancient characters and themes. Not only are the myths a foundation of our Western literary tradition, they are also compelling stories in their own right.

    Jean Shinoda Bolen explores what it means when serious illness brings one "close to the bone": close to the soul's needs. As in her critically acclaimed best-seller Goddesses in Everywoman, the author weaves myth, experience, and story to produce a book which at once illuminates the experience of the seriously ill patient and shows that facing one's mortality can be a life-transforming, and even a life-saving, process. Close to the Bone follows the patients and their loved ones on a path which, soon after diagnosis, brings them into a kind of underworld of experience, a state of emotional trauma that has the potential to strip away what become merely superfluous concerns, focusing the individual on what is truly important. This process can be enhanced by prayer, meditation, participation in rituals, the sharing of stories, and a deeper and more honest level of communication with those we love and with ourselves.