Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

    Recounts how the author, an Austrian, escaped from an English internment camp in India in 1943 and spent the next seven years in Tibet, observing its social practices, religion, politics, and people.

    For Tansy, however, the choice was never hers. On the eve of her seventeenth birthday, Tansy is caught in a sizzling kiss with Christophe Desmarais. The next night, Tansy’s mother introduces her to the life she has been raised for: as a beautiful quadroon in Old New Orleans, Tansy is meant to be a rich white man’s mistress. She is as she should be, biddable, loyal and submissive. But is this all there is? As Tansy matures, she wearies of telling herself that her narrow life is enough, yet she is terrified to leave behind security and plenty to become a self-reliant, independent woman.Christophe Desmarais was, like Tansy, born to a mixed-race mother and a rich white father, but as a shrewd card-player, a talented violinist, and a respected teacher, he creates his own life. The attraction between him and Tansy has never abated, only been pushed down and unacknowledged. When he sees Tansy discovering there is more to her than being pretty and pleasing, he allows himself to hope that she will become her own woman. Maybe then the two of them will have a chance at a life together.Multiple award-winning author Gretchen Craig returns with an unconventional novel about loyalty, independence, and love.

    Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories.Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.

    The great city of Constantinople, last remnant of the once-mighty Roman Empire, falls to the Ottoman armies of Sultan Mehmed the Conqueror. An English knight named Sir John Page is taken prisoner by the Ottomans, and forced to entertain the Sultan with tales of the West. Page chooses to tell the story of his own long career as a soldier of fortune in France, Bohemia and the Italian city-states. Page’s tale begins in the year of Agincourt, Henry V’s famous victory over the French. As the bastard son of Thomas Page, a famous mercenary captain known as The Half-Hanged Man or The Wolf of Burgundy, Page soon acquires the nickname of The Wolf Cub. After slaying his cousin in a duel, Page flees his home and joins a band of outlaws in the forests of Sussex. At last - tired of the brutality of his companions - he decides to leave England and join the English army in Normandy. There he endures brutal sieges, vicious combats, torture, betrayal and imprisonment, all to win glory and redeem his father's name. Trapped in the Sultan’s prison, Page must hope his story is enough to save him from the executioner’s blade....at least for another three days...

    Around 1000 years back, anyone could go for a purgatory voyage to experience life after death for 12 days through a tunnel in Bharmaur, Himachal Pradesh. But no one could recall what happened to him during his purgatory voyage. Once, a person from Bundelkhand, named Kalidas went for a purgatory voyage. He experienced life after death and surprisingly, he was able to recall all those incidents of a different planet. After returning to his state, he embarked on a discourse about his purgatory voyage and his scary encounters with the King of Bundelkhand.Could anyone believe in his riveting account of the voyage or people smelled a foul play?• RECOMMENDATION •The novel "Purgatory Voyage" by Adarsh Kumar Khare is about a story that dates back to 925 AD of a village person, otherwise living peacefully, whose life is thrown into a turmoil consequent to an extraordinary experience of the afterlife, an outcome of his deed (karma) and sense of inquiry. The story is beautifully weaved with threads of mythology, traditional Hindu beliefs, and folklore. At the same time, there is a conscious effort to bring out the social behavior, rituals, and festivities of village life of that period along with the political order of the King with his subjects.There is a gripping narration of Kali, the protagonist of the novel, of other-worldly experience of his visits to after-life planets of hells and heavens, of torments and punitive actions meted out to sinners, and accounts of suffering the souls have to undergo for the various sins committed in their earthly lives. The author seems to have largely drawn from the “Pretkalp” part of Garud Puran for making such a vivid description of the splendors of the city of Yam, the horrors of various hells, and the excruciating journey of an ordinary soul through all this.The most interesting part of this novel is the day-by-day recount by Kali of incidents, pain, and suffering of his soul and other fellow souls in his 10-days sojourn to different types of hells and also exploring parts of Yam City and heaven. The curiosity of a reader is held on toes as the account of each day unfolds, much like the Arabian nights.I find ‘Purgatory Voyage’ by Adarsh Khare a hugely fascinating story in which one cannot leave reading halfway. It latches on to your curiosity and leads your imagination till you reach the end and sigh a sense of relief and joy of having gone through the upheavals along with the protagonist of the story. I think this is the achievement of Adarsh Khare in writing this book.Asit Kumar, Advisor in the Ministry of Petroleum, New Delhi.Purgatory Voyage is a very interesting novel based on one of the important ancient scriptures of India, specifically the Garuda Puran. Adarsh Kumar Khare has used his creative craft to bring back alive the old teachings of India in a story of fiction that should strike a chord with all age group people, particularly those who have some inclination to occultism. The author has followed a style of simple storytelling that generates curiosity in the mind ‘what next’. It was a joy to read the book describing what life after death could be like, with vivid descriptions of different hells and heaven, and punishment or reward according to committed sins or virtuous work. Most of the geographical locations including river, valleys, and forests bear names either similar or the same as those that exist in present-day India and that adds much credence and authenticity to arouse interest in the reader’s mind, even though it is a fiction. This book is a must for those who have some fascination towards Indian rich cultural heritage including ancient scriptures and those having the curiosity to peep into the future of life after death.Pradipta Kumar Das, Bestselling author of Power of the Universe lies within you.

    The only thing he was missing was true love. Makeda, the Queen of Sheba, was young and filled with exuberant curiosity about the world. On her journey to meet King Solomon, Makeda learned about the Jinn elemental realm and how to work with the sun and moon’s magical light, but she still wasn’t sure how to take charge of her own life. In Solomon’s Angels, Doreen Virtue’s first novel, which is based on thoroughly researched historical, biblical, archaeological, and culturally accurate information, you’ll see how Solomon and Makeda’s meeting changed both of their lives forever. You’ll peek over the Queen of Sheba’s shoulder and discover the ancient secrets behind how Solomon’s temple was built without hammers and saws, and the role that the archangels and sacred geometry played in manifestation and divine magic.Solomon and Makeda’s magically romantic story will inspire you in many ways . . . long after you’ve finished reading it!

    Fascinated by this charismatic young figure, Mick Brown traveled to meet him, and found himself drawn into the labyrinthine web of intrigue surrounding the 17th Karmapa's recognition and early life.

    In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita’s version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari. A powerful comment on duty, betrayal, infidelity and honour, it is also about women’s struggle to retain autonomy in a world that privileges men, as Chitra transforms an ancient story into a gripping, contemporary battle of wills. While the Ramayana resonates even today, she makes it more relevant than ever, in the underlying questions in the novel: How should women be treated by their loved ones? What are their rights in a relationship? When does a woman need to stand up and say, ‘Enough!’

    She tells the story of a Tibetan town perched eleven thousand feet above sea level that is one of the most difficult places in all of China for foreigners to visit. Ngaba was one of the first places where the Tibetans and the Chinese Communists encountered one another. In the 1930s, Mao Zedong’s Red Army fled into the Tibetan plateau to escape their adversaries in the Chinese Civil War. By the time the soldiers reached Ngaba, they were so hungry that they looted monasteries and ate religious statues made of flour and butter—to Tibetans, it was as if they were eating the Buddha. Their experiences would make Ngaba one of the engines of Tibetan resistance for decades to come, culminating in shocking acts of self-immolation. Eat the Buddha spans decades of modern Tibetan and Chinese history, as told through the private lives of Demick’s subjects, among them a princess whose family is wiped out during the Cultural Revolution, a young Tibetan nomad who becomes radicalized in the storied monastery of Kirti, an upwardly mobile entrepreneur who falls in love with a Chinese woman, a poet and intellectual who risks everything to voice his resistance, and a Tibetan schoolgirl forced to choose at an early age between her family and the elusive lure of Chinese money. All of them face the same dilemma: Do they resist the Chinese, or do they join them? Do they adhere to Buddhist teachings of compassion and nonviolence, or do they fight? Illuminating a culture that has long been romanticized by Westerners as deeply spiritual and peaceful, Demick reveals what it is really like to be a Tibetan in the twenty-first century, trying to preserve one’s culture, faith, and language against the depredations of a seemingly unstoppable, technologically all-seeing superpower. Her depiction is nuanced, unvarnished, and at times shocking.

    A kidnapping in a sacred city. A desperate chase through a cliffside monastery. All in the pursuit of a legend that could link the world’s great religious faiths.In 1887, a Russian journalist made an explosive discovery in a remote Himalayan monastery only to be condemned and silenced for the heresy he proposed. His discovery vanished shortly thereafter.Now, graduate student Grant Matthews journeys to the Himalayas in search of this ancient mystery. But Matthews couldn’t have anticipated the conspiracy of zealots who would go to any lengths to prevent him from bringing this secret public. Soon he is in a race to expose a truth that will change the world’s understanding of religion. A truth that his university colleagues believe is mere myth. A truth that will change his life forever—if he survives.

    . . . Lively and engaging, Lopez's book raises important questions about how Eastern religions are often co-opted, assimilated and misunderstood by Western culture."—Publishers Weekly"Proceeding with care and precision, Lopez reveals the extent to which scholars have behaved like intellectual colonialists. . . . Someone had to burst the bubble of pop Tibetology, and few could have done it as resoundingly as Lopez."—Booklist"Fascinating. . . [A] provocative exploration. Lopez conveys the full dizziness of the Western encounter with Tibet and Tibetan Buddhism."—Fred Pheil, Tricycle: The Buddhist Review"A timely and courageous exploration. . . . [Lopez's] book will sharpen the terms of the debate over what the Tibetans and their observers can or should be doing about the place and the idea of Tibet. And that alone is what will give us all back our Shambhala."—Jonathan Spence, Lingua Franca Book Review"Lopez's most important theme is that we should be wary of the idea . . . that Tibet has what the West lacks, that if we were only to look there we would find the answers to our problems. Lopez's book shows that, on the contrary, when the West has looked at Tibet, all that it has seen is a distorted reflection of itself."—Ben Jackson, Times Higher Education Supplement

    This book contains the teachings and meditations Lama gave at a five-day retreat he led near Melbourne, Australia, which he introduced by saying: "Whether or not this five-day meditation course becomes beneficial is up to you; it depends on your own mind. It's not a lama thing; I'm not going to bring you to enlightenment in this short time... If over the next five days you can begin to recognize the reality of your own nature, this meditation course will have been worthwhile. Therefore, dedicate your actions during this time to discovering inner freedom through recognizing the negative characteristics of your own uncontrolled mind."

    Other tellings can be found under "all editions," each credited to its respective storyteller.

    K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.