He claims to be “the Lord.” And he says he can only save them if they all believe in him.Adrift in a raft after a deadly ship explosion, nine people struggle for survival at sea. Three days pass. Short on water, food and hope, they spot a man floating in the waves. They pull him in.“Thank the Lord we found you,” a passenger says.“I am the Lord,” the man whispers.So begins Mitch Albom’s most beguiling and inspiring novel yet.Albom has written of heaven in the celebrated number one bestsellers The Five People You Meet in Heaven and The First Phone Call from Heaven. Now, for the first time in his fiction, he ponders what we would do if, after crying out for divine help, God actually appeared before us? What might the Lord look, sound and act like?In The Stranger in the Lifeboat, Albom keeps us guessing until the end: Is this strange and quiet man really who he claims to be? What actually happened to cause the explosion? Are the survivors already in heaven, or are they in hell?The story is narrated by Benji, one of the passengers, who recounts the events in a notebook that is later discovered—a year later—when the empty life raft washes up on the island of Montserrat.It falls to the island’s chief inspector, Jarty LeFleur, a man battling his own demons, to solve the mystery of what really happened. A fast-paced, compelling novel that makes you ponder your deepest beliefs, The Stranger in the Lifeboat suggests that answers to our prayers may be found where we least expect them.

    Harding, a clergyman of great personal integrity who is nevertheless in possession of an income from a charity far in excess of the sum devoted to the purposes of the foundation. On discovering this, young John Bold turns his reforming zeal to exposing what he regards as an abuse of privilege, despite the fact that he is in love with Mr. Harding's daughter Eleanor. It was a highly topical novel (a case regarding the misapplication of church funds was the scandalous subject of contemporary debate), but like other great Victorian novelists, Trollope uses the specific case to explore and illuminate the universal complexities of human motivation and social morality

    Will she follow her own will, or make the hard choice to submit her life to Christ's leadership? Now available with a contemporary new look, Not My Will is a classic story of love, loss, and surrender, with more than 500,000 copies sold.

    From the moment young Jim Hawkins first encounters the sinister Blind Pew at the Admiral Benbow Inn until the climactic battle for treasure on a tropic isle, the novel creates scenes and characters that have fired the imaginations of generations of readers. Written by a superb prose stylist, a master of both action and atmosphere, the story centers upon the conflict between good and evil - but in this case a particularly engaging form of evil. It is the villainy of that most ambiguous rogue Long John Silver that sets the tempo of this tale of treachery, greed, and daring. Designed to forever kindle a dream of high romance and distant horizons, Treasure Island is, in the words of G. K. Chesterton, 'the realization of an ideal, that which is promised in its provocative and beckoning map; a vision not only of white skeletons but also green palm trees and sapphire seas.' G. S. Fraser terms it 'an utterly original book' and goes on to write: 'There will always be a place for stories like Treasure Island that can keep boys and old men happy.'

    The novel focuses on the story of a young scribe and illuminator named Gerard Eliason and his love for Margaret Brandt, daughter of a poor scholar. Interacting with them is a cast of vividly drawn characters and various historical personages. The overarching theme through all of their adventures is the conflict between man's obligations to family and to Church. Long considered a literary classic, it has been critically acclaimed as one of the greatest historical novels in English. Reade affected a medieval writing style and used much archaic language even for his nineteenth century readers.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    God has been outlawed, and the priests have been systematically hunted down and killed. Now, the last priest is on the run. Too human for heroism, too humble for martyrdom, the nameless little worldly “whiskey priest” is nevertheless impelled toward his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.   In his introduction, John Updike calls The Power and the Glory, “Graham Greene’s masterpiece…. The energy and grandeur of his finest novel derive from the will toward compassion, an ideal communism even more Christian than Communist.”

    Its sequel, Dear Enemy (1915), also told in letters, follows the progress of Judy's former orphanage now run by her friend Sallie McBride, who struggles to give her young charges hope and a new life. Full of irrepressible female characters that both recall Alcott's Jo March and anticipate the popular heroines of contemporary literature, Webster's novels are witty, heartfelt, and delightfully modern.

    He and his three children are lost in their grief... until Sophie walks unexpectedly into their lives. Having left her native Czechoslovakia, Sophie has discovered the land which seemed so bright with promise is far from her dream. A highly educated woman, Sophie now finds herself keeping house for Alec and his family. How can Sophie find peace in her new job? Will God use her gentle spirit to help heal Alec's broken heart? From the author of The Visitor and Bamboo and Lace comes a warm contemporary story of God's tender mercies and loving intervention in the life of one family.

    This is essentially the second part of Little Women.Amy looked relieved, but naughty Jo took her at her word, for during the first call she sat with every limb gracefully composed, every fold correctly draped, calm as a summer sea, cool as a snowbank, and as silent as the sphinx. In vain Mrs. Chester alluded to her 'charming novel', and the Misses Chester introduced parties, picnics, the opera, and the fashions. Each and all were answered by a smile, a bow, and a demure "Yes" or "No" with the chill on.

    The daughter of a powerful lord, Sarah balks at the marriage her father has planned for her. On her wedding day, she impulsively flees to the vast, empty marshes outside the city walls, where she meets a young man named Abram, son of a tribe of outsiders. Drawn to this exotic stranger, Sarah spends one night with him and reluctantly returns to her father’s house. But on her return, she secretly drinks a poisonous potion that will make her barren and thus unfit for marriage.Many years later, Abram returns to Ur and discovers that the lost, rebellious girl from the marsh has been transformed into a splendid woman—the high priestess of the goddess Ishtar. But Sarah gives up her exalted life to join Abram’s tribe and follow the one true God, an invisible deity who speaks only to Abram. It is then that her journey truly begins.From the great ziggurat of Ishtar to the fertile valleys of Canaan to the bedchamber of the mighty Pharaoh himself, Sarah’s story reveals an ancient world full of beauty, intrigue, and miracles.

    But when circumstances change, he learns that not all humans are so kind. Passed from hand to hand, Black Beauty witnesses love and cruelty, wealth and poverty, friendship and hardship . . . Will the handsome horse ever find a happy and lasting home? Carefully retold in clear contemporary language, and presented with delightful illustrations, these favorite classic stories capture the heart and imagination of young readers. By retelling the story in a shorter, simpler form, these books become highly engaging for children, and the color illustrations help with both comprehension and interest level. Black Beauty is part of a collectible series that has strong gift appeal.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    Suddenly, the election is concluded - with a surprise result. The new pope is the youngest cardinal of all - and a Russian. Shoes of the Fisherman slowly unravels the heartwarming and profound story of Kiril Lakota, a cardinal who reluctantly steps out from behind the Iron Curtain to lead the Catholic Church and to grapple with the many issues facing the contemporary world.

    Only two Jews, Berish the innkeeper and his daughter Hannah, have survived the brutal Cossack raids. When three itinerant actors arrive in town to perform a Purim play, Berish demands that they stage a mock trial of God instead, indicting Him for His silence in the face of evil. Berish, a latter-day Job, is ready to take on the role of prosecutor. But who will defend God? A mysterious stranger named Sam, who seems oddly familiar to everyone present, shows up just in time to volunteer. The idea for this play came from an event that Elie Wiesel witnessed as a boy in Auschwitz: "Three rabbis--all erudite and pious men--decided one evening to indict God for allowing His children to be massacred. I remember: I was there, and I felt like crying. But there nobody cried."Inspired and challenged by this play, Christian theologians Robert McAfee Brown and Matthew Fox, in a new Introduction and Afterword, join Elie Wiesel in the search for faith in a world where God is silent.

    Now, in this beautifully illustrated graphic novel adaptation, Hosseini brings his compelling story to a new generation of readers.