Sometimes you try and it’s just so boring and impenetrable that you can’t get through it. And then, even worse, sometimes you’re asked to take a test or write a paper about it. If that sounds familiar, then BookHacker was designed for you.BookHacker summaries strip away all the subtlety and stuffiness of literature’s classic works (100% “thou”-free guaranteed) and get right to the point. Taking away all the guess work, BookHacker presents the book's warm gooey center in a concise, logical and entertaining way. Just because literary classics can be dry and boring doesn't mean understanding them has to be.In Harper Lee's To Kill A Mockingbird, BookHacker gets to the essence of what’s going down in Depression-era Maycomb, Alabama. Told through the eyes of Scout Finch, whose youthful idealism is being chipped away by the evils of her small, Southern town, BookHacker walks you through a fight for justice her father Atticus cannot win. It's his unerring dedication to protecting the innocent (and his badass sniper skills) that gives her hope."I'm not going to lie--I used this to get out of having to read the book for class and it worked" Steven, 10th grade

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“This was surprisingly cool and honest. Would I want my teachers to know I used it? No, but that's why it's worth buying." Andrew, 12th gradeBOOKHACKER BREAKDOWN:1. Executive Summary - This is the Who, What, Where, When, Why, How in 60 seconds or less.2. Plot - We do the reading so you don’t have to. The essential plot points of the story.3. Scenes - Every great story has a number of number of important moments that are crucial (read: "testable") to its understanding. These are those.4. Characters - If you can’t figure out what this section is about, you should probably be coloring.5. Analysis - Themes, symbolism, and all manner of insufferable literary nonsense.6. Quotes - All the intimacy of the book with none of the commitment.7. Popular Culture - Books have a way of finding their place in the cultural consciousness. You might want to know about that.8. Extras - Media, links and leftovers.

    

    For outsiders, Pyrrus usually means a quick and painful death, but DinAlt is fleeing the crooked casino masters of Cassylia - where he just broke the bank. But DinAlt is not prepared for the hellish Pyrrus, where every living thing seems bent on exterminating mankind.In DEATHWORLD 2 (originally published as THE ETHICAL ENGINEER), Jason DinAlt finds himself on a hostile, barbarian planet where technology and civilization have almost disappeared. Using his skills, DinAlt literally reinvents the wheel in his quest to escape and return to his friends on Pyrrus.

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    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    

    The books penned by him are well known all over the world, although they were not so popular during Lovecraft's life. The main theme of his creativity is the Cthulhu Mythos. Lovecraft created an entire fictional world; his tales are even classified into a subgenre known as Lovecraftian horror. The tales The Call of Cthulhu, The Color Out of Space, Dagon and others are among the most famous works of Howard Lovecraft.

    What’s wrong with that?Absolutely nothing. After ten, fun filled years in London, Zoe Tydeman has returned to the sleepy Wiltshire village of her childhood. She’s bought a house, got herself a lovely new job in a craft shop, and she’s finally growing up and moving on. She’s put behind her the mistakes of the past and life is now sunshine and smiles.Until a pink envelope lands on her doormat. ‘Save the Date’ has never hurt so much. Her best friends are getting married. A love she hoped would fizzle out has become permanent, very permanent. Where exactly does that leave Zoe? A singleton at the kids’ table, that’s where.Will Zoe get over her unrequited love? Can she forgive her friends? Is it time to stop wasting time and get over herself?Join Zoe on her quest to get a life – of her own.A romantic comedy for all those who feel let down by love.

    It was Saturday and a half-holiday; it was that one day of all the year when the seasons change places when winter is visibly worsted and summer with warmth and relaxation bathing and tennis and motor trips in the moonlight becomes again a reality.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

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    You aim to get out in the next hour or so?" Bud looked up to see that the bus was parked at the Bennett's drive. He squeezed past Get Umberdehoven and ran up the drive, stopping long enough to ruffle Shep's ears when he came bounding to meet him. Daydreaming about Old Yellowfoot had made him feel better. The arrival of Gram and Gramps' children and grandchildren was as certain as the rising of the sun. Bud knew that they would displace him, for they belonged and he did not. But Christmas was not yet at hand and, maybe, if he wished hard enough, it never would come. Anyhow, there were at least the days before Christmas, and he decided to live for today and let tomorrow take care of itself. In spite of the snow, Gramps was working on the little building that Munn Mackie had brought in his truck. Gramps had installed new and larger windows, put in insulation and rebuilt the door and hung it on new hinges. He was replacing some of the outside boards when Bud came up. Bud asked no questions although now he wanted to. But he had ignored the building the day it was delivered, and pride prevented his asking about it now. "By gummy," Gramps said over the blows of his hammer, which were strangely muffled in the storm, "sure looks as though we hit it right." "We sure did," Bud agreed. Gramps said solemnly, "Got the same feeling in my bones as I had just before we caught Old Shark. Only this feeling's 'bout Old Yellowfoot. We'll nail him sure before the season's out." "Gee! Are you sure?" Bud said, his reserve gone. "Sure's a body can be 'thout putting it down on paper and swearing to it in front of Squire Sedlock. Yep. We're going to lay that old tyrant low." "Gee!" Bud said again. "That'll be something! I'll run along and change." "Come out when you're set if you've a mind to." The storm-muffled thumps of Gramps' hammer were magic in Bud's ears as he ran around to the kitchen door, for in his imagination they had become...

    But a few strong people are determined to change their fate. The Bear, a veteran Russian mafia boss, hopes for a peaceful retirement but is dragged back to Moscow when his son is seduced by the wealth and power of the corrupt Russian state. Ambitious MI6 agent Rose Clarke targets the Bear's mysterious daughter-in-law, but this leads her into a horrific and life-threatening trap. Mercenary and rebel John Fairchild unlocks the secrets of his past and wakes a potent and cruel force lying dormant since the Cold War. In untangling a mystery he has unleashed a monster which threatens everyone he cares about. Can they resist Moscow’s power, or will they all be obliterated by its ruthless determination to control everything? Book 2 in the Clarke and Fairchild series of gripping spy thrillers.

    

    Unlike other e-book editions, the text and chapters are perfectly set up to match the layout and feel of a physical copy, rather than being haphazardly thrown together for a quick release. This edition also comes with a linked Table of Contents for both the list of included books and their respective chapters. Navigation couldn't be easier. Purchase this Edgar Rice Burroughs Collection and treat yourself to the following list of works by this classic author:A Princess of Mars (J.C. 1/5)Tarzan of the ApesThe Return of TarzanAt the Earth's CoreThe Beasts of TarzanThe Gods of Mars (J.C. 2/5)The MuckerThe Son of TarzanJungle Tales of TarzanThe Lost ContinentThe Oakdale AffairOut of Time's AbyssThe Land that Time ForgotThe People that Time ForgotThe Warlord of Mars (J.C. 3/5)Tarzan the UntamedThuvia, Maid of Mars (J.C. 4/5)Tarzan the TerribleThe Efficiency ExpertThe Chessmen of Mars (J.C. 5/5)PellucidarThe Mad KingThe Outlaw of TornThe Monster Men