In a few terrible seconds the life of a family is shattered. And a mother's quest beings - to save her maimed daughter and a horse driven mad by pain. It is an odyssey that will bring her to...THE HORSE WHISPERERHe is the stuff of legend. His voice can calm wild horses and his touch heal broken spirits. For secrets uttered softly into pricked and troubled ears, such men were once called Whisperers. Now Tom Booker, the inheritor of this ancient gift, is to meet his greatest challenge.Annie Graves has traveled across a continent with her daughter, Grace, and their wounded horse, Pilgrim, to the Booker ranch in Montana. Annie has risked everything - her career, her marriage, her comfortable life - in her desperate belief that the Whisperer can help them. The accident has turned Pilgrim savage. He is now so demented and dangerous that everyone says he should be destroyed. But Annie won't give up on him. For she feels his fate is inextricably entwined with that of he daughter, who has retreated into a heartrending, hostile silence. Annie knows that if the horse dies, something in Grace will die too.In the weeks to come, under the massive sky of the Rocky Mountain Front, all their lives - including Tom Booker's - will be transformed forever in a way none could have foretold. At once an epic love story and a gripping adventure, The Horse Whisperer weaves an extraordinary tale of healing and redemption - a magnificent emotional journey that explores our ancient bonds with earth and sky and hearts untamed. It is a stirring elegy to the power of belief and self-discovery, to hopes lost and found again.

    Travel—actual and imaginary—remains a passion and inspiration, and in these pages the poet also finds “This sanctified ground / Here, yes, here / The dead solid center of the universe / At the heart of the heart of America.”

    LIndbergh's poems are a joy for their clarity and restraint and for the feeling which so swiftly flows from the word to the listener.'- Edward Weeks, Atlantic Monthly.

    It was nominated for all three major American book awards: the National Book Critics Circle Award, the Pulitzer Prize for Poetry, and the American Book Award.

    The much-anticipated poetry chapbook by Sam Pink, author of the cult favorites Person and I Am Going to Clone Myself Then Kill the Clone and Eat It, who the Los Angeles Review of Books called, “Simply one of the best, darkest, funniest, wildest, and [most] touching writers we’ve got.”

    This collection speaks of one's aching for the unknown, the desperate need to become known to ourselves, and just how healing love can be. Alison Malee writes of love, heartache, and healing with a truthful and delicate touch.This collection is for anyone who has ever felt lost and for those who were triumphant in finding themselves along the way.

    Veil contains poems from five of Armantrout's previous books as well as a generous selection of new poems. Her work relies tenaciously on the intelligibility of language, her careful syntax bordering on plain speech and meticulously scored lines always questioning how linguistic subjects are formed. Armantrout is interested in questions of origin, and the psychology of perception; she is interested in who is speaking and how we know what we know. Fans will welcome the chance to become reacquainted with her witty and lyric meditations on erotic and family issues, and new readers will be captivated by her poems' immediate availability and freshness.

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    Amazing in its thematic range and stylistic breadth, his poetry "leaps continents and covers war and peace, intolerance and human striving . . . a passionate and essential edition of his collected poems" ( The New York Times).

    in black-and-white. This classic collection of poetry is available in a handsome new gift edition that includes seven additional poems written after The Dream Keeper was first published. In a larger format, featuring Brian Pinkney's scratchboard art on every spread, Hughes's inspirational message to young people is as relevant today as it was in 1932.

    . . any Ruefle poem is an occasion of resonant wit and language, subject to an exacting intelligence."—Rodney Jones, Poetry Society of America, William Carlos Williams Award citationTrances of the Blast is a major new collection from recent National Book Critics Circle Award finalist Mary Ruefle. Full of Ruefle's particular wisdom and wit, the poems deliver her imaginative take on the world's rifts—its paradoxes, failures, and loss—and help us better appreciate its redeeming strangeness.If only I'd understood that lonelinesswas just loneliness, only lonelinessand nothing more.But I was blind.Little did I know.If only I'd invented salt.I might have died happy.I wish I loved you,but you can't have everything.Mary Ruefle is the author of many books of prose, poetry, and erasures. She is the recipient of the William Carlos Williams Award, an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. Her book of lectures, Madness, Rack, and Honey, was named a finalist for the 2012 National Book Critics Circle Award. She lives and teaches in Vermont.

    Hall's new poems further the themes of love, death, and mourning so powerfully introduced in his WITHOUT (1998), but from the distance of passed time. A long poem, "Daylilies on the Hill 1975 - 1989," moves back to the happy repossession of the poet's old family house and its history - a structure that "persisted against assaults" as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing - "mania is melancholy reversed," as Hall writes in another long poem, "Kill the Day." In this book's fourth and final section, "Ardor," the poet moves toward acceptance of new life in old age; eros reemerges.