But the tag that really fits is Hitter. “A riveting retrospective” (Baseball americanca). Index; career statistics; photographs.

    It’s the tale of Hannali Innominee, a ’Mingo’ or natural lord of the 19th-century Choctaw Indian [and] a capacious, indomitable giant of the ilk of Paul Bunyan....Lafferty tells it straight: how the Choctaw nation, once removed, reconstituted itself and thrived in Indian territory...., how there came a schism between the rich, part-white, slave-owning, moneylending Choctaws and the ’feudal, compassionate, chauvinistic’ full-blooded freeholders like Hannali; and how, during the Civil War, the Indians were manipulated divide-and-conquer fashion in helping destroy each other."–Kirkus Reviews.

    Among them, The Story of Hermione, in which the eponymous character grows rich from the all too convenient deaths of several relatives, has been called one of the most chilling short stories ever written. Sister Bessie describes vividly the agonies of a blackmail victim and the desperate crimes he commits in the hope of freeing himself from his tormentor. Miss Burnside's Dilemma describes the predicament of a person who uncovers a piece of unscrupulous, but entirely legal chicanery by someone she had previously admired. A Life for a Life explores the possibility of atonement for one's earthly sins after death.

    I. PUDOVKIN Translated by IVOR MONTAGU Introduction by LEWIS JACOBS BONANZA BOOKS NEW YORK CONTENTS PAGE CONTENTS FILM TECHNIQUE A separate table of contents for FILM ACTING appears at the beginning of that volume. INTRODUCTION BY LEWIS JACOBS iii INTRODUCTION TO THE GERMAN EDITION . . xiii I. THE FILM SCENARIO AND ITS THEORY FOREWORD 1 PART I. THE SCENARIO .... 3 The meaning of the shooting-script The construction of the scenarioThe theme The action-treatment of the theme Conclusion. PART H. THE PLASTIC MATERIAL . . 26 The simplest specific methods of shooting-Method of treatment of the material struc tural-editing Editing of the scene Editing of the sequence Editing of the Scenario-Editing as an instrument of impression rela tional editing. II. FILM DIRECTOR AND FILM MATERIAL PART I. THE PECULIARITIES OF FILM MATERIAL 51 The film and the theatre The methods of the film Film and reality Filmic space and time The material of films Analysis Editing the logic of filmic analysis The necessity to interfere with movement Organisation of the material to be shot Arranging setups The organisation of chance material Filmic form The technique of directorial work. PART H. THE DIRECTOR AND THE SCENARIO 93 The director and the scenarist The environ ment of the film-The characters in the envir iv uUC aiY MO. 7158987 PAGE onment The establishment of the rhythm of the film. PABT III. THE DIRECTOR AND THE ACTOR 105 Two kinds of production The film actor and the film type Planning the acting of the film type The ensemble Expressive movement-Expressive objects The director as creator of the ensemble. PART IV. THE ACTOR IN THE FRAME . 118 The actor and the filmic image The actor and light. PART V. THE DIRECTOR AND THE CAMERA MAN 120 The cameraman and the camera The camera and its viewpoint The shooting of movement The camera compels the spectator to see as the director wishes The shaping of the com position-The laboratory-Collectivism the basis of film-work. III. TYPES INSTEAD OF ACTORS . 137 IV. CLOSE-UPS IN TIME 146 V. ASYNCHRONISM AS A PRINCIPLE OF SOUND FILM 155 VL RHYTHMIC PROBLEMS IN MY FIRST SOUND FILM 166 VII. NOTES AND APPENDICES A. GLOSSARIAL NOTES . 175 B. SPECIAL NOTES 180 C. ICONOGRAPHY OF PUDOVKINs WORKS . 192 D. INDEX OF NAMES .... 196 The numerals in the text refer to Appendix B. INTRODUCTION THERE are few experiences more important in the education of a newcomer to motion pic tures than the discovery of V. I. Pudovkins Film Technique and Film Acting. No more valuable manuals of the practice and theory of film making have been written than these two handbooks by the notable Soviet director. So sound are their points of view, so valid their tenets, so revelatory their analyses, that they remain today, twenty years after their initial appear ance, the foremost books of their kind. First published abroad in 1929 and 1933 respectively, Film Technique and Film Acting brought to the art of film making a code of principles and a rationale that marked the mediums analytic coming of age. Until their publication, the motion picture maker had to eke out on his own any intellectual or artistic considera tions of film craft. No explicit body of principles existed upon which the film maker could draw with confidence. Film technique was a more or less hit or miss affair that existed in a kind of fragmentary state which, in the main, leaned heavily upon theatrical methods. These pioneering books made clear at once that movie making need no longer flounder for a methodol ogy or for its own standards. They elucidated what iv FILM TECHNIQUE AND FILM ACTING were the fundamentals of film art and defined the singular process of expression that distinguished it from all other media. Now film theory and practice could be attacked with greater assurance and efficiency...

    But there is far more to the story, including the bizarre scheme that Booth first concocted to kidnap Lincoln and trade him for Confederate soldiers held in Northern prisons. Here is the full story of the plot, the bumbling plotters that Booth recruited, Lincoln's lingering death, the manhunt for the assassin, and the trial of the conspirators. It is essential knowledge of a tragedy that shaped America for a century to come.

    Their intertwined personal and professional lives had far-reaching consequences-for politics, domestic policy, and international affairs–and their marital troubles became a national soap opera. Based on unparalleled access to scores of Clinton insiders-cabinet officers, top administration officials, close personal friends–and skilled analysis of a vast written record, including previously unavailable private papers, "For Love of Politics "is the first book to explain the dynamics of Bill and Hillary's relationship, showing that they are two halves of a unique whole and that it is impossible to understand one Clinton without factoring in the other. Sally Bedell Smith, acclaimed author of "Grace and Power: The Private World of the Kennedy White House," " "offers intimate scenes from the Clinton marriage, with new details and insights into how a passion for politics sustained Bill and Hillary through one crisis after another. With clarity and depth, Smith examines the origins of an unconventional copresidency, explains the impact of the Clintons' tensions as well as their talents, and reveals how Hillary shifted from openly exercising power in the first two years to acting as a "hidden hand," advising her husband on a range of foreign and domestic issues as well as decisions on hiring and firing. Smith describes for the first time the inner workings of a White House with an unprecedented "three forces to be reckoned with"-Bill, Hillary, and Al Gore–and shows how the First Lady's rivalry with the Vice President played out in the West Wing and even more profoundly during the 2000 campaign. As Hillary seeks to follow in her husband's footsteps, this riveting book will leave readers marveling at what they never knew about Bill’s intensely covered presidency-and wondering what it would be like to have two presidents, both named Clinton, living in the White House. "From the Hardcover edition."

     Between December 27, 1942, and December 17, 1944, he shot down forty Japanese aircraft. This achievement meant that he was the U.S.A.’s top flying ace through the course of the Second World War. George C. Kenney, commanding officer of the Fourth Air Force, knew Bong well and his biography of the young hero brings Bong’s short career in the air force to life. One of Kenney and Bong’s first encounters had been when Bong had been cited and temporarily grounded for looping the Golden Gate bridge, flying at low level down Market Street in San Francisco, and blowing the clothes off an Oakland woman’s clothesline. Kenney reprimanded him saying ““there is no need for me to tell you again that this is a serious matter. If you didn’t want to loop around that bridge or fly down Market Street I wouldn’t have you in my Air Force, but you are not going to do it any more and I mean what I say.” Yet, Kenney was also aware of Bong’s flying skill and although he might have been a bit of a daredevil he acknowledged that for the U. S. Air Force to pose a serious threat to the Japanese “We needed kids like this lad.” Dick Bong: America's Ace of Aces is a remarkable book that uncovers the short, but fascinating, career of America’s greatest fighter pilot. It is full of brilliant insights provided by Kenney who was able to watch this young man develop before his life was cruelly cut short testing a jet aircraft shortly before the war ended. “Both flight enthusiasts and students of the second world war will read with considerable interest of the events of Dick Bong's life in a book which sticks close to its subject” Kirkus Reviews George C. Kenney was a United States Army Air Forces general during World War II. He is best known as the commander of the Allied Air Forces in the Southwest Pacific Area (SWPA), a position he held from August 1942 until 1945. Kenney wrote three books about the SWPA air campaigns he led during World War II. He also wrote The Saga of Pappy Gunn in 1959 and Dick Bong: Ace of Aces in 1960, which described the careers of Paul Gunn and Richard Bong, two of the most prominent airmen under his command. He passed away in 1977.

    Her story is unparalleled—and offers fascinating insights into the earliest days of the emigrants. Eliza’s parents launched the Oregon Trail era with the original covered wagon trek in 1836. Settling in the region that is now the junction of Oregon, Washington, and Idaho, Eliza grew up among native peoples. She learned their language and understood their culture better than any pioneer girl of the era. Eliza was at the Whitman Mission on the day of the fateful attacks that so profoundly changed the course of western history. Her telling of that story is uniquely valuable—even though she was just 10 years old—because she was the only survivor who spoke the language of the attackers. This first-person account is an eye-opening look at life in the early West.Eliza’s story is as fresh and readable today as the day it was written—a rare example of a historic document that can still engage modern readers, even children. This enhanced edition adds dozens of photos, maps, graphics, and notes to the original manuscript. The bonus material provides a layer of context that gives readers deeper insight into her compelling story.

    Halpern enables the adult child to understand his or her parent and foster a positive, healthy adult relationship.

    Altho they have no bodies to move around with, they're free to mentally visit any of the other residents, & engage in all the emotional, intellectual & pseudo-sexual congress that they desire. This is the story of a projection of life in the 25th century. People have been reduced to Cerebromorphs--disembodied brains stored in tanks in huge Depositories & wired up to computers, memory files & mammoth study programmes. In the tanks they're supposed to pass thru various levels of understanding before they are liberated, implanted in hatchery-nurtured perfect bodies & sent back into a pastoral paradise flourishing outside. The novel follows a small group of these brains: that of a 12-year-old boy killed in an air crash; an ex-movie queen, fastidious, rich & lethal; a former Nigerian sculptor & the last of the great humanists.

    Starting with the island's founder Henry Flagler, and updated for Kindle, "Palm Beach Babylon" chronicles the Kennedys, the Trumps, the Dodges, Helmsleys, Pulitzers, Vanderbilts, Mizners and Madoffs, and many more "Titans of Industry" and "Royalty." "The history is solid, the writing stylish," wrote renowned author Pete Hamill. "Riveting," exclaimed Nicholas Pileggi, author of "Wiseguy" and "Casino." The New York Times declared "Palm Beach Babylon" the best book ever written on the storied tropical island, where the "Rich and Famous" flock every winter to indulge in a world that only money can pierce. "Murray Weiss and Bill Hoffmann have . . . produced an intriguing account of the wagers of too much wealth and too much leisure time," wrote Dominick Dunne, the best selling novelist and true-crime expert. And as one reader posted along with 5-Stars: A REAL PAGE TURNER: I loved this book because it had all the allure of great fiction, yet it was about real people who, although they live in a real place (Palm Beach, FL), seem more like Great Gatsby characters than anything else! It also provides a fascinating historical perspective of the glamorous Palm Beach, how it was built, the man who built it, and the wealthy who flocked to it.

    Jane is Farou's secretary and mistress. Jane is also the admirer, confidante and constant companion of Farou's wife, Fanny. Colette exposes the subtle torments of living with infidelity, the capacity for suffering and the ruthlessness of women in love. Her sensitivity and honesty give this novel an emotional intensity which makes the startling twist at the end very poignant.

    Bella Ford, aged 19 and a girl of generous and determined character, having been seduced by an older and married man, Arch Wilson, goes in search of him and eventually finds him with tragic circumstances. In the meantime she is befriended and given a home by a family of shoemakers, the Wainwrights, who help her restore her faith in living. Through them, and especially the three Wainwright sons, she rediscovers beauty, fulfillment, love and great happiness...until a crisis of extreme tragedy puts her to the highest test. One critic wrote: “The story is reminiscent of Thomas Hardy…the naive girl made pregnant by the slick villain, the rural setting and seasonal rhythms, the inevitable violence, the flight with the lover and his eventual capture--all are variations on Tess of the d'Urbervilles." The title, The Feast of July, derives from the July 'Sunday of Fifty Feasts', celebrated all over the Midlands. These feasts were once religious in character, but they became annual pleasure fairs, and up to the end of the 19th century they were robust and very colourful.

    

    Perhaps that was the trouble--no one really took a good look at Ronald. Except for his devoted mother, who saw only the son she wanted to see. Who, then, is Ronald? Ronald is that faceless unknown who waits - to take, to grab what he needs, to become the ultimate invader.