She is certainly a strange sight for leering British audiences always eager for the spectacle of colonial curiosity. But Iris also has a secret that even “strange” doesn’t capture…​She cannot die. Haunted by her unnatural power and with no memories of her past, Iris is obsessed with discovering who she is. But that mission gets more complicated when she meets the dark and alluring Adam Temple, a member of a mysterious order called the Enlightenment Committee. Adam seems to know much more about her than he lets on, and he shares with her a terrifying revelation: the world is ending, and the Committee will decide who lives…and who doesn’t. To help them choose a leader for the upcoming apocalypse, the Committee is holding the Tournament of Freaks, a macabre competition made up of vicious fighters with fantastical abilities. Adam wants Iris to be his champion, and in return he promises her the one thing she wants most: the truth about who she really is. If Iris wants to learn about her shadowy past, she has no choice but to fight. But the further she gets in the grisly tournament, the more she begins to remember—and the more she wonders if the truth is something best left forgotten.

    In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

    These stories showcase Miranda Hill's astonishing range and virtuosity, introducing us to a protean variety of characters, each as well-realized as the next. Here is a writer who can seamlessly inhabit the consciousness of a sixteen-year-old navigating an embarrassing sex-ed class, a middle-aged minister experiencing a devastating crisis of faith in a 19th century rural village, a pilot's widow coping with her grief by growing an unusual "victory garden" during World War II, and well-heeled modern professional women juggling jobs, kids, and husbands, and trying to cope with the arrival of a beautiful bohemian neighbour, on a gentrified street in downtown Toronto.The qualities that unite these remarkable stories are a pervasive sense of mystery and magic, a wonderful wit and sophistication, and most surprisingly, the slight disorientation implied by the title: In Miranda Hill's beguiling universe, the "real world" is recognizable and slightly askew, as if you were experiencing one of those strange dreams where you think you are awake--or as if you've been "sleeping funny" and are on the cusp of waking into the everyday world you thought you knew.

    Blaylock"The Giving Mouth" by Ian R. MacLeod "A Sun in the Attic" by Mary Gentle "The God-Clown is Near" by Jay Lake"The Steam Man of the Prairie and the Dark Rider Get Down: A Dime Novel" by Joe R. Lansdale"The Selene Gardening Society" by Molly Brown"Seventy-Two Letters" by Ted Chiang"The Martian Agent, A Planetary Romance" by Michael Chabon"Victoria" by Paul Di Filippo"Reflected Light" by Rachel E. Pollock"Minutes of the Last Meeting" by Stepan Chapman"Excerpt from the Third and Last Volume of Tribes of the Pacific Coast" by Neal Stephenson"The Steam-Driven Time Machine: A Pop Culture Survey" by Rick Klaw"The Essential Sequential Steampunk: A Modest Survey of the Genre within the Comic Book Medium" by Bill Baker

    Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: A Storm of Swords, a Game of Thrones, a Feast for Crows, a Clash of Kings, Tales of Dunk and Egg, a Dance With Dragons, the Mystery Knight, the Hedge Knight, the Sworn Sword. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: A Storm of Swords is the third of seven planned novels in A Song of Ice and Fire, an epic fantasy series by American author George R. R. Martin. It was first published on 8 August 2000 in the United Kingdom, with a United States edition following in November 2000. Its publication was preceded by a novella called Path of the Dragon, which collects some of the Daenerys Targaryen chapters from the novel into a single book. To date, A Storm of Swords is the longest novel in the series. It was so long that in the UK its paperback edition was split in half, Part 1 being published as Steel and Snow in June 2001 (with the one-volume cover) and Part 2 as Blood and Gold in August 2001 (with a specially-commissioned new cover). In France, the decision was made to cut the novel into four separate editions. A Storm of Swords won the 2001 Locus Award, the 2002 Geffen Award for Best Novel and was nominated for the 2001 Nebula Award for Best Novel. Significantly, it was the first novel in the series to be nominated for the Hugo Award, one of the two most prestigious awards in science fiction and fantasy publishing, although it lost to J. K. Rowling's novel Harry Potter and the Goblet of Fire. Meisha Merlin, who had previously issued limited, illustrated editions of both A Game of Thrones and A Clash of Kings, were planning to release a similar version for A Storm of Swords in two volumes. However, lengthy delays on the release of A Clash of Kings caused Meisha Merlin to lose the printing rights for the book, which were picked up...More: http: //booksllc.net/?id=71362

    The stories range from both urban and rural settings. All the stories included in the book are different from each other with a range of diverse characters. Some of the stories in this selection are Mukti, Kuch Yun hona Uska, Cigarette Ka Aakhri Kash, and Bisesar Bo Ki Premika. This book will make for a riveting and engaging read for those who enjoy Hindi short stories.

     After struggling with the death of her lifemate of over a century, Tara spends what the leaders of her clan considers an unreasonable amount of time in finding another. The clan needs offspring, they insist. While soaring over a meadow, Tara sees a dragon intruder attack a shepherd. Outraged, she intervenes and saves the young man from certain death. Breaking a two hundred year old pact between man and dragon forbidding any contact between the two, a powerful yet dangerous bond slowly grows between the dragon and her boy. This is a fun short story, at 5300 words. Stories two and three are already written. They continue the series and will be available shortly! I hope you enjoy them all.

    Infused with a close and present danger, these stories tighten the knot around power, identity, and sexuality, and draw the reader into the pivotal moments where - for better or for worse - we see ourselves for what we truly are.

    As Sawai deftly turns over the stones of these people's lives and reveals the squalor, the fear and the unhappiness that lie beneath, she also uncovers that most precious of human qualities - hope.

    The lives of men and women are as challenging as the climate and lands in which they dwell. For generations, the Erlings of Vinmark have taken their dragon-prowed ships across the seas, raiding the lands of the Cyngael and Anglcyn peoples, leaving fire and death behind. But times change, even in the north, and in a tale woven with consummate artistry, people of all three cultures find the threads of their lives unexpectedly brought together...Bern Thorkellson, punished for his father's sins, commits an act of vengeance and desperation that brings him face-to-face, across the sea, with a past he's been trying to leave behind.In the Anglcyn lands of King Aeldred, the shrewd king, battling inner demons all the while, shores up his defenses with alliances and diplomacy-and with swords and arrows-while his exceptional, unpredictable sons and daughters pursue their own desires when battle comes and darkness falls in the woods.And in the valleys and shrouded hills of the Cyngael, whose voices carry music even as they feud and raid amongst each other, violence and love become deeply interwoven when the dragon ships come and Alun ab Owyn, chasing an enemy in the night, glimpses strange lights gleaming above forest pools.Making brilliant use of saga, song and chronicle, Kay brings to life an unforgettable world balanced on the knife-edge of change in The Last Light of the Sun.

    They are gold miners and counterfeiters, attorneys and slaves. They cross other borders too: those of race, law, sex, and sanity. They travel for love or money, incognito or under duress.With rich historical detail, the celebrated author of Room takes us from puritan Massachusetts to revolutionary New Jersey, antebellum Louisiana to the Toronto highway, lighting up four centuries of wanderings that have profound echoes in the present. Astray offers us a surprising and moving history for restless times."The Hunt" was short-listed for the 2012 Sunday Times EFG Private Bank Short Story Award.

    He's on the run with the proceeds of a botched bank robbery. It's all he has. His crew is dead and his getaway car just died on him. He's on foot with the cash when he comes across a two-car pileup. There's no saving the drivers, but he can save himself by stealing one of the wrecked cars. Unfortunately, he boosts the wrong set of wheels. Within an hour of driving off, he develops a rash that eats away at his flesh. No doctor can help him—only the car's original owner. If Straley wants his skin back, he must journey on the road to redemption, which ends in the heart of Central America. Road Rash first appeared in the anthology Butcher Shop Quartet 2. Simon Janus is the horror identity for the award winning thriller writer, Simon Wood. What They Are Saying About Road Rash: "Road Rash is a wild collision of crime caper and supernatural thriller that works on every level. Lightning-paced, darkly funny, deeply creepy, and highly recommended." — Jonathan Maberry, NY Times bestselling author of THE DRAGON FACTORY “Simon Janus understands the darkness inside us all and nails it to the page. Fast-paced and gut-wrenching, pedal-to-the-metal thrills." — Scott Nicholson, author of THE RED CHURCH

    Born With A Tooth, Boyden's debut work of fiction, is a collection of thirteen beautifully written stories about aboriginal life in Ontario. They are stories of love, unexpected triumph, and a passionate belief in dreams. They are also stories of anger and longing, of struggling to adapt, of searching but remaining unfulfilled. The collection includes 'Bearwalker', a story that introduces a character who appears again in Boyden's novel Three Day Road. By taking on a new voice in each story, Joseph Boyden explores aboriginal stereotypes and traditions in a most unexpected way. Whether told by a woman trying to forget her past or by a drunken man trying to preserve his culture, each story paints an unforgettable and varied image of modern aboriginal culture in Ontario. An extraordinary first book, Born With A Tooth reveals why Joseph Boyden is a writer worth reading.

    These sixteen stories by the much-celebrated Alix Ohlin illuminate the connections between all of us—connections we choose to break, those broken for us, and those we find and make in spite of ourselves.

    The move fulfilled a Tory campaign promise to deliver greater government transparency and accountability. He was later denounced by the same people who appointed him to scrutinize their spending. When he challenged the government on several issues--most notably about the true costs of the F-35 fighter planes--and publicly claimed the government was misleading Canadians, Page was vilified. He was called "unbelievable, unreliable and incredible" by then-Finance Minister Jim Flaherty. Page's term was not extended and he retired from the civil service.     Page's assessment of the F-35 procurement was proven right, a major embarrassment to the Harper government. But Page's overriding concern is that Parliament does not get the information and analysis it needs to hold the executive (the prime minister and cabinet) to account. Parliament, he argues, is broken, with power centralized in the PMO. The civil service appears cowed, and members of parliament almost never see enough financial analysis to support the policy decisions they make. That was true at various times on the tough-on-crime legislation, new military procurement as well as changes to the Canada Health Transfer and Old Age Security.      In this shocking insider's account, Page argues that democracy is being undermined by an increasingly autocratic government that does not respect facts that run counter to its political agenda. Elected officials need accurate, independently verified data to support the implementation of policies and programs. In Unaccountable, Page tells all Canadians why we should be concerned.