As she travels the wastelands, she discovers a power within herself, a power she believes no other human possesses. That is, until she meets others like her – the ones who call themselves the Starborn. These super-humans are on a mission also: to destroy the undead greyskins, and take down the greedy Jeremiah. Mora must now choose between the one who can keep her family safe, and those that can show her who she truly is.

    It's only the technological singularity. Blake Given’s web-enabled fridge has pulled the plug on the Internet, turning its owner’s life – and the whole world – upside down.Blake has modest ambitions for his life. He wants to have his job reclassified, so he can join the Creative Department of the advertising firm where he works. And he wants to go out with Daphne, one of the account execs at the same company. His fridge has other plans. All Blake knows is he’s at the center of the Internet’s disappearance, worldwide economic and religious chaos, and the possibility of a nuclear apocalypse — none of which is helping him with his career plans or love life. The Fridgularity is the story of a reluctant prophet, Internet addicts in withdrawal and a kitchen appliance with delusions of grandeur.

    In Bones, our hero must battle a plague of dangerous parasites that brings the dead back to life with the goal of destroying the planet. Shepherd finds Bones delivered to earthquake-devastated Los Angeles to hunt for survivors only to run afoul of armies of rage-driven rats and birds emerging from the rubble. And when mankind reaches its final hour and a pocket of surviving Indians are all that's left of humanity, it falls on Bones to save the species before civilization is wiped out forever in Alpha.Three Apocalyptic novellas of nature run amok, three interwoven stories that feature a German shepherd at the center of the things, three stories with so much action you might just explode reading them. Includes prequel short story, Mongrel.Praise for Wheaton's Four Nails in the Coffin: "Remarkably character-driven...Wheaton convincingly showcases his talents as a writer of horror prose, taking his time to craft characters who are thoroughly fleshed out and engaging without holding off too long on the suspense...proves here to be a quite gifted storyteller undeniably worthy of an interested reader's time and attention." - Michael Compton, Fangoria "Genuinely twisted and engrossing...may just leave you shaken for days." - Jessa Sobczuk, Rue Morgue [referring to Sunday Billy Sunday] "This is muscular, original fiction that marks the debut of an exciting new voice in the speculative/dark fantasy genre." - Michael Rowe, editor of the Queer Fear anthology series and co-author of Triptych of Terror "His tales are visceral, intellectual, and often grisly, but Wheaton never forgets that touch of humanity and wry humor which allow true horror to cut that much deeper to the bone." - Ken Plume, author, There's a Zombie In My Treehouse "Wheaton's writing is haunting. Days, weeks, even months later, you will find your mind returning to his worlds. Stephen King is no longer my only addiction." - Todd Farmer, screenwriter, Drive Angry"Mark Wheaton is a magician.  He misdirects you with accessibility while performing tricks of genius.  Don't try to figure out how he does it - just enjoy the show.  Four Nails in the Coffin is a shotgun blast to the brain. In a good way." - Gary Dauberman, screenwriter, Swamp Devil

    In Los Angeles, Raymond and Mia James are about to lose their house. Within days, none of it will matter.When Vanessa dies of the flu, Walt is devastated. But she isn't the last. The virus quickly kills billions, reducing New York to an open grave and LA to a chaotic wilderness of violence and fires. As Raymond and Mia hole up in an abandoned mansion, where they learn to function without electricity, running water, or neighbors, Walt begins an existential walk to LA, where Vanessa had planned to move when she left him. He expects to die along the way.Months later, a massive vessel appears above Santa Monica Bay. Walt is attacked by a crablike monstrosity in a mountain stream. The virus that ended humanity wasn't created by humans. It was inflicted from outside. The colonists who sent it are ready to finish the job--and Earth's survivors may be too few and too weak to resist.

    She and her two best friends plan on hitting all the panels, photo ops, and meeting the heartthrob lead of their favorite zombie apocalypse show Human Wasteland.And when they arrive everything seems perfect, though June has to shrug off some weirdness from other fans—people shambling a little too much, and someone actually biting a cast member. Then all hell breaks loose and June and her friends discover the truth: real zombies are taking over the con. Now June must do whatever it takes to survive a horde of actual brain-eating zombies—and save the world.

    She goes to public high school. She argues with her father. She’s human.And then every day in between . . . she’s something else entirely.Though she still looks like herself, every twenty-four hours predatory instincts take over and Kali becomes a feared demon-hunter with the undeniable urge to hunt, trap, and kill zombies, hellhounds, and other supernatural creatures. Kali has no idea why she is the way she is, but she gives in to instinct anyway. Even though the government considers it environmental terrorism.When Kali notices a mark on the lower back of a popular girl at school, she knows instantly that the girl is marked for death by one of these creatures. Kali has twenty-four hours to save her, and unfortunately she’ll have to do it as a human. With the help of a few new friends, Kali takes a risk that her human body might not survive . . . and learns the secrets of her mysterious condition in the process.

    At first, reports trickled across the wire in small segments relegated to the final seconds of the broadcast news. Lost among stories of failing economies and political bickering, few noticed what proved to be the birth pangs of a monster. Within months, the disease dominated the news as thousands died and infection rates soared.William Hill knew his chances of avoiding the virus sat squarely between slim and none. With experts predicting a global pandemic, his choices boiled down to not if, but where he would die. While the rest of the world built barricades and set up distribution points for food, he chose a simpler end. The island had been one of the last and best times with his father. He couldn’t think of a better place to spend his final days.He wanted sun and sand, fresh fish on the grill and cool nights by the campfire. He wanted feel-good days filled with oldies on the radio, days when he could hoist the sails and run before the wind. He didn’t set out to make enemies, but he did. He didn’t plan on becoming humanity’s last hope for survival, or watching over an old woman and an eerie little boy either.To William Hill, the island seemed as good a place as any to die.He just didn’t realize how good.

    She's never been able to see her lush forest home, but she knows its secrets. She knows how the shadows shift when she passes under a canopy of trees. She knows how to hide in the cool, damp caves when the Scourge comes. She knows how devious and arrogant the Groundlings' tree-dwelling neighbors, the Lofties, can be. And she's always known this day would come—the day she faces the Scourge alone. The Sightless, like Fenn, are mysteriously protected from the Scourge, the gruesome creatures roaming the forests, reeking of festering flesh and consuming anything—and anyone—living. A Sightless Groundling must brave the Scourge and bring fresh water to the people of the forest. Today, that task becomes Fenn's. Fenn will have a Lofty Keeper, Peree, as her companion. Everyone knows the Lofties wouldn’t hesitate to shoot an arrow through the back of an unsuspecting Groundling like Fenn, but Peree seems different. A boy with warm, rough hands who smells like summer, he is surprisingly kind and thoughtful. Although Fenn knows his people are treacherous, she finds herself wanting to trust him. As their forest community teeters on the brink of war, Fenn and Peree must learn to work together to survive the Scourge and ensure their people’s survival. But when Fenn uncovers a secret that shatters her truths, she’s forced to decide who and what to protect—her people, her growing love for Peree, or the elusive dream of lasting peace in the forest.

    Resented by his parents, abandoned by his friends, and reviled by a society that no longer considers him human, Andy is having a bit of trouble adjusting to his new existence. But all that changes when he goes to an Undead Anonymous meeting and finds kindred souls in Rita, an impossibly sexy recent suicide with a taste for the formaldehyde in cosmetic products, and Jerry, a twenty-one-year-old car-crash victim with an exposed brain and a penchant for Renaissance pornography. When the group meets a rogue zombie who teaches them the joys of human flesh, things start to get messy, and Andy embarks on a journey of self-discovery that will take him from his casket to the SPCA to a media-driven class-action lawsuit on behalf of the rights of zombies everywhere.Darkly funny, surprisingly touching, and gory enough to satisfy even the most discerning reader, Breathers is a romantic zombie comedy (rom-zom-com, for short) that will leave you laughing, squirming, and clamoring for more.

    Possessed of an unnatural hunger, bloodthirsty Reapers rule the planet, sucking out human blood and souls. Starting in revenge for the loss of his parents, on to fellow soldiers, Lieutenant David Valentine intends to fight back in this western-style frontier.