He enlists private detectives Edward and Cynthia Randall to follow him and uncover his identity, entangling them in a web of intrigue and nightmarish encounters… causing all to question their own and each others' sanity. From the bestselling author of STRANGER IN A STRANGE LAND, GLORY ROAD and STARSHIP TROOPERS.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    He wrote some of his books under the pseudonyms Dod Grile and J. Milton Sloluck. Bierce's lucid, unsentimental style has kept him popular when many of his contemporaries have been consigned to oblivion. His dark, sardonic views and vehemence as a critic earned him the nickname, "Bitter Bierce. " Such was his reputation that it was said his judgment on any piece of prose or poetry could make or break a writer's career. His short stories are considered among the best of the 19th century, providing a popular following based on his roots. He wrote realistically of the terrible things he had seen in the war in such stories as An Occurrence at Owl Creek Bridge, Killed at Resaca, and Chickamauga. His works include: The Fiend's Delight (1873), Cobwebs from an Empty Skull (1874), Black Beetles in Amber (1892), Fantastic Fables (1899), Shapes of Clay (1903), A Son of the Gods, and A Horseman in the Sky (1907), Write It Right (1909) and A Cynic Looks at Life (1912).

    Wodehouse novels and story and article collections, with active table of contents. Illustrated with 10 unique illustrations.The Adventures of SallyThe Clicking of CuthbertThe Coming of BillA Damsel in DistressDeath At The Excelsior, and Other StoriesThe Gem CollectorThe Girl on the BoatThe Gold BatThe Head of Kay'sIndiscretions of ArchieThe Intrusion of JimmyJill the RecklessThe Little NuggetThe Little WarriorLove Among the ChickensA Man of MeansThe Man Upstairs and Other StoriesThe Man With Two Left Feet And Other StoriesMikeMike and PsmithMy Man JeevesNot George Washington, An Autobiographical NovelPiccadilly JimThe Politeness of Princes and Other School StoriesThe PothuntersA Prefect's UnclePsmith in the CityPsmith, JournalistRight Ho, JeevesSomething NewThe Swoop! or How Clarence Saved EnglandTales of St. Austin'sThree Men and a MaidUneasy MoneyThe White FeatherA Wodehouse Miscellany, Articles & Stories

    Reily, a gay man living contentedly in South Carolina, never expects to find himself raising a child. But when his sister and her husband die in an accident, their will makes him guardian of their infant son.

    This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program.

    Despite his tyrannical tendencies, he cherished her above all—a fact made clear by his surprising bequest. In her early twenties, she intends to follow in his illustrious footsteps in the field of law. And now she is the beneficiary not only of his vast financial assets, but of Clouds—the stunning sandstone house in New South Wales with a breathtaking view of the Blue Mountains and a bountiful garden of fragrant flowers. Unfortunately, not everyone is pleased for her.   Charlotte’s grasping aunt and uncle, as well as her controlling, entitled cousin cannot hide their fury. As rivalries simmer and naked greed roils the socially prominent clan, only Brendon Macmillan, Charlotte’s longtime friend, seems genuinely happy for her—despite the bitter, scandalous history between their families. Charlotte’s dream is to use the funds to open a shelter for abused women, and Brendon intends to support and protect her. But often, more money means more betrayals, secrets, and lies—and as Charlotte tries to determine who she can trust, she may be a woman in danger herself…   “If you’ve never read Margaret Way before, you’re in for a treat!” --New York Times bestselling author Diana Palmer

     Before you can say Pensioner Barbie she’s in a stolen car, heading to the North Yorkshire coastal village of Kearton Bay in search of the father she never knew, with only her three-year-old daughter and a family-sized bag of Maltesers for company. Ignoring the pleas of her uncle, chat show presenter Joe Hollingsworth, Eliza determines to find the man who abandoned her mother and discover the reason he left them to their fate. All she has to go on is his name – Raphael – but in such a small place there can’t be more than one angel, can there? Gabriel Bailey may have the name of an angel but he’s not feeling very blessed. In fact, the way his life’s been going he doesn’t see how things can get much worse. Then Eliza arrives with her flash car and designer clothes, reminding him of things he’d rather forget, and he realises that if he’s to have any kind of peace she’s one person he must avoid at all costs. But with the help of beautiful Wiccan landlady, Rhiannon, and quirky pink-haired café owner, Rose, Eliza is soon on the trail of her missing angel, and her investigations lead her straight into Gabriel’s path. As her search takes her deeper into the heart of his family, Eliza begins to realise that she’s in danger of hurting those she cares about deeply. Is her quest worth it? And is the angel she’s seeking really the one she’s meant to find?

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    But she believes in fate and destiny, and after finding Colton Amory’s CD in a thrift store grab bag, Jami knows it’s serendipity that she’s heard his song now. “Baby I’ll Find You” speaks to her heart, right when she needs it most. So, off she goes to the wilds of Yosemite to discover why Colton Amory hasn’t written another song in seven years.The only problem? The man who wrote such beautiful music turns out to be a self-pitying jerk. Or so it seems, until Jami digs deeper.Seven years ago, Cole Amory had a flourishing musical career and a little girl who was his pride and joy. In one split second, he lost it all. He hasn’t written a lyric or played a note since. Buried in a small Yosemite town, he’s now a fry cook at a fast-food joint. And he doesn’t need a woman with stars in her eyes opening all his old wounds and guilt.Can two people with nothing left to lose find it all?BABY, I’LL FIND YOU is a contemporary romance of approximately 98,000 words / 385 pages. The book contains the following bonus material: excerpts from DEAD TO THE MAX and REVENGE SEX by Jasmine Haynes and SHE'S GOTTA BE MINE, Cottonmouth Book 1, by Jennifer SkullyAUTHOR BIOGRAPHYJennifer Skully is the award-winning author of SEX AND THE SERIAL KILLER, FOOL’S GOLD, DROP DEAD GORGEOUS, SHEER DYNAMITE, and IT MUST BE MAGIC. Her sexy contemporary romances will make you laugh out loud. Erotic romance writer Jasmine Haynes is Jennifer Skully’s alternate pseudonym, for those of you looking for the really steamy stuff.

    It's simple to read and simple to follow. Written by experienced English teachers who know how to deal with exams. Buy it! Follow it! Walk into the exam with confidence! A small price for big results. From the 'Annoying Younger Brothers' people.