The protagonist, a writer, is at a publisher-sponsored retreat to finish his novel. The beauty of the location however cannot compensate for the anxiety and hallucinations he experiences while watching a flock of brown birds pass by his window, and his sense of temporal disorientation is further compounded by the appearance of a strange woman who calls him Ge Fei. Fiction and reality blend into one as the story unfolds. Ge Fei’s prose renders in exquisite detail the fragility of time."It is impossible to enter the deeper aspects of contemporary Chinese literature without also entering the world of Ge Fei." - Enrique Vila-Matas

    The August Sleepwalker is an extremely popular book (30,000 copies sold in China in one month) which was quickly banned by the Chinese government. The collection includes all of the poems Bei Dao published between 1970 and 1986. Bei Dao has lived in exile since the Tiananmen Incident. He is widely esteemed as one of contemporary China's most significant writers. His work is experimental, and subjective, while remaining passionately engaged in the individual's response to a disordered world.

    Its author Gu Hua was brought up in the Wuling Mountains of south Hunan. He presents the ups and downs of some families in a small mountain town there during the hard years in the early sixties, the "cultural revolution," and after the downfall of the "gang of four." He shows the horrifying impact on decent, hard-working people of the gang's ultra-Left line, and retains a sense of humor in describing the most harrowing incidents. In the end wrongs are righted, and readers are left with a deepened understanding of this abnormal period in Chinese history and the sterling qualities of the Chinese people.

    Captive to household ritual, to the strategies and contempt of her sisters-in-law, and to the exacting dictates of her husband's mother, Yindi is pressed beneath the weight of an existence that offers no hope of change. Dramatic events in the outside world fail to make their way into this insular society. Chang's brilliant portrayal of the slow suffocation of passion, moral strength, and physical vitality—together with her masterful evocation of the sights, smells, and sounds of daily existence—make The Rouge of the North a remarkable chronicle of a vanished way of life.

    Liu Pei, the legitimate heir to the Han throne, elects to fight for his birthright and enlists the aid of his sworn brothers, the impulsive giant Chang Fei and the invincible knight Kuan Yu. The brave band faces a formidable array of enemies, foremost among them the treacherous and bloodthirsty Ts'ao Ts'ao. The bold struggle of the three heroes seems doomed until the reclusive wizard Chuko Liang offers his counsel, and the tide begins to turn.Romance of the Three Kingdoms is China's oldest novel and the first of a great tradition of historical fiction. Believed to have been compiled by the play-wright Lo Kuan-chung in the late fourteenth century, it is indebted to the great San-kuo chi (Chronicles of the Three Kingdoms) completed by the historian Ch'en Shou just before his death in 297 CE. The novel first appeared in print in 1522. This edition, translated in the mid-1920s by C. H. Brewitt-Taylor, is based on a shortened and simplified version which appeared in the 1670s. An Introduction to this reprint by Robert E. Hegel, Professor of Chinese and Comparative Literature at Washington University, provides an insightful commentary on the historical background to the novel, its literary origins and its main characters.

    Against the vivid, gritty backdrop of 1980s China, Lu Yao traces the proud and passionate Gao Jialin’s difficult path to professional, romantic, and personal fulfillment—or at least hard-won acceptance.With the emotional acuity and narrative mastery that secured his reputation as one of China’s great novelists, Lu Yao paints a vivid, emotional, and unsparing portrait of contemporary Chinese life, seen through the eyes of a working-class man who refuses to be broken.

    A couple grows a plant that blooms underground, invisibly, to their long-time neighbor's consternation. A cat worries about its sleepwalking owner, who receives a mysterious visitor while he's asleep. After a ten-year absence, a young man visits his uncle, on the twenty-fourth floor of a high-rise that is floating in the air, while his ugly cousin hesitates on the stairs . . . Can Xue is a master of the dreamscape, crafting stories that inhabit the space where fantasy and reality, time and timelessness, the quotidian and the extraordinary, meet. The stories in this striking and lyrical new collection-- populated by old married couples, children, cats, and nosy neighbors, the entire menagerie of the everyday-- reaffirm Can Xue's reputation as one of the most innovative Chinese writers in a generation.

    Second Edition. POKER is Tomaz Salamun's first book of poetry, originally published in 1966 in Slovenia. This edition, vibrantly translated by award-winning poet Joshua Beckman in collaboration with the author, makes POKER available in its entirety in English. Poker was a finalist for the PEN American prize for poetry in translation. " ...the poetry of Tomaz Salamun is truly one of the wonders of the literary world"—John Bradley (in Rain Taxi)."...the wonderfully mystical, synaesthetic, and visionary poems of this book make a strange yet immediate sense"—Noah Eli Gordon (in The Poetry Project Newsletter).

    Traveling from his rural home in Freshwind to the city of Xi’an, Happy brings only an eternally positive attitude, his devoted best friend Wufu, and a pair of high-heeled women’s shoes he hopes to fill with the love of his life.In Xi’an, Happy and Wufu find jobs as trash pickers sorting through the city’s filth, but Happy refuses to be deterred by inauspicious beginnings. In his eyes, dusty birds become phoenixes, the streets become rivers, and life is what you make of it. When he meets the beautiful Yichun, he imagines she is the one to fill the shoes and his Cinderella-esque dream. But when the harsh city conditions and the crush of societal inequalities take the life of his friend and shake Happy to his soul, he’ll need more than just his unrelenting optimism to hold on to the belief that something better is possible.

    It's punk, dealing with the harsh realities lived by the millions of city-dwellers struggling to get by in the grey economy. Dunhuahg, recently out of prison for selling fake IDs, has just enough money for a couple of meals. He also has no place to stay and no prospects for earning more yuan. When he happens to meet a pretty woman selling pirated DVDs, he falls into both an unexpected romance and a new business venture. But when her on-and-off boyfriend steps back into the picture, Dunhuahg is forced to make some tough decisions. Running Through Beijing explores an underworld of constant thievery, hardcore porn, cops (both real and impostors), prison bribery, rampant drinking, and the smothering, bone-dry dust storms that blanket one of the world's largest cities. Like a literary Run Lola Run, it follows a hustling hero rushing at breakneck speed to stay just one step ahead. Full of well-drawn, authentic characters, Running Through Beijing is a masterful performance from a fresh Chinese voice.

    These flawlessly crafted stories—unflinching in their honesty, yet balanced with humor and compassion—take us into the small towns and dirt roads that are home to the people who make China run. In the title story, a shopkeeper confronts a child thief and punishes him without mercy. “Victory” shows a young couple shaken by the husband’s infidelity, scrambling to stake claims to the components of their shared life. “Sweltering Summer” centers on an awkward young man who shrewdly uses the perks of his government position to court two women at once. Other tales show, by turns, two poor factory workers who spoil their only son, a gang of peasants who bully the village orphan, and a spectacular fistfight outside a refinery bathhouse. With sharp language and a keen eye, Yu Hua explores the line between cruelty and warmth on which modern China is—precariously, joyfully—balanced. Taken together, these stories form a timely snapshot of a nation lit with the deep feeling and ready humor that characterize its people. Already a sensation in Asia, certain to win recognition around the world, Yu Hua, in Boy in the Twilight, showcases the peerless gifts of a writer at the top of his form.

    Set in the rural China in which Xiao grew up, these two masterpieces expand on many themes, including the plight of peasants and the role of women in society. With a realistic style that has been said to rival "Tolstoy's sweep, FlaubertÂ�s detachment and Ba JinÂ�s compassion," Xiao gives us an unflinching, surprisingly lyrical, and often wryly humorous account of the difficult lives of these characters. This is an updated and extensively revised new edition.

    At age nineteen in 1990s China, he feels pressure to follow suit with those around him and takes a job at the town’s saccharin factory. Slowly, he adjusts to the bureaucratic factory routine, making the best of the situation by bonding with coworkers, flirting with girls, and refusing to give in completely to the expectations of those around him.As Lu Xiaolu finds his way, a startling portrait of an economically expanding China comes into view; the propaganda of a common goal gives way to a bottom-line system that he sees as indifferent to individual happiness. But thanks to the relationships he develops, Lu Xiaolu decides to fight for the life he wants.

    Events in Fragrants Lotus' life twist and unfold in a series of witty and often wicked ironies, obliterating easy distinctions between kindness and cruelty, history and fable, forgery and authentic work. The novel's waggish narrator exists in the tension between judgement and description, wryly deflating his reader's certainties along the way. Written in 1985, The Three-Inch Golden Lotus is a deeply affecting, thoroughly enjoyable literary revelation.

    The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986), Between Life and Death (1991), Dialogue and Rebuttal (1992), Nocturnal Wanderer (1993), and Weekend Quartet (1995). With original imagery and in beautiful language, these plays illuminate the realities of life, death, sex, loneliness, and exile. The plays also show the dramatist's idea of the tripartite actor, a process by which the actor neutralizes himself and achieves a disinterested observation of his self in performance. An introduction by the translator describes the dramatist and his view on drama.