The second daughter in a family with no sons, she' s been allowed freedoms forbidden to most Muslim girls. But when a tragic encounter with a wealthy and powerful landowner ruins the marriage plans of her older sister, Shabanu is called upon to sacrifice everything she' s dreamed of. Should she do what is necessary to uphold her family' s honor-- or listen to the stirrings of her own heart?

    No, not because his mom died—although she did, and it sucks. But he wears the suit for his gig at the local funeral home, which pays way better than the Cluck Bucket, and he needs the income since his dad can’t handle the bills (or anything, really) on his own. So while Dad’s snagging bottles of whiskey, Matt’s snagging fifteen bucks an hour. Not bad. But everything else? Not good. Then Matt meets Lovey. She’s got a crazy name, and she’s been through more crazy than he can imagine. Yet Lovey never cries. She’s tough. Really tough. Tough in the way Matt wishes he could be. Which is maybe why he’s drawn to her, and definitely why he can’t seem to shake her. Because there’s nothing more hopeful than finding a person who understands your loneliness—and who can maybe even help take it away.

    When Simi accidentally sets up her cousin and a soon-to-be lawyer, her family is thrilled that she has the "gift."But Simi is an artist, and she doesn't want to have anything to do with relationships, helicopter parents, and family drama. That is, until she realizes this might be just the thing to improve her and her best friend Noah's social status. Armed with her family's ancient guide to finding love, Simi starts a matchmaking service-via an app, of course.But when she helps connect a wallflower of a girl with the star of the boys' soccer team, she turns the high school hierarchy topsy-turvy, soon making herself public enemy number one.

    Here, in the sometimes too close embrace of the local Southern Sudanese Community, she dreams of South Sudan while she tries to navigate the strange world of America a world where a girl can wear a short skirt, get a tattoo or even date a boy; a world that puts her into sharp conflict with her traditional mother who, like Viola, is struggling to braid together the strands of a displaced life.Terry Farish's haunting novel is not only a riveting story of escape and survival, but the universal tale of a young immigrant's struggle to build a life on the cusp of two cultures.

    But when Comrade Li, one of Mao's political officers, moves into a room in their apartment, Ling begins to witness the gradual disintegration of her world. In an atmosphere of increasing mistrust, Ling fears for the safety of her neighbors and, soon, for herself and family. Over the course of four years, Ling manages to grow and blossom, even as she suffers more horrors than many people face in a lifetime.

    But on the anniversary of his death, not long before her seventeenth birthday, she finds a mysterious letter from her deceased father, addressed to her stepfather. Claire never even knew that they had met.Claire knows she should let it go, but she can’t shake the feeling that something’s been kept from her. In search of answers, Claire combs through anything that will give her information about her father... until she discovers he was a member of the yakuza, the Japanese mafia. The discovery opens a door that should have been left closed.So begins the race to outrun his legacy as the secrets of her father’s past threaten Claire’s friends and family, newfound love, and ultimately her life.

    The most daring abolitionists were poets who veiled their work in metaphor. Of these, the boldest was Gertrudis Gómez de Avellaneda, nicknamed Tula. In passionate, accessible verses of her own, Engle evokes the voice of this book-loving feminist and abolitionist who bravely resisted an arranged marriage at the age of fourteen, and was ultimately courageous enough to fight against injustice. Historical notes, excerpts, and source notes round out this exceptional tribute.

    She has always been Little Kirtridge, a stellar baseball player, just like her father.2. She’s adopted.These facts have always been part of Alex’s life. Despite some teasing, being a biracial girl in a white family didn’t make much of a difference as long as she was a star on the diamond where her father—her baseball coach and a former pro player—counted on her. But now, things are changing: she meets Reggie, the first black guy who’s wanted to get to know her; she discovers the letters from her biological father that her adoptive parents have kept from her; and her body starts to grow into a woman’s, affecting her game.Alex begins to question who she really is. She’s always dreamed of playing pro baseball just like her father, but can she really do it? Does she truly fit in with her white family? Who were her biological parents? What does it mean to be black? If she’s going to find answers, Alex has to come to terms with her adoption, her race, and the dreams she thought would always guide her.

    And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family. But Julia is not your perfect Mexican daughter. That was Olga’s role. Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed. But it’s not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first kiss, first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister’s story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

    In the early 1980s Ada and Stefan are young, would-be lovers living on opposite sides of the Berlin Wall--Ada lives with her mother and grandmother and paints graffiti on the Wall, and Stefan lives with his grandmother in the East and dreams of escaping to the West.

    But when the soldiers come to her sleepy Cuban town, everything begins to change. Freedoms are stripped away. Neighbors disappear. Her friends feel like strangers. And her family is being watched.As the revolution's impact becomes more oppressive, Lucía's parents make the heart-wrenching decision to send her and her little brother to the United States—on their own.Suddenly plunked down in Nebraska with well-meaning strangers, Lucía struggles to adapt to a new country, a new language, a new way of life. But what of her old life? Will she ever see her home or her parents again? And if she does, will she still be the same girl?The Red Umbrella is a moving story of country, culture, family, and the true meaning of home.

    For two years what has mattered are the number of cacao pods he and his younger brother, Seydou, can chop down in a day. This number is very important. The higher the number the safer they are because the bosses won’t beat them. The higher the number the closer they are to paying off their debt and returning home to Baba and Auntie. Maybe. The problem is Amadou doesn’t know how much he and Seydou owe, and the bosses won’t tell him. The boys only wanted to make some money during the dry season to help their impoverished family. Instead they were tricked into forced labor on a plantation in the Ivory Coast; they spend day after day living on little food and harvesting beans in the hot sun—dangerous, backbreaking work. With no hope of escape, all they can do is try their best to stay alive—until Khadija comes into their lives. She’s the first girl who’s ever come to camp, and she’s a wild thing. She fights bravely every day, attempting escape again and again, reminding Amadou what it means to be free. But finally, the bosses break her, and what happens next to the brother he has always tried to protect almost breaks Amadou. The old impulse to run is suddenly awakened. The three band together as family and try just once more to escape.

    But as their neighborhood goes from rough-and-tumble to up-and-coming, suddenly filled with pretty coffee shops and boutiques, Nikki is thrilled while Maya feels like their home is slipping away. Suddenly, the sisters who had always shared everything must confront their dissenting feelings on the importance of their ethnic and cultural identities and, in the process, learn to separate themselves from the long shadow of their identity as twins.In her inspired YA debut, Renée Watson explores the experience of young African-American women navigating the traditions and expectations of their culture.

    Ellie is wrestling with family demons, and Miah is one of the few African American students. The two of them find each other, and fall in love -- but they are hesitant to share their newfound happiness with their friends and families, who will not understand. At the end, life makes the brutal choice for them.

    Even with her cleft lip and lack of educational opportunities, Jameela feels relatively secure, sustained by her Muslim faith and the love of her mother, Mor. But when Mor dies, Jameela’s father impulsively decides to start a new life in Kabul. Jameela is appalled as he succumbs to alcohol and drugs, then suddenly remarries, a situation that soon has her a virtual slave to a demanding stepmother. After she’s discovered trying to learn to read, Jameela is abandoned in a busy market, eventually landing in an orphanage run by the same army that killed so many members of her family. Throughout it all, the memory of her mother sustains her, giving Jameela the strength to face her father and stepmother when fate brings them together again. Inspired by a true story, and set in a world far removed from that of Western readers, this powerful novel reveals that the desire for identity and self-understanding is universal.