First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir.

    Her powers were unremarkable compared to the amazing abilities of the costumed icons that populate the Marvel Universe. In a city of Marvels, Jessica Jones never found her niche. Now a chain-smoking, self-destructive alcoholic with a mean inferiority complex, Jones is the owner and sole employee of Alias Investigations - a small, private-investigative firm specializing in super-human cases. In her inaugural arc, Jessica's life immediately becomes expendable when she uncovers the potentially explosive secret of one hero's true identity. But her wit, charm and intelligence just may help her survive through another day. Thrust into the midst of a conspiracy that reaches the highest levels, has Jessica burned too many bridges to turn to old friends for help? Plus: Jessica travels to upstate New York to investigate the disappearance of a teenage girl rumored to be a mutant in a prejudiced small town, goes on a date with the Astonishing Ant-Man, teams up with Jessica Drew, the original Spider-Woman; and confronts the demons of her past. Collects Alias #1-28, What If? Jessica Jones had Joined the Avengers.

    It's for murder.Mega rich restaurant owner Jack Barnes and his second wife Zee are very much in love. However, their plans for Valentine's Day are about to be torn apart by the most violent murder.Who is the strange figure plotting this sick crime? Who hates Jack that much? There are plenty of suspects living in Jack's fancy block of flats. Is it them, or could it be the work of an outsider with a twisted mind? One thing's for sure, the police have got their work cut out solving this bloody mess.

    Dick has written some of the most intriguing, original and thought-provoking fiction of our time. He has been described by The Wall Street Journal as the man who, "More than anyone else…really puts you inside people's minds."

    So we're reissuing the first of five Mitchell Tobin mysteries that went largely unnoticed when originally published by Westlake, under the pseudonym Tucker Coe in the 1960s. With a new introduction by Westlake detailing how Tucker Coe and Mitchell Tobin came to be, this novel is classic Westlake. Mitch Tobin is a cop who betrayed those people closest to him. Losing the only job he knew how to do, he's a loner. Then mobster Arnie Rembek offers Tobin a task tailor-made for his talents and keen cop mind -- find out who killed his girlfriend. The alliance between these two men creates a gripping tale.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    We follow former rule-breaker Leonid McGill as he's buffeted between the overlords of New York's underbelly, desperate to turn straight, but unable to say no to a nicely paid job. When we're introduced, he's calling in old favours and greasing NYPD palms to uncover seemingly harmless information for a high-paying client. But when the former schoolmates on his list are bludgeoned to death one by one, McGill realises that a friendly reunion wasn't quite what his taskmaster had in mind. And the awkward questions that follow seem almost welcome in comparison to a visit from Willie Sanderson, a trained killer and 'modern-day Frankenstein', now primed to ensure that McGill breathes his last. THE LONG FALL shows Walter Mosley at the height of his powers, breathing new life into American crime writing with sassy dialogue and unflinching social truths. Vividly capturing a city not nearly as cleaned up as its politicians would have us believe, this is new Mosley - and it's just as good as the vintage kind.

    Rendered in the American vernacular with vivid imagery and a wry, dark sense of humor, these thwarted and sometimes violent lives jump off the page at the reader with inexorable force. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.With an artistic instinct honed on the works of Flannery O' Connor and Harry Crews, Pollock offers a powerful work of fiction in the classic American vein. Knockemstiff is a genuine entry into the literature of place.