Life and death. And though some say that when you’re near death your entire life flashes before your eyes, Rosie can’t remember anything at all—not even how she ended up in a coma. At least not at first.Then something strange starts to happen. Rosie finds herself revisiting scattered moments from her past: a beach vacation, a play rehearsal, the day her brother was born. But why these memories? And what do they mean?As each piece of the puzzle comes into focus, Rosie struggles to face the picture of her life that forms. But with every look backward comes a glimpse of what might be: A relationship with her sister. The opportunity to pursue her passion. A second chance at love. And Rosie just might discover that she has much to live for.With bighearted emotion and comic sensibility, The Inbetween Days is a life-affirming novel about the little choices that determine our fate and our ever-enduring hope for the future.

    A recent college graduate living in New York City finds himself in a strangely entangled friendship with his dry cleaner and her son. A daughter accompanies her father to Israel, where, seeing a new side of him away from her mother, she makes an unusual bargain.Through thirteen stories, some stand-alone, others woven with linked characters, Kane questions the tensions between friendship and neighborliness, home and travel, family and ambition. In writing filled with wit and humor and incredible poignancy, she deftly reveals the everyday patterns that, over time, can swerve a life off course.

    An eleven-year-old black girl from South Central LA discovers the strangeness of moving to the suburbs and falling in love with a white boy. A pair of enthusiastic middle-aged Iranian sisters debate whether or not their futures hold children. A punk musician falls for a girl out of his league. A black lap dancer gives up her job to move in with her Greek actor boyfriend, who hasn’t managed to get roles in anything but porn movies. Whether bold or rueful, salacious or sweet, each voice in Break Any Woman Down is vibrantly authentic; together they add a fresh and welcome chorus to American literature.

    While she figures out what to do next, she heads back to Florida to live with her grandmother, Nan. But Katie quickly learns there’s a lot she doesn’t know about Nan—like the fact that in her youth Nan was a mermaid performer in a roadside attraction show, swimming and dancing underwater with a close-knit cast of talented women. Although most of the mermaids have since lost touch, Katie helps Nan search for her old friends on Facebook, sparking hopes for a reunion show. Katie is up for making some fabulous costumes, but first, she has to contend with her crippling fear of water. As Katie’s college love Luca, a documentary filmmaker, enters the fray, Katie struggles to balance her hopes with her anxiety, and begins to realize just how much Bark’s fears are connected to her own, in this thoughtful, charming novel about hope after loss and friendships that span generations.

    Vida follows a single narrator, Sabina, as she navigates her shifting identity as a daughter of the Colombian diaspora and struggles to find her place within and beyond the net of her strong, protective, but embattled family.In “Lucho,” Sabina’s family—already “foreigners in a town of blancos”—is shunned by the community when a relative commits an unspeakable act of violence, but she is in turn befriended by the town bad boy who has a secret of his own; in “Desaliento,” Sabina surrounds herself with other young drifters who spend their time looking for love and then fleeing from it—until reality catches up with one of them; and in “Vida,” the urgency of Sabina’s self-imposed exile in Miami fades when she meets an enigmatic Colombian woman with a tragic past.Patricia Engel maps landscapes both actual and interior in this stunning debut, and the constant throughout is Sabina—serious, witty, alternately cautious and reckless, open to transformation yet skeptical of its lasting power. Infused by a hard-won, edgy wisdom, Vida introduces a sensational new literary voice.

    Amy Gustine exhibits an extraordinary generosity toward her characters, instilling them with a thriving, vivid presence.

    He's been avoiding her for weeks, but when one of the football players starts failing her class, Jill decides to corner Liam in the locker room one night after hours, vowing to fight her attraction to the obnoxious man. However, she doesn't count on Liam being able to give as good as he gets, or the steamy seduction of a shower built for two...Liam can't help it if Jill Langer's prickly exterior turns him on, but he knows that the brainy literature professor must want better than a lowly football coach. His preconceptions are shattered the day he discovers that the prim Ms. Langer has a love of steamy, hardcore erotica. When she corners him in the locker room one night, he sets out to prove to her that they may have more in common that she thinks, and that he might just be the man to bring all of her naughty fantasies to life.

    But their seemingly perfect world is ripped apart when their younger daughter, eight-year-old Brenna, runs off after overhearing her parents’ arguing. Out on the streets, she quickly realizes she’s lost. Even more frightening, Brenna soon realizes that a man is following her. Meanwhile, in a townhouse in Brooklyn, Callie Griffin is throwing a birthday party for her one-year-old son, Oliver. The joy of the day is ruined by her sister Lauren’s too short, drive-by appearance. Once close, the two sisters haven’t been able to move past a falling out which took place three years before. When Brenna notices the strange man getting closer, she panics and takes refuge in the Griffin home, befriending their four-year-old daughter, Summer, who is waiting out the party upstairs. As family and friends search for Brenna, her absence helps her father realize the importance of family, even as her presence in the Griffin home unwittingly sets in motion healing for a mother’s heart.

    Then a car accident puts Martin into a coma, and Petra is somehow left picking up the pieces, using friends, family, and shared dreams to keep their surprise connection going.Together they must unlock the truth of his situation, and with time running out, their bond becomes Martin’s best shot at waking back up to the life he's left behind.

    For a thousand years, she fulfills the wishes of greedy masters--building their palaces, lining their pockets with gold, and granting them every earthly pleasure. All that sustains her is the hope of finding Karim, the boy she fell in love with as a human. When at last she finds a note from her beloved, she confirms he has access to the elixir of life and that he still searches for her. But someone else also hunts her. Faruq--the man who plots to use her powers to murder and seize the life forces of others--is just one step behind her. With the help of a kind master named Nathan, Adeelah continues to search for Karim while trying to evade Faruq. To complicate matters, she begins to experience growing fatigue and pain after conjuring, and finds herself struggling against an undeniable attraction to Nathan. As Faruq closes in, Adeelah must decide just how much she'll risk to protect Nathan and be with Karim forever. How much power does she really have to change her future, and what is she willing to sacrifice for an eternity of love? If she makes the wrong choice, the deaths of many will be on her hands.

    If you enjoy small 'bite-size' stories, or are a fan of micro-fiction and flash fiction, you'll appreciate these sharply written, miniature creations from a "masterful wordsmith."

    In "Play the Man" a high-school basketball player aspires to a college scholarship, in "Elephant Doors", a production assistant on a game show moonlights as a stand-up comedian, and in the collection’s last story, the immensely moving “Costello”, a middle-aged plumbing supplies salesman comes to terms with the death of his wife. The men in Gavin’s stories all find themselves stuck somewhere in the middle, caught half way between their dreams and the often crushing reality of their lives. A work of profound humanity that pairs moments of high comedy with searing truths about life’s missed opportunities, Middle Men brings to life a series of unforgettable characters learning what it means to love and work and be in the world as a man, and it offers our first look at a gifted writer who has just begun teaching us the tools of his trade.

    . . an alphabet soup of -delight in language. Eat up."—Alice Sebold"Brilliant. Wildly inventive, profane, and hilarious."—Bret Easton EllisThe author of the acclaimed cult classic Dear Dead Person ("refreshing, nauseating, hilarious"—Kirkus) returns with this long-awaited collection of brilliantly written and outrageously imaginative short stories.Benjamin Weissman is the author of Dear Dead Person (High Risk/Serpent’s Tail, 1995). He is a contributing editor to Bomb Magazine and writes regularly for the contemporary art magazines Parkett and Artforum. A painter and a professor at Art Center College of Design and Otis College of the Arts, he now lives in Los Angeles.

    And just when his diagnosis of autism sends her life reeling, she's dragged back into the orbit of her emotionally abusive father, Lance, after a heart attack leaves him with brain damage.Fred is in need of a friend. Lance is in need of care. And Piper just wants to feel stable ground beneath her feet. What she never expects is that Fred and Lance--both misunderstood by the world--will start to connect in the most miraculous of ways...

    Here Mason writes about love with stunning insight and variety.