(His very first—rejected—comics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature style. It is the indisputable centerpiece of Tardi’s oeuvre.It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.

    This second omnibus of storied treasuries of murder includes the famous double axe murder by Lizzie Borden; the mysterious drowning of the lovely Mary Rogers; the Bloody Benders, a family of murderous inn keepers; socialite Madeleine Smith who poisoned an inconvenient suitor; and the famous assassination of President Lincoln. Each true crime story includes a bibliography of research sources, presenting true facts about famous murders in an entertaining fashion.

    The pets sold here aren's your everyday variety and the Count prides himself on selling Love and Dreams in the form of magical creatures that come with an exclusive contract. But buyers beware. If the contract is broken the Count cannot be held accountable for whatever may happen. A fascinating and macabre look into the very soul of human nature. Contains the following stories: DREAM Young Angelique learns the tragic nature of breeding the rarest of birds in the Strelizia. DESPAIR Out-of-luck actor Robin Hendrix has always preferred the company of reptiles, so it's only natural that he would fall in love with a very special and dangerous one. DAUGHTER There is no love stronger than a mother's love for her daughter, but one mother is about to learn that love can be quite painful. DREIZEHN They say that a dog is a man's best friend but for the recently blinded Karen, the bond with her new seeing eye dog is even closer. Recommended for older teens, ages 16+.

    The girl and the beast should never have met, but when they do, a quiet fairytale begins. This is a story of two people--one human, one inhuman--who linger in the hazy twilight that separates night from day.

    Expanding Bram Stoker’s original universe fifty years hence, into the pulp era of the 1930’s, SILVER introduces James Finnigan, a witty but (figuratively) soulless con man, who sets out to separate the living-dead from their precious silver.Personality conflicts, emotional entanglements and character comedy abound, as Finnigan assembles the crew of talented but broken misfits needed to pull off the heist of the last ten centuries.

    In the darkly humorous LOBO'S BACK BACK, Lobo is killed over and over again by one of his quarries but is refused entrance to both Heaven and Hell. As a result, the Main Man finds himself reincarnated in various forms, among them a woman and a squirrel. Furious but unfazed by his less than appealing new identities, the bounty hunter continues his mission.

    The Autobots are reformatted by the Ark to resemble cars and trucks; the Decepticons take the form of jets, weapons or in the case of Soundwave, a cassette deck with tapes.The Decepticons wreak havoc, steal energy and build a fortress. The Autobots, seen here as very weak underdogs, unsuited for war, fight valiantly to stop their foes.Ultimately, it's the humans that the Autobots befriend that save the day. Buster Witwicky's dad, captured by the Decepticons to formulate a fuel for them, secretly poisons his captors.In the final battle, five Autobots take on the entire Decepticon army. On the cusp of defeat, the tainted fuel concocted by Mr. Witwicky kicks in and the Decepticons fall.The Autobots don't even have time to celebrate, however, as the 4-part mini-series ends with Shockwave making an appearance, blowing the remaining Autobots to pieces. This cliffhanger led directly into the monthly Marvel run, which began 3 months after the miniseries ended. (Issue #4 had a cover date of Mar. 1985; issue #5 had a date of June.)Starting with issue 5, The Transformers had more drastic changes. Before reaching its 30th issue, both Optimus Prime and Megatron had been killed off to make way for newer characters.Starting in issue 35 (cover-dated December, 1987), the events became less Earth-centric, as the Transformers repaired their spacecraft and were able to revisit their homeworld Cybertron and other planets. This aspect was particularly prominent in the Matrix Quest sub-plot.In issue 75 (cover-dated February, 1991), the Autobots and Decepticons had united under one banner after Autobot commander Optimus Prime surrendered to Scorponok, in order to end their civil war. United, they finally faced their ancient nemesis: Unicron. The Transformers won, but with heavy losses, including the deaths of Scorponok and Optimus Prime (again). Peace between the two Transformers factions was shortlived after Unicron's death. Bludgeon, the new Decepticon leader, tried to strand the Autobots on Cybertron, which was apparently destroying itself. His plan failed and the final confrontation between the two factions played out, with the Autobots lead again by Grimlock. Optimus Prime is united with Hi-Q (his Powermaster) and given life by The Last Autobot. He returns to battle to save the Autobots and then exiles the Decepticons forever (until Transformers: Generation 2). After the battle with Unicron, the comic ran for only five issues before being cancelled. The final issue had the mini series banner above the title; "#80 IN A FOUR ISSUE LIMITED SERIES".Most of the issues of Transformers Marvel US were written by two writers. Although the first four issues were written by Jim Salicrup, editor Bob Budiansky was the one who contributed the most to the story, writing the character bios and backgrounds for the Transformers, even giving names to some of them. After the mini-series became an ongoing comic, Budiansky was promoted to constant writer. Except for issue #16 (Plight of the Bumblebee, written by Len Kaminski), issue #43 (The big broadcast of 2006, a Transformers cartoon episode adaptation by Ralph Macchio) and the two-part story Man of Iron (imported from Transformers Marvel UK), Bob wrote all the Transformers comics until issue #55.Most famous story arcs and issues are Warrior's school featuring the introduction of the Dinobots and the first clash between Autobot medic Ratchet and Megatron; Prime Time! when Optimus Prime is finally freed from captivity and battles current Decepticon commander Shockwave; Smelting Pool and The Bridge to Nowhere brought the story back to Cybertron where only a handful of Autobots fight an underground war against Straxus's Decepticons, also introducing Blaster, Budiansky's most-used character who was radically different from his cartoon and Marvel UK version. Afterdeath and Gone but not forgotten saw the deaths (for a while, anyway) of Optimus Prime and Megatron, after which Grimlock took control of the Autobot forces in King of the Hill. Starting at issue #28, Blaster and Goldbug (a rebuilt Bumblebee) defected from the Autobots due to Grimlock tyrannical leadership, which ended with Grimlock and Blaster having a duel in Totaled. The next issue, People Power saw the return of Optimus Prime, as a Powermaster. The "Underbase saga" began in issue #47 and ended in issue #50, Dark Star, where Starscream, absorbing the power of the Underbase, kills most of the active Transformers of the time. (Budiansky admitted in an interview that Hasbro was forcing him to introduce new characters so quickly, he had to do an epic to "make room" for them.) Budiansky's last 5 stories were very mediocre, he himself said that he lost the interest in Transformers, and asked Hasbro to hand over the comics to a new writer.From issue #56, the by then well-known writer of Transformers Marvel UK, Simon Furman took over the reins, having been asked by Marvel US. Furman used the characterisation he used at Marvel UK for the Transformers, and introduced many characters to the US comic who have already appeared in the UK comic. He wrote all the issues until the comic's cancellation at issue #80.Furmnan's most famous story arcs include Back from the Dead, the return of Megatron who kidnaps Ratchet to help him in his revenge against both Autobots and Decepticons; Primal Scream! which introduced Primus and re-told the origin of the Transformer race to the US readers too; the "Matrix Quest" which features the Autobots sending numerous teams to locate the Matrix that was lost when Optimus "died" and his body was shot into space; and the Unicron story arc from #67 to #75, featuring the Transformers' ultimate battle against the Chaos Bringer.Sadly the comic was cancelled shortly after issue #75, so Furman had to "wrap up" the ending. According to some interviews with him, he planned to feature the Neo-Knights and the "demons" inhabiting Cybertron's underground more in the never-written issues

    What if there was a way to guarantee you could become more and more beautiful every day? What if it was a sexually transmitted disease? In the world of The Beauty, physical perfection is only one sexual encounter away. The vast majority of the population has taken advantage of it, but Detectives Vaughn and Foster will soon discover it comes at a terrible cost. Now, they'll have to find their way past corrupt poiticians, vengeful federal agents, and a terrifying mercenary out to collect the price on their heads. Collects the first six issues of the critically acclaimed, Pilot Season winning series by writer/artist JEREMY HAUN (Constantine, Batwoman) and co-writer JASON A. HURLEY. ...a high concept that is, frankly, genius... - multiversitycomics.com This is absolutely a book to check out. - all-comic.com ...one of the strongest introductions to a series in a long time... comicbookresources.com"

    Shunned by her village because of her disability, her only comfort comes from her vivid imagination. Maggie has a gift for inventing stories and dreams of one day finding her fairy-tale love.When Maggie meets the mysterious Piper, it seems that all her wishes are coming true. Spellbound, Maggie falls hard for him and plunges headfirst into his magical world. But as she grows closer to the Piper, Maggie discovers that he has a dark side.The boy of Maggie's dreams might just turn out to be her worst nightmare...

    Snyder and collected in order for the first time! * Futuristic tales by artists Tim Sale, John K. Snyder, and more! * Over 500 pages!

    His little foodie television program has since evolved into STARVE, an arena sport that pits chef against chef for the pleasure of their super-rich patrons. It's a stain on a once-noble profession, and Chef Gavin is ready to go to war to stop it. Two things stand in his way: his arch rival Roman Algiers, and his adult daughter Angie, who probably just wants her dad back and acting normal.

    Sock Monkey And The Other Toys Marvel At The Prismatic Spectrum On The Parlour Floor, Coming From The Glass Door Knob. Winter Turns To Spring, And The Apple Tree Sprouts New Leaves, Casting A Warm Green Shadow On The Door. The Door Knob Seems To Be Broken, Ending The Light Show, Until Mr Crow Plans To End The Door Knob With Scientific Techniques.

    Under its carnival tents is a mirror maze that steals wishes; a carousel that promises eternal life, in exchange for your soul; the Dust Witch, who unerringly foresees your death; and Mr. Dark, the Illustrated Man, who has lived for centuries off the misery of others. Only two boys, Will Halloway and Jim Nightshade, recognize the dark magic at work and have a plan to stop this ancient evil—that is, if it doesn't kill them first.Something Wicked This Way Comes is Ray Bradbury's incomparable work of dark fantasy, and the gifted illustrator Ron Wimberly has stunningly captured its sinister magic in gorgeously realized black-and-white art. Complete with an original introduction by Bradbury, Ray Bradbury's Something Wicked This Way Comes: The Authorized Adaptation reintroduces this thrilling classic.

    

    Cora and Minnie are sisters living in a small, stifling town where strange and mysterious things occur. Their mother runs the local boarding house. Their father is gone. The woman up the hill may or may not be a witch. Thomas and Charles are brothers who’ve been exiled to the boarding house so Thomas can tame his ways and Charles can fight an illness that is killing him with increasing speed. Their family history is one of sorrow and guilt. They think they can escape from it . . . but they can’t.