That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    The only people still able to dream are North America's Indigenous people, and it is their marrow that holds the cure for the rest of the world. But getting the marrow, and dreams, means death for the unwilling donors. Driven to flight, a fifteen-year-old and his companions struggle for survival, attempt to reunite with loved ones and take refuge from the "recruiters" who seek them out to bring them to the marrow-stealing "factories."

    The tragicomedy of race, class, manners and naivete of liberalism.

    But for the people of Laramie–both the friends of Matthew and those who hated him without knowing him–the tragedy was personal. In a chorus of voices that brings to mind Thornton Wilder’s Our Town, The Laramie Project allows those most deeply affected to speak, and the result is a brilliantly moving theatrical creation.

    

    Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places.Often O'Hara, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal.

    She has a comfortable home, good friends, and a loving family. She’s also a widow, carrying a burden of responsibility for her wife’s untimely death. She lost her footing that day, gave up her dream to be a doctor, and swore off relationships. Now, three years later, she’s ready to turn her life on end in an effort to regain what she lost. At 29, Coby O’Brien is a woman with secrets. She’s estranged from her family, a recovering alcoholic, and alone because she’s convinced that she’s unlovable. When she loses her job as a heavy equipment operator, she’ll accept one that’ll force her to step way outside her comfort zone into a life where nothing is, as it seems. Having caught next to no breaks in life, it may turn out to be her break of a lifetime. When Coy quits her job to accept a position in Antarctica, her path will cross with Coby’s. Their attraction to one another will be immediate, and despite their differences, it won’t be long before they fall in love. But for these two, with all their baggage, will love be enough?

    Dennis was different. Why was he different, you ask? Well, a small clue might be in the title of this book! Charming, surprising and hilarious—The Boy in the Dress is everything you would expect from the co-creator of Little Britain. David Walliams's beautiful first novel will touch the hearts (and funny bones) of children and adults alike.

    He lives in New York City.

    One day, Mummy Pig says that Peppa and Suzy were best friends even when they were babies! What were little Peppa and Suzy like in the olden days?Join Peppa on an adorable friendship-themed tale in this special hardcover storybook based on the hit Nick Jr. show!

    All you have to do is step inside . . .When 12-year-old Flick Hudson accidentally ends up in the Strangeworlds Travel Agency, she uncovers a fantastic secret: there are hundreds of other worlds just steps away from ours. All you have to do to visit them is jump into the right suitcase. Then Flick gets the invitation of a lifetime: join Strangeworlds' magical travel society and explore other worlds.But, unknown to Flick, the world at the very centre of it all, a city called Five Lights, is in danger. Buildings and even streets are mysteriously disappearing. Once Flick realizes what's happening she must race against time, travelling through unchartered worlds, seeking a way to fix Five Lights before it collapses into nothingness -- and takes our world with it.

    After discovering a lost tea dragon in the marketplace, Greta learns about the dying art form of tea dragon care-taking from the kind tea shop owners, Hesekiel and Erik. As she befriends them and their shy ward, Minette, Greta sees how the craft enriches their lives—and eventually her own.

    Erin Hughes, a local history professor with a passion for old houses. Dhari’s life is complicated enough without meeting such an attractive and intelligent woman: Her mother needs her, her father relies on her and her girlfriend worries her. But when Erin finds old letters and a diary, Dhari knows she can’t leave until she finds out the truth . . .Marianne K. Martin is the best-selling author of five novels including Mirrors and Love in the Balance.

    SELECTED AND INTRODUCED BY JOYCE CAROL OATESBetween them, our great visionary poets of the American nineteenth century, Emily Dickinson and Walt Whitman, have come to represent the extreme, idiosyncratic poles of the American psyche....Dickinson never shied away from the great subjects of human suffering, loss, death, even madness, but her perspective was intensely private; like Rainer Maria Rilke and Gerard Manley Hopkins, she is the great poet of inwardness, of the indefinable region of the soul in which we are, in a sense, all alone.

    / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.