For Laine, knowing what really happened and the awful feeling that she is, in some way, responsible set her on a journey of painful self-discovery. Yes, she wished for this. She hated Leah that much. Hated her for all the times in the closet, when Leah made her do those things. They were just practicing, Leah said. But why did Leah choose her? Was she special, or just easy to control? And why didn’t Laine make it stop sooner? In the aftermath of the tragedy, Laine is left to explore the devastating lessons Leah taught her, find some meaning in them, and decide whether she can forgive Leah and, ultimately, herself.

    It was difficult for Ginny at first, but her senior year is finally starting to feel kind of normal. That is, until she sees him—the beautiful mystery in her English class. He has never spoken a word to anyone. He moves through each day at school without making eye contact. His name is Smitty Tibbs, but everyone calls him the Alien.Ginny is convinced there's more to the Alien than his muted exterior. But as she attempts to break into his safe and emotionless world, she realizes her efforts might be causing more harm than good. Has she gone too far, or not far enough?

    I vow that I will never forget her kindness to me, and I will use this book as she told me to—that I will write in it with truth and refinement…But who could be refined living at Steeple Farm?Fourteen-year-old Joan Skraggs, just like the heroines in her beloved novels, yearns for real life and true love. But what hope is there for adventure, beauty, or art on a hardscrabble farm in Pennsylvania where the work never ends? Over the summer of 1911, Joan pours her heart out into her diary as she seeks a new, better life for herself—because maybe, just maybe, a hired girl cleaning and cooking for six dollars a week can become what a farm girl could only dream of—a woman with a future. Inspired by her grandmother’s journal, Newbery Medalist Laura Amy Schlitz brings her sharp wit and keen eye to early twentieth-century America in a comedic tour de force destined to become a modern classic. Joan’s journey from the muck of the chicken coop to the comforts of a society household in Baltimore (Electricity! Carpet sweepers! Sending out the laundry!) takes its reader on an exploration of feminism and housework, religion and literature, love and loyalty, cats, hats, bunions, and burns.

    Life at home isn't great either, since her father bosses her and her mother around. Then along comes Ms. Finney, an English teacher who'll try anything in the classroom and actually treats kids like human beings. Now that she's found a teacher who sees Marcy as more than a name on an attendance sheet, Marcy realizes her life could mean something. When Ms. Finney is suspended, Marcy knows she's got to take a stand. But is this new independence worth the price she'll pay at school and at home?--back cover

    Then, at her new boarding school, she is set the task of writing a diary by her English teacher, and finds a way of expressing her thoughts and feelings and of exploring the traumatic events that have caused her distress. Through Marina's diary we gain an insight into life on her dormitory, and her difficult relationship with her father, who injured her in an angry moment. Eventually, Marina makes tentative friendships and, in a moving denouement, is reconciled with her father.

    When Kit meets John Askew, another boy whose family has both worked and died in the mines, Askew invites Kit to join him in playing a game called Death. As Kit’s grandfather tells him stories of the mine’s past and the history of the Watson family, Askew takes Kit into the mines, where the boys look to find the childhood ghosts of their long-gone ancestors. Written in haunting, lyrical prose, Kit’s Wilderness examines the bonds of family from one generation to the next, and explores how meaning and beauty can be revealed from the depths of darkness.A Michael L. Printz Award WinnerAn ALA Notable Book A Publishers Weekly Best Book

    There she meets Alec, who is convinced it's the world that's crazy, not the two of them. They are meant to be together; they are special. But when Alec starts to convince Sabrina that her treatment will wipe out everything that makes her creative, she worries that she'll lose hold of her dreams and herself. Should she listen to her doctor? her decision may have fatal consequences.Brian James calls Life is But a Dream "the most intense book I've written. Bringing this unique character to life and seeing the world through her eyes, with all its beauty and confusion, was an immense challenge that I hope is just as rewarding to read as it was to write." Intense--yes. Unforgettable--definitely.

    "I could tell you an extensively strange story," I warned."Oh, good!" Gram said. "Delicious!"And that is how I happened to tell them about Phoebe, her disappearing mother, and the lunatic.As Sal entertains her grandparents with Phoebe's outrageous story, her own story begins to unfold — the story of a thirteen-year-old girl whose only wish is to be reunited with her missing mother.In her own award-winning style, Sharon Creech intricately weaves together two tales, one funny, one bittersweet, to create a heartwarming, compelling, and utterly moving story of love, loss, and the complexity of human emotion.

    But that’s before a shocking phone call — and a horrifying allegation — about her rugby-star brother changes everything. With irreverent humor and surprising gravity, Carolyn Mackler creates an endearingly blunt heroine who speaks to every teen who struggles with family expectations, and proves that the most impressive achievement is to be true to yourself.

    In their case, a dangerous gang's disapproval of their interracial relationship puts the two in mortal peril.

    I'VE GOT IT ALL HERE, GROWING LIKE A TUMOR IN MY THROAT.I'm telling you because if I don't, I will choke on it. Everybody knows what happened, but nobody asks. And Elvis the EMT doesn't count because when he asked, he didn't even listen to me answer because he was listening to my sister's heart not beat with his stethoscope. I want to tell. It's mine to tell. Even if you didn't ask, you have to hear it. Fourteen-year-old Donnie's older sister, Karen, has always been the one person in his life on whom he could totally depend. But as Karen slowly slips away in the grip of an eating disorder, Donnie finds himself alone in facing the trauma of his parents' faltering marriage and his new life as an outcast at school. Donnie makes it his responsibility to cure his sister's illness and fix his parents' issues, letting every part of himself disappear in the process. It is more important -- and somehow easier -- to figure out if today is a day when Karen is eating, or to know if Dad and Mom are sleeping in the same bedroom, than to deal with his own problems. In the end, though, Donnie must decide whether to float through life unnoticed, or to claim his rightful place as a member of his family and of the world. This powerful story from a brilliant new talent introduces a memorable boy in Donnie, who, from his funny and painfully honest point of view, describes a harrowing year that leaves both him and his family forever changed.

    In 1932, American's dreams were simple: a job, food to eat, a place to sleep, and shoes without holes. But for millions of people these simple needs were nothing more than dreams. When he was just fifteen years old, Josh had to make his own way through a country of angry and frightened people. This is the story of his struggle to find a life for himself during those turbulent times.

    The second daughter in a family with no sons, she' s been allowed freedoms forbidden to most Muslim girls. But when a tragic encounter with a wealthy and powerful landowner ruins the marriage plans of her older sister, Shabanu is called upon to sacrifice everything she' s dreamed of. Should she do what is necessary to uphold her family' s honor-- or listen to the stirrings of her own heart?

    But when she meets the enigmatic Atticus Smith, she begins to question her very identity - maybe she wasn't born to be bad after all.

    Tripp, who plays guitar only for himself, and Lyla, a cellist whose talent has already made her famous but not happy, form an unlikely friendship when they are forced to share a practice room at their high school.