. . .A teenage computer prodigy is mortally strangled in Mumbai. A far-right extremist is killed in a remote cabin in the Pacific Northwest. A wealthy businessman is murdered in Thailand. A pimp in Brooklyn is found stabbed to death and mysteriously covered by a brown shroud. What connects the victims is an ancient prophecy that leads to the end of the world, and it's up to Will Monroe, a fledgling reporter at the New York Times, to stop it.But Monroe's investigation quickly makes him some shadowy enemies, who kidnap his wife and hold her hostage in Crown Heights. Desperate to find the link between the killings and to save his wife, he enlists his college sweetheart, TC, an eccentric artist and Kabbalah expert. As the death toll rises, they follow a trail of clues that seems to lead inexorably to a set of ancient texts containing a prophecy that promises to save the world—or to destroy it.What will happen when the one secret that has kept the world safe for thousands of years is revealed to all? In The Righteous Men, a blistering thriller filled with mystery, romance, and suspense, Sam Bourne takes readers deep into the hidden worlds of fundamentalist religion, mysticism, and biblical prophecies. This is a visionary tale that is as frightening as it is entertaining. Readers won't stop turning the pages until the very end.

    -Her son adores him. He was there when she needed him most. -He anticipates her every need. -He would never betray her like her first husband.The perfect husband. He checks all the boxes.The question is, why? Nina Garrity learned the hard way that her missing husband, Glen, had been leading a double life with another woman. But with Glen gone—presumably drowned while fishing on his boat—she couldn't confront him about the affair or find closure to the life he blew apart. Now, a year and a half later, Nina has found love again and hopes she can put her shattered world back together. Simon, a widower still grieving the death of his first wife, thinks he has found his dream girl in Nina, and his charm and affections help break through to a heart hardened by betrayal. Nina's teenage son, Connor, embraces Simon as the father he wishes his dad could have been, while her friends see a different side to him, and they aren't afraid to use the word obsession.Nina works hard to bridge the divide that’s come between her daughter and Simon. She wants so badly to believe her life is finally getting back on track, but she’ll soon discover that the greatest danger to herself and her children are the lies people tell themselves.

    Out too late with the boyfriend she was forbidden to see, Persephone was missing for three days before her body was found—and years later, her murder remains unsolved.In the present day, Sylvie returns home to care for her estranged mother, Annie, as she undergoes treatment for cancer. Prone to unexplained “Dark Days” even before Persephone’s death, Annie’s once-close bond with Sylvie dissolved in the weeks after their loss, making for an uncomfortable reunion all these years later. Worse, Persephone’s former boyfriend, Ben, is now a nurse at the cancer center where Annie is being treated. Sylvie’s always believed Ben was responsible for the murder—but she carries her own guilt about that night, guilt that traps her in the past while the world goes on around her.As she navigates the complicated relationship with her mother, Sylvie begins to uncover the secrets that fill their house—and what really happened the night Persephone died. As it turns out, the truth really will set you free, once you can bear to look at it.The Winter Sister is a mesmerizing portrayal of the complex bond between sisters, between mothers and daughters alike, and forces us to ask ourselves—how well do we really know the people we love most?

    No stranger to tragedy, Polly was a runaway at the age of fifteen, escaping a nightmarish Mississippi childhood.Lonely, that is, until she encounters architect Marshall Marchand. Polly is immediately smitten. She finds him attractive, charming, and intelligent. Marshall, a lifelong bachelor, spends most of his time with his brother Danny. When Polly’s two young daughters from her previous marriage are likewise taken with Marshall, she marries him. However, as Polly begins to settle into her new life, she becomes uneasy about her husband’s increasing dark moods, fearing that Danny may be influencing Marshall in ways she cannot understand.But what of the ominous prediction by a New Orleans tarot card reader, who proclaims that Polly will murder her husband? What, if any, is the Marchands' connection to the infamous "Butcher Boy" multiple homicide? And could Marshall and his eccentric brother be keeping a dark secret from Polly, one that will shatter the happiness she has forever prayed for?

    But twenty years later, Heloise considers it a blessing to be a person who knows how to avoid attention. In the comfortable suburb where she lives, she's just a mom, the youngish widow with a forgettable job who somehow never misses a soccer game or a school play. In the state capitol, she's the redheaded lobbyist with a good cause and a mediocre track record.But in discreet hotel rooms throughout the area, she's the woman of your dreams—if you can afford her hourly fee.For more than a decade, Heloise has believed she is safe. She has created a rigidly compartmentalized life, maintaining no real friendships, trusting few confidantes. Only now her secret life, a life she was forced to build after the legitimate world turned its back on her, is under siege. Her once oblivious accountant is asking loaded questions. Her longtime protector is hinting at new, mysterious dangers. Her employees can't be trusted. One county over, another so-called suburban madam has been found dead in her car, a suicide. Or is it?Nothing is as it seems as Heloise faces a midlife crisis with much higher stakes than most will ever know.And then she learns that her son's father might be released from prison, which is problematic because he doesn't know he has a son. The killer and former pimp also doesn't realize that he's serving a life sentence because Heloise betrayed him. But he's clearly beginning to suspect that Heloise has been holding something back all these years.With no formal education, no real family, and no friends, Heloise has to remake her life—again. Disappearing will be the easy part. She's done it before and she can do it again. A new name and a new place aren't hard to come by if you know the right people. The trick will be living long enough to start a new life.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    When Jon is finally ready to confess his feelings, he's suddenly kidnapped by his substitute teacher who is obsessed with H.P. Lovecraft and has a plot to save humanity.Mourning the disappearance of Jon and facing the reality he may never return, Chloe tries to navigate the rites of entering young adulthood and "fit in" with the popular crowd, but thoughts of Jon are never far away. When Jon finally escapes, he discovers he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to protect Chloe and find the answers to his new identity—but he's soon being tracked by a detective who is fascinated by a series of vigilante killings that appear connected. Whisking us on a journey through New England and crashing these characters' lives together in the most unexpected ways, Kepnes explores the complex relationship between love and identity, unrequited passion and obsession, self-preservation and self-destruction, and how the lines are often blurred between the two.

    He should be freed from his closed-minded, stricken coal town, with its lack of jobs and no sense of humor. Instead, he's constantly reminded of just how messed up his life is.With his mother in jail for killing his abusive father, Harley is an orphan with the responsibilities of an adult and the fiery, aggressive libido of a teenager. Just nineteen years old, he's marooned in the Pennsylvania backwoods caring for his three younger sisters, whose feelings about him range from stifling dependence to loathing. And once he develops an obsession with the sexy, melancholic mother of two living down the road, those Victoria's Secret catalogs just won't do the trick anymore. He wants Callie Mercer so badly he fears he will explode. But it's the family secrets, the lies, and the unspoken truths that light the fuse and erupt into a series of staggering surprises, leaving what's left of his family in tatters. Through every ordeal, the unforgettable Harley could never know that his endearing humor, his love for his sisters, and his bumbling heroics would redeem them all.Funny and heartbreaking, Tawni O'Dell's pitch-perfect characters capture the maddening confusion of adolescence and the prickly nature of family with irony and unerring honesty. Back Roads is a riveting novel by a formidable new talent."One day you're that guy who's happy he managed to survive high school and get that almighty piece of paper, and you're thinking you might try to get a job at Redi-Mix concrete where your dad's worked since the beginning of time. And at least you've got a family you can stand even if they are all sisters.

    Kate Riordan’s novel is a beautifully dark and beguiling tale which will sweep you away. It will appeal to fans of Kate Morton and Daphne Du Maurier's Rebecca.In the summer of 1933, Alice Eveleigh has arrived at Fiercombe Manor in disgrace. The beautiful house becomes her sanctuary, a place to hide her shame from society in the care of the housekeeper, Mrs Jelphs. But the manor also becomes a place of suspicion, one of secrecy.Something isn't right.Someone is watching.There are secrets that the manor house seems determined to keep. Tragedy haunts the empty rooms and foreboding hangs heavy in the stifling heat. Traces of the previous occupant, Elizabeth Stanton, are everywhere and soon Alice discovers Elizabeth's life eerily mirrors the path she herself is on.(

    But Leland is also one of Carissa's patients, and he is beginning to realize that he has fallen in love with her. As love and legal obligations collide, Leland comes face-to-face with an ethical dilemma of enormous proportions.  Graceful, intelligent, and suspenseful, The Law of Similars is a powerful examination of the links between hope and hubris, love and deception.

    But surrounded by the unrestrained love of her father, she felt safe until the terrible accident in the mine did not take away her father. Not yet recovering after his father's death, Melody left West Virginia with his mother Heile after this dream to become a model or actress. But first they came to Cape Code to finally visit her father's family ..

    It is April 1964 and one week before Hitler's 75th birthday. Xavier March, a detective of the Kriminalpolizei, is called out to investigate the discovery of a dead body in a lake near Berlin's most prestigious suburb. As March discovers the identity of the body, he uncovers signs of a conspiracy that could go to the very top of the German Reich. And, with the Gestapo just one step behind, March, together with an American journalist, is caught up in a race to discover and reveal the truth - a truth that has already killed, a truth that could topple governments, a truth that will change history.

    Now, 30 years later, Puzo enriches us all with his ultimate vision of the subject: the story of the greatest crime family in Italian history, the Borgias.In The Family, this singular novelist transports his readers back to 15th century Rome, and reveals to us the extravagance and intrigue of the Vatican as surely as he once revealed the secrets of the Mafia. At the story's center is Rodrigo Borgia, Pope Alexander VI, a man whose lustful appetites were matched only by his consuming love of family. Surrounding him are his extraordinary children: simple, unloved Jofre; irascible, heartless Juan; beautiful, strong-willed Lucrezia; and passionate warrior Cesare, Machiavelli's friend and inspiration. Their stories constitute a symphony of human emotion and behavior, from pride to romance to jealousy to betrayal and murderous rage.A labor of love two decades in the making, The Family marks the final triumph of one of the greatest storytellers of our time.

    Gorgeous doting husband Massimo, sweet little son Sandro and the perfect home. Lara knows something about Massimo. Something she can’t tell anyone else or everything Massimo has worked so hard for will be destroyed: his job, their reputation, their son. This secret is keeping Lara a prisoner in her marriage. Maggie is married to Massimo’s brother Nico and lives with him and her troubled step-daughter. She knows all of Nico’s darkest secrets – or so she thinks. Then one day she discovers a letter in the attic which reveals a shocking secret about Nico’s first wife Caitlin. Will Maggie set the record straight or keep silent to protect those she loves? For a family held together by lies, the truth will come at a devastating price. A heart-wrenching, emotionally gripping read for fans of Amanda Prowse, Liane Moriarty, and Diane Chamberlain.

    It triggers dreams of disasters. Tragedies that happen exactly as he envisions them. He learns that not only can he see the future, he can change it. Then the unthinkable happened and everyone ignored his frantic warnings. Thousands die. Suddenly, the Feds are pounding on his door and the name they have for Taylor isn't urban hero. It's enemy combatant. And, it means they can do anything they want to him. Anything at all.