With the narrative power of fiction, Donald Miller takes readers on a harrowing ride through the fire-filled skies over Berlin, Hanover, and Dresden and describes the terrible cost of bombing for the German people.Fighting at 25,000 feet in thin, freezing air that no warriors had ever encountered before, bomber crews battled new kinds of assaults on body and mind. Air combat was deadly but intermittent: periods of inactivity and anxiety were followed by short bursts of fire and fear. Unlike infantrymen, bomber boys slept on clean sheets, drank beer in local pubs, and danced to the swing music of Glenn Miller's Air Force band, which toured U.S. air bases in England. But they had a much greater chance of dying than ground soldiers. In 1943, an American bomber crewman stood only a one-in-five chance of surviving his tour of duty, twenty-five missions. The Eighth Air Force lost more men in the war than the U.S. Marine Corps.The bomber crews were an elite group of warriors who were a microcosm of America -- white America, anyway. (African-Americans could not serve in the Eighth Air Force except in a support capacity.) The actor Jimmy Stewart was a bomber boy, and so was the "King of Hollywood," Clark Gable. And the air war was filmed by Oscar-winning director William Wyler and covered by reporters like Andy Rooney and Walter Cronkite, all of whom flew combat missions with the men. The Anglo-American bombing campaign against Nazi Germany was the longest military campaign of World War II, a war within a war. Until Allied soldiers crossed into Germany in the final months of the war, it was the only battle fought inside the German homeland.Strategic bombing did not win the war, but the war could not have been won without it. American airpower destroyed the rail facilities and oil refineries that supplied the German war machine. The bombing campaign was a shared enterprise: the British flew under the cover of night while American bombers attacked by day, a technique that British commanders thought was suicidal.Masters of the Air is a story, as well, of life in wartime England and in the German prison camps, where tens of thousands of airmen spent part of the war. It ends with a vivid description of the grisly hunger marches captured airmen were forced to make near the end of the war through the country their bombs destroyed.Drawn from recent interviews, oral histories, and American, British, German, and other archives, Masters of the Air is an authoritative, deeply moving account of the world's first and only bomber war.

     In this masterful account of Hitler’s life, biographer A.N. Wilson pulls back the curtain to reveal the man behind the mythic figure, shedding new light on Hitler’s personality, his desires, and his complex relationship with the German people.While Hitler maintained that his life had been characterized by “struggle” from its very beginnings, Wilson shows that the reality could not have been more different. Hitler grew up in middle-class comfort and, as a young man, lacked ambitions of any sort besides a vaguely bohemian desire to become an artist. And while the Hitlerian mythos holds that he forged his skills as a leader during the First World War, Wilson explains the truth: Hitler spent most of the war as an office boy miles from the front lines, and only received his cherished Iron Cross because of his slavishness to the officers he served. The army gave him a sense of purpose and brotherhood, however, which continued to inspire Hitler once the war ended.Hitler left the army with no skills, contacts, or money—and yet, within fourteen years, he would become chancellor of the German nation. Wilson describes the story of Hitler’s ascent as one of both opportunism and sheer political shrewdness. He possessed no real understanding of the workings of government but had a prodigious knack for public speaking, and found that a large number of Germans, despairing at their country’s recent defeat and terrified by the specter of international communism, were willing to listen to the right-wing fantasies that had taken root inside his head. Allying himself with the extremist German Workers’ Party (soon renamed the National Socialist Party), Hitler offered many Germans a seductive vision of how the country might raise itself back up and reclaim its rightful place at the center of world politics.Wilson shows that, although Hitler’s bid for power stalled at first, he soon gained traction with a German public starved for hope. Using his skills as a manipulator, Hitler found himself first at the head of the Nazi Party, then at the helm of the German nation. Wilson explores the forces that allowed Hitler to become Chancellor of Germany, and later to march Germany into total war. He examines Hitler’s increasingly virulent anti-Semitism and his decision to implement the Final Solution to exterminate European Jews, and he considers Hitler’s tactical successes - and failures - in World War II. Wilson also reveals a great deal about how Hitler’s personal life affected his time as Germany’s leader, from the lasting pain caused by the death of his mother and the suicide of his young niece to his poor health and addiction to the drugs prescribed by his doctor. As Wilson demonstrates, Hitler the Führer was not so different from Hitler the bohemian: lazy, moody, and hypersensitive, he ruled more through intimidation and the mystifying force of his personality than through any managerial skill or informed decision-making. His story - and that of Germany - is ultimately a cautionary tale. In a modern era enamored with progress, rationality, and modernity, it is often the darkest and most chaotic elements of society that prove the most seductive.Hitler’s unlikely rise to power and his uncanny ability to manipulate his fellow man resulted in the deaths of millions of Europeans and a horrific world war, yet despite his colossal role in world history, he remains mythologized and, as a result, misunderstood. In Hitler, A.N. Wilson limns this mysterious figure with great verve and acuity, showing that it was Hitler’s frightening normalcy - not some otherworldly evilness - that makes him so truly terrifying.

    For frontline troops, casualty rates at Cassino and along the notorious Gothic Line were as high as they had been on the Western Front in the First World War. There were further similarities too: blasted landscapes, rain and mud, and months on end with the front line barely moving. And while the Allies and Germans were fighting it out through the mountains, the Italians were engaging in bitter battles too. Partisans were carrying out a crippling resistance campaign against the German troops but also battling the Fascists forces as well in what soon became a bloody civil war. Around them, innocent civilians tried to live through the carnage, terror and anarchy, while in the wake of the Allied advance, horrific numbers of impoverished and starving people were left to pick their way through the ruins of their homes and country. In the German-occupied north, there were more than 700 civilian massacres by German and Fascist troops in retaliation for Partisan activities, while in the south, many found themselves forced into making terrible and heart-rending decisions in order to survive.Although known as a land of beauty and for the richness of its culture, Italy's suffering in 1944-1945 is now largely forgotten. This is the first account of the conflict there to tell the story from all sides and to include the experiences of soldiers and civilians alike. Offering extensive original research, it weaves together the drama and tragedy of that terrible year, including new perspectives and material on some of the most debated episodes to have emerged from the Second World War.

    Using new sources--ground-breaking research in the papers of the Nuremberg prison psychiatrist and commandant, the letters and journals of the prisoners, and accounts of the judges and prosecutors as they struggled through each day making compromises and steeling their convictions--Joseph Persico retells the story of Nuremberg, combining sweeping history with psychological insight. Here are brilliant, chilling portraits of the Nazi warlords and riveting descriptions of the tensions between law and vengeance, between East and West, and of the friction already present in the early stages of the Cold War.

    Many women in German high society were fascinated by Adolf Hitler and helped him to achieve political power, while women like filmmaker Leni Riefenstahl were fueling Hitler's propaganda machine. The private lives of Hitler's assistants' wives are also explored-revealing Magda Goebbels's complicity in the murder of her six children in 1945, Carin and Emmy Gring's relations with their morphine-addicted husbands, and the knowledge that Margaret Himmler had of her husband's actions as leader of the SS.

    Answering the charge that Jews should have left earlier, Kaplan shows that far from seeming inevitable, the Holocaust was impossible to foresee precisely because Nazi repression occurred in irregular and unpredictable steps until the massive violence of Novemer 1938. Then the flow of emigration turned into a torrent, only to be stopped by the war. By that time Jews had been evicted from their homes, robbed of their possessions and their livelihoods, shunned by their former friends, persecuted by their neighbors, and driven into forced labor. For those trapped in Germany, mere survival became a nightmare of increasingly desperate options. Many took their own lives to retain at least some dignity in death; others went underground and endured the fears of nightly bombings and the even greater terror of being discovered by the Nazis. Most were murdered. All were pressed to the limit of human endurance and human loneliness.Focusing on the fate of families and particularly women's experience, Between Dignity and Despair takes us into the neighborhoods, into the kitchens, shops, and schools, to give us the shape and texture, the very feel of what it was like to be a Jew in Nazi Germany.

    Night is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's testimony to what happened in the camps and of his unforgettable message that this horror must simply never be allowed to happen again.

    Life in the Third Reich draws extensively on interviews, letters and diaries from the earliest days of the Nazi Party to the final hours of the thousand-year Reich to reveal how the Hitler cult influenced and corrupted every aspect of life, from education, health, business, the press, the judicial system and the Church to sport, culture, work and the family.It reveals the stark contrast between the myth of 'One People, One Fuhrer' perpetuated by Nazi propaganda and the harsh realities of life in a dictatorship.Life in the Third Reich challenges the popular view of Nazi Germany as a nation united behind their despotic leader and asks 'What would you have done? Would you have behaved any differently if you had lived in Hitler's Germany?'

    To illustrate this theme he has painted vivid pen portraits of six famous women who were all bound up with Hitler's regime: Eva Braun, Hitler's mistress; Magda Goebbels, wife of the Reich Propaganda Minister; Winifred Wagner, grand-daughter of composer Richard Wagner; Leni Riefenstahl, Nazi film director; Zarah Leander, Nazi film star; and the legendary screen goddess Marlene Dietrich. The lives of these women prove how the Nazis envisaged the future of German womanhood and how things looked in reality. Supported by previously unpublished photographs and the words of close friends and colleagues of those portrayed, Knopp brings back to life a generation who, with a few courageous exceptions, succumbed to enticement and violence.

    By May 1945 Soviet soldiers had stormed Berlin and brought down Hitler's regime. Total War follows the fortunes of these fighters as they liberated Russia and the Ukraine from the Nazi invader and fought their way into the heart of the Reich. It reveals the horrors they experienced - the Holocaust, genocide and the mass murder of Soviet POWs - and shows the Red Army, brutalized by war, taking its terrible revenge on the German civilian population. For the first time Russian veterans are candid about the terrible atrocities their own army committed. But they also describe their struggle to raise themselves from the abyss of hatred. Their war against the Nazis - which in large part brought the Second World War in Europe to an end - is a tarnished but deeply moving story of sacrifice and redemption.

    Frank Kermode, in The New York Times Book Review, hailed it as "an important contribution to our understanding of how we came to make World War I part of our minds," and Lionel Trilling called it simply "one of the most deeply moving books I have read in a long time." In its panaramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world.Now, in Wartime, Fussell turns to the Second World War, the conflict he himself fought in, to weave a narrative that is both more intensely personal and more wide-ranging. Whereas his former book focused primarily on literary figures, on the image of the Great War in literature, here Fussell examines the immediate impact of the war on common soldiers and civilians. He describes the psychological and emotional atmosphere of World War II. He analyzes the euphemisms people needed to deal with unacceptable reality (the early belief, for instance, that the war could be won by "precision bombing," that is, by long distance); he describes the abnormally intense frustration of desire and some of the means by which desire was satisfied; and, most important, he emphasizes the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity and wit. Of course, no Fussell book would be complete without some serious discussion of the literature of the time. He examines, for instance, how the great privations of wartime (when oranges would be raffled off as valued prizes) resulted in roccoco prose styles that dwelt longingly on lavish dinners, and how the "high-mindedness" of the era and the almost pathological need to "accentuate the positive" led to the downfall of the acerbic H.L. Mencken and the ascent of E.B. White. He also offers astute commentary on Edmund Wilson's argument with Archibald MacLeish, Cyril Connolly's Horizon magazine, the war poetry of Randall Jarrell and Louis Simpson, and many other aspects of the wartime literary world. Fussell conveys the essence of that wartime as no other writer before him. For the past fifty years, the Allied War has been sanitized and romanticized almost beyond recognition by "the sentimental, the loony patriotic, the ignorant, and the bloodthirsty." Americans, he says, have never understood what the Second World War was really like. In this stunning volume, he offers such an understanding.

    So when American physician Sumner Jackson, who lived with his wife and young son Phillip at Number 11, found himself drawn into the Liberation network of the French resistance, he knew the stakes were impossibly high. Just down the road at Number 31 was the "mad sadist" Theodor Dannecker, an Eichmann protégé charged with deporting French Jews to concentration camps. And Number 84 housed the Parisian headquarters of the Gestapo, run by the most effective spy hunter in Nazi Germany.From his office at the American Hospital, itself an epicenter of Allied and Axis intrigue, Jackson smuggled fallen Allied fighter pilots safely out of France, a job complicated by the hospital director's close ties to collaborationist Vichy. After witnessing the brutal round-up of his Jewish friends, Jackson invited Liberation to officially operate out of his home at Number 11--but the noose soon began to tighten. When his secret life was discovered by his Nazi neighbors, he and his family were forced to undertake  a journey into the dark heart of the war-torn continent from which there was little chance of return.Drawing upon a wealth of primary source material and extensive interviews with Phillip Jackson, Alex Kershaw recreates the City of Light during its darkest days. The untold story of the Jackson family anchors the suspenseful narrative, and Kershaw dazzles readers with the vivid immediacy of the best spy thrillers. Awash with the tense atmosphere of World War II's Europe, Avenue of Spies introduces us to the brave doctor who risked everything to defy Hitler.

    An important and fascinating firsthand account of life with Hitler from 1942 until his death in the Berlin bunker in 1945, by the young woman who was his last secretary.

    The suitcases contained all manner of paraphernalia: medals, gems, two cigar cutters, silk underwear, a hot water bottle, and the equivalent of 1 million in cash. Hidden in a coffee can, a set of brass vials housed glass capsules containing a clear liquid and a white precipitate: potassium cyanide. Joining Göring in the detention center were the elite of the captured Nazi regime—Grand Admiral Dönitz; armed forces commander Wilhelm Keitel and his deputy Alfred Jodl; the mentally unstable Robert Ley; the suicidal Hans Frank; the pornographic propagandist Julius Streicher—fifty-two senior Nazis in all, of whom the dominant figure was Göring.To ensure that the villainous captives were fit for trial at Nuremberg, the US army sent an ambitious army psychiatrist, Captain Douglas M. Kelley, to supervise their mental well-being during their detention. Kelley realized he was being offered the professional opportunity of a lifetime: to discover a distinguishing trait among these arch-criminals that would mark them as psychologically different from the rest of humanity. So began a remarkable relationship between Kelley and his captors, told here for the first time with unique access to Kelley's long-hidden papers and medical records.Kelley's was a hazardous quest, dangerous because against all his expectations he began to appreciate and understand some of the Nazi captives, none more so than the former Reichsmarshall, Hermann Göring. Evil had its charms.

    In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.