A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges.  Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply.  By turns comic, satiric, relentless, and terrifying, Margaret Atwood's Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love.

    The only thing that can be guaranteed is that it will be his next earth-movingly funny bestseller. And we are still pretty confidently saying it will not be about earthworm migration patterns in East Devon.This is the story of Ned Maddenstone, a nice young man who is about to find out just what hell it is to be one of the stars' tennis balls.  For Ned, 1978 seems a blissful year: handsome, popular, responsible and a fine cricketer, life is progressing smoothly for him, if not effortlessly. When he meets Portia Fendeman his personal jigsaw appears complete. What if her left-wing parents despise his Tory MP father? Doesn't that just make them star-crossed lovers? And surely, in the end, won't the Fendemans be won over by their happiness?  But, of course, one person's happiness is another's jealous spite. And spite is about to change Ned's life forever.  A promise made to a dying teacher and a vile trick played by fellow pupils rocket Ned from cricket captain to solitary confinement, from head boy to political prisoner. Twenty years later, Ned returns to London a very different man from the boy seized outside a Knightsbridge language college.  A man implacably focused on revenge. Revenge is a dish he plans to savour and serve to those who conspired against him, and to those who forgot him.

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    His only success long behind him, Monte lives simply with his wife and son. But when he befriends outlaw Glendon Hale, a new world of opportunity and experience presents itself. Glendon has spent years in obscurity, but the guilt he harbors for abandoning his wife, Blue, over two decades ago, has lured him from hiding. As the modern age marches swiftly forward, Glendon aims to travel back to his past--heading to California to seek Blue's forgiveness. Beguiled and inspired, Monte soon finds himself leaving behind his own family to embark for the unruly West with his fugitive guide. As they desperately flee from the relentless Charles Siringo, an ex-Pinkerton who's been hunting Glendon for years, Monte falls ever further from his family and the law, to be tempered by a fiery adventure from which he may never get home.

    A young American woman, Alexandra Boyd, has traveled to Sofia, Bulgaria, hoping that life abroad will salve the wounds left by the loss of her beloved brother. Soon after arriving in this elegant East European city, however, she helps an elderly couple into a taxi and realizes too late that she has accidentally kept one of their bags. Inside she finds an ornately carved wooden box engraved with a name: Stoyan Lazarov. Raising the hinged lid, she discovers that she is holding an urn filled with human ashes. As Alexandra sets out to locate the family and return this precious item, she will first have to uncover the secrets of a talented musician who was shattered by oppression and she will find out all too quickly that this knowledge is fraught with its own danger. Kostova's new novel is a tale of immense scope that delves into the horrors of a century and traverses the culture and landscape of this mysterious country. Suspenseful and beautifully written, it explores the power of stories, the pull of the past, and the hope and meaning that can sometimes be found in the aftermath of loss.

    He's never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth.Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she's become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.Soon Foster and Ives find themselves on a collision course that threatens to expose the violence hidden beneath Hollywood's glamorous façade. A grim and disturbing reflection on the commodification of suffering and the dangerous power of art, THE INVENTION OF SOUND is Chuck Palahniuk at the peak of his literary powers—his most suspenseful, most daring, and most genre-defying work yet.

    a step at a time. Nikki Quinn is devastated when her best friend Barbara is knocked down and killed by a hit-and-run driver who claims diplomatic immunity. But Nikki has her work and her lover, fellow lawyer Jack Nolan, to keep her going, whereas Barbara's mother, Myra, has nothing. Festering in a sea of recriminations and hatred, unable to gain a sense of perspective, Myra is lost...until one day she switches on the evening news and sees Marie Lewellen, mother of a murder victim, take matters into her own hands and stab her daughter's killer. An idea is born, and within months Myra and Nikki have drawn together a group of women who have one thing in common: they have been failed by the American justice system, they're down but they're not out, and they're ready to find their nemeses and make them pay. First up is Kathryn, a long-distance truck driver who was raped at a road stop by three motorcyclists as her paralysed husband watched, helpless. Banding together, the Sisterhood plot the ultimate revenge -- but with dissension from inside the group and out, there's no saying if the plan will work until the moment of truth arrives.

    Her only companions are the scientists studying there, odd and quirky refugees from the mainland living in rustic conditions. They document the whales and seals around the island, the bold trio of sharks called the Sisters that hunt the surrounding waters, and the overwhelming, violent bird population.Shortly after her arrival, Miranda is assaulted by one of the island’s inhabitants. A few days later, her assailant is found dead, perhaps the result of an accident. As the novel unfolds, Miranda gives witness to the natural wonders of this astonishing place. She grapples with what has happened to her, deepens her connection to (and her misgivings about) her companions, and succumbs to the spell of the place nicknamed “the Islands of the Dead.” And when more violence occurs, each member of this strange community falls under suspicion.The Lightkeepers upends the traditional structure of a mystery novel—an isolated environment, a limited group of characters who might not be trustworthy, a death that might not have been accidental, a balance of discovery and action—while also exploring wider themes of the natural world, the power of loss, and the essence of recovery. It is a luminous debut novel from a talented and provocative writer.

    Cambridge student Serena Frome's beauty and intelligence make her the ideal recruit for MI5. The year is 1972. The Cold War is far from over. England's legendary intelligence agency is determined to manipulate the cultural conversation by funding writers whose politics align with those of the government. The operation is code named "Sweet Tooth." Serena, a compulsive reader of novels, is the perfect candidate to infiltrate the literary circle of a promising young writer named Tom Haley. At first, she loves his stories. Then she begins to love the man. How long can she conceal her undercover life? To answer that question, Serena must abandon the first rule of espionage: trust no one. Once again, Ian McEwan's mastery dazzles us in this superbly deft and witty story of betrayal and intrigue, love and the invented self.

    She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot and covered in bruises.The girl calls herself Ursa, and she claims to have been sent from the stars to witness five miracles. With concerns about the child’s home situation, Jo reluctantly agrees to let her stay—just until she learns more about Ursa’s past.Jo enlists the help of her reclusive neighbor, Gabriel Nash, to solve the mystery of the charming child. But the more time they spend together, the more questions they have. How does a young girl not only read but understand Shakespeare? Why do good things keep happening in her presence? And why aren’t Jo and Gabe checking the missing children’s website anymore?Though the three have formed an incredible bond, they know difficult choices must be made. As the summer nears an end and Ursa gets closer to her fifth miracle, her dangerous past closes in. When it finally catches up to them, all of their painful secrets will be forced into the open, and their fates will be left to the stars.In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.

    Soon, through the family’s generosity, he is a student at a private boarding school and an aide to the great New York senator Henry Bonwiller, who is running for president of the United States. Before long, Corey finds himself involved with one of the Metarey daughters as well, and he begins to leave behind the world of his upbringing. As the Bonwiller campaign gains momentum, Corey finds himself caught up in a complex web of events in which loyalty, politics, sex, and gratitude conflict with morality, love, and the truth. America America is a beautiful novel about America as it was and is, a remarkable exploration of how vanity, greatness, and tragedy combine to change history and fate.

    When her estranged friend Karin leaves her a key to a public locker in the Copenhagen train station, Nina gets suckered into her most dangerous project yet. Inside the locker is a suitcase, and inside the suitcase is a three-year-old boy: naked and drugged, but alive.Is the boy a victim of child trafficking? Can he be turned over to authorities, or will they only return him to whoever sold him? When Karin is discovered brutally murdered, Nina realizes that her life and the boy’s are in jeopardy, too. In an increasingly desperate trek across Denmark, Nina tries to figure out who the boy is, where he belongs, and who exactly is trying to hunt him down.

    At that very moment, Connie stands, laughs, and walks away. Sidney keeps his promise through adulthood despite the fact that his insular, rural community uses his pacifism to exploit him. Sidney's son Lyle, however, assumes an increasingly aggressive stance in defense of his family. When a small boy is killed in a tragic accident and Sidney is blamed, Lyle takes matters into his own hands. In his effort to protect the people he loves—his beautiful and fragile mother, Elly; his gifted sister, Autumn; and his innocent brother, Percy—it is Lyle who will determine his family's legacy.

    It is October 23, 2018, and they are expecting Maurice’s estranged daughter (or is she?), Dilly, to either arrive on a boat coming from Tangier or depart on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals and serial exiles, rendered with the dark humor and the hardboiled Hibernian lyricism that have made Kevin Barry one of the most striking and admired fiction writers at work today.

    Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved.Marnie and her little sister Nelly are on their own now. Only they know what happened to their parents, Izzy and Gene, and they aren’t telling. While life in Glasgow’s Hazlehurst housing estate isn’t grand, they do have each other. Besides, it’s only one year until Marnie will be considered an adult and can legally take care of them both.As the new year comes and goes, Lennie, the old man next door, realizes that his young neighbors are alone and need his help. Or does he need theirs? But he’s not the only one who suspects something isn’t right. Soon, the sisters’ friends, their other neighbors, the authorities, and even Gene’s nosy drug dealer begin to ask questions. As one lie leads to another, dark secrets about the girls’ family surface, creating complications that threaten to tear them apart.Written with fierce sympathy and beautiful precision, told in alternating voices, The Death of Bees is an enchanting, grimly comic tale of three lost souls who, unable to answer for themselves, can answer only for each other.