Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended. Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.

    Spence's meticulous research has, perhaps most notably, uncovered evidence that Austen and the charming young Irishman Tom Lefroy fell in love at the age of twenty and that the relationship inspired Pride and Prejudice, one of the most celebrated works of fiction ever written. Becoming Jane Austen gives the fullest account we have of the romance, which was more serious and more enduring than previously believed. Seeing this love story in the context of Jane Austen's whole life enables us to appreciate the profound effect the relationship had on her art and on subsequent choices that she made in her life.Full of insight and with an attentive eye for detail, Spence explores Jane Austen's emotional attachments and the personal influences that shaped her as a novelist. His elegant narrative provides a point of entry into Jane Austen's world as she herself perceived and experienced it. It is a world familiar to us from her novels, but in Becoming Jane Austen, Austen herself is the heroine.

    However, what price must she pay for that future? She once said she was not romantic, but how true is that now after almost one year of marriage? Mr Collins is submissive in the extreme to his patroness, and his constant simpering, fawning and deference to the overbearing and manipulative Lady Catherine de Bourgh is sure to try the patience of a saint, or at least of Charlotte. As Charlotte becomes part of Hunsford society, she discovers she is not the only one who has been forced to submit to the controlling and often hurtful hand of Lady Catherine. She feels trapped and realises her need for love and affection. She is not as content as she once thought she would be. The easiest thing to do would be to maintain the peace and do as she is told. But as Charlotte witnesses the misery around her due to her inimitable neighbour, she must decide to remain as she is or to begin a chain of events that will change not only her life but also the lives of those around her in the village of Hunsford forever. But...after all, doesn't every girl deserve a happy ending?

    Tucked away behind the mirror she found two letters, one from Fitzwilliam Darcy, the fictional hero of Jane Austen's 'Pride and Prejudice', the other from Jane to Darcy.

    She retreats to her room to read and play the pianoforte and, when obliged to mix in society, finds it safer to quote platitudes from books rather than express her real opinions. She also finds it safer to befriend those who are socially “beneath” her. When wealthy Mr. Darcy and Mr. Bingley glide into her sisters’ lives, Mary becomes infatuated with an impoverished young musician, the son of her old wet-nurse, who plays the fiddle at the Meryton assemblies.It is only after her sisters tease her about her “beau with the bow” that Mary is forced to examine her real feelings and confront her own brand of pride and prejudice.An elegant accompaniment to Jane Austen’s Pride and Prejudice, The Forgotten Sister plucks the neglected Mary from obscurity and beautifully reveals her hopes and dreams.

    Darcy... or can they?What could possibly make a proper gentleman come completely undone?What if Elizabeth Bennet accepted the proposal of another before she met Mr. Darcy again? In Abigail Reynolds' bold and playful retelling of the Austen classic, a devastated Mr. Darcy must decide how far he is willing to go to win the woman he loves. Consumed by jealousy, he knows that winning her will throw them both into scandal and disgrace, but losing her is unbearable. Mr. Darcy is going to have to fight for his love, and his life...

    The guests (including millions of readers) wish the two lucky couples health and happiness. As the music swells and the credits roll, only two things are certain: Elizabeth and Darcy are to be the happiest couple in the world, while Jane and Bingley will want for nothing!Rebecca Ann Collins follows them in imagination, observing and chronicling their passage through the landscape of nineteenth century England, noting how they cope with change, triumph and tragedy in their lives.Their personal stories--the usual concerns of love, marriage, money and children--are woven together with the threads of social and political history.

    Bennet's greatest fear comes to pass--Longbourn is entailed to Mr. Collins. Elizabeth finds work as a governess in London, widening the social divide between her and Mr. Darcy and making it more difficult than ever for them to find their way to each other...

    Darcy's younger sister searches for her own happily-ever-after.The year is 1814, and it's springtime at Pemberley. Elizabeth and Mr. Darcy have married. But now a new romance is in the air, along with high fashion, elegant manners, scandal, deception, and the wonderful hope of a true and lasting love.Shy Georgiana Darcy has been content to remain unmarried, living with her brother and his new bride. But Elizabeth and Darcy's fairy-tale love reminds Georgiana daily that she has found no true love of her own. And perhaps never will, for she is convinced the one man she secretly cares for will never love her in return. Georgiana's domineering aunt, Lady Catherine de Bourgh, has determined that Georgiana shall marry, and has a list of eligible bachelors in mind. But which of the suitors are sincere, and which are merely interested in Georgiana's fortune? Georgiana must learn to trust her heart and rely on her courage, for she also faces the return of the man who could ruin her reputation and spoil a happy ending, just when it finally lies within her grasp.

    Darcy, she despised him and was sure he felt the same. Angered by his pride and reserve, influenced by the lies of the charming Mr. Wickham, she never troubled herself to believe he was anything other than the worst of men--until, one day, he unexpectedly proposed. Mr. Darcy's passionate avowal of love causes Elizabeth to reevaluate everything she thought she knew about him. What she knows is that he is rich, handsome, clever, and very much in love with her. She, on the other hand, is poor, and can expect a future of increasing poverty if she does not marry. The incentives for her to accept him are strong, but she is honest enough to tell him that she does not return his affections. He says he can accept that--but will either of them ever be truly happy in a relationship of unequal affection?Diverging from Jane Austen's classic novel Pride and Prejudice at the proposal in the Hunsford parsonage, this story explores the kind of man Darcy is, even before his "proper humbling," and how such a man, so full of pride, so much in love, might have behaved had Elizabeth chosen to accept his original proposal.

    Darcy is a sexy, bold, and oftentimes hilarious story with a fresh and vibrant cast of characters.

    Surrounded by appalling exes and fawning students, the only thing keeping professor Katherine Roberts sane is Jane Austen and her personal secret love for racy Regency romance novels. She thinks the Jane Austen Addicts conference in the English countryside is the perfect opportunity to escape her chaotic life and finally relax... But then she encounters a devilishly handsome man at the conference who seems determined to sweep her off her feet. Is he more fiction than fact? Or could he be the hero she didn't know she was looking for?

    Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness.In twenty short chapters, each of which explores a question prompted by Austen's novels, Mullan illuminates the themes that matter most in her beloved fiction. Readers will discover when Austen's characters had their meals and what shops they went to; how vicars got good livings; and how wealth was inherited. What Matters in Jane Austen? illuminates the rituals and conventions of her fictional world in order to reveal her technical virtuosity and daring as a novelist. It uses telling passages from Austen's letters and details from her own life to explain episodes in her novels: readers will find out, for example, what novels she read, how much money she had to live on, and what she saw at the theater.Written with flair and based on a lifetime's study, What Matters in Jane Austen? will allow readers to appreciate Jane Austen's work in greater depth than ever before.

    Intelligent, pragmatic, and anxious to escape the shame of spinsterhood, Charlotte chose this life, an inevitable one so socially acceptable that its quietness threatens to overwhelm her. Then she makes the acquaintance of Mr. Travis, a local farmer and tenant of Lady Catherine…In Mr. Travis’ company, Charlotte feels appreciated, heard, and seen. For the first time in her life, Charlotte begins to understand emotional intimacy and its effect on the heart—and how breakable that heart can be. With her sensible nature confronted, and her own future about to take a turn, Charlotte must now question the role of love and passion in a woman’s life, and whether they truly matter for a clergyman’s wife.

    Darcy's younger sister, who must choose between two suitors, a well-placed navy captain and a brash young architect. Masterfully adapted to Austen's original nineteenth-century style, Presumption brings back to life the book's most memorable characters, the Bennets, Darcys, Collins, and de Bourghs."An elegant emulation and continuation of Pride and Prejudice. . . . Jointly composed by two admirers of Jane Austen, the book often achieves crisp replication of her style. . . . Presumption shows how sequel-writing can, like parody, be a sharp exercise in literary appreciation."—Peter Kemp, Times Literary SupplementJulia Barrett is a pseudonym for Julia Braun Kessler and Gabrielle Donnelly.